A melancholy singer-songwriter Michael Gately's nice debut album in 1972. Michael released two albums in his recording career and soon after he disappeared from music scene. The two albums have never been reissued for over four decades but now finally released on CD.

The 17 selections on this disc represent the earliest recordings by one of the most important and definitive jazz combos in history. These are interesting because Dave Brubeck and Paul Desmond on alto sax had established the basic sound long before bassist Gene Wright and drummer Joe Morello would join them for the 'classic quartet' era. One other thing that is interesting is even though recording technology was relatively crude in the very early 1950s the sound quality on this album is more than acceptable.

The Hollywood Years Vol. 1. Tangerine Dream has composed scores for dozens of films. The process of creating for the cinema always leaves the performer with loads of unused material. The Hollywood Years, Vol. 1 features unused soundtrack material composed and performed by Edgar Froese and Jerome Froese. (While they are credited with composing and performing, some of the material sounds very familiar, like it is from the lineup with Christopher Franke and Paul Haslinger.) Tangerine Dream's proliferation in this arena has yielded some excellent music that can stand on its own. It also has yielded, understandably, some uneven pieces and even some absolute losers. The Froeses handpicked this material and it is very good-to-excellent e-music…

EMI's Immersion Edition of The Wall offers a new remaster of the original album, a remaster of the previously released concert album Is There Anybody Out There: The Wall Live, a DVD containing a documentary among other visual highlights and, finally, two discs of demos from the band and the album's chief songwriter, Roger Waters. These demos are the true highlight of the box, and they've been arranged into seven separate programs, all arranged chronologically and tracing the development of the album from Waters' solo demos through relatively rough full-band run-throughs. The first Programme, running 22 tracks, is devoted to the original Waters solo demos and runs through the entire album in miniature, then the second Programme adds a few selections from the full band. These are quite subdued and slow, a clear outgrowth from the moody malevolence of Animals…