This special set includes two-disc compilation album The Very Best Of Eagles and DVD - Farewell 1 Tour: Live From Melbourne, released on one disc. The Very Best Of (released as The Complete Greatest Hits in the UK, Australia, and New Zealand) is a two-disc compilation album by the Eagles, released in 2003. This album combines all tracks that appeared on the two previously released Eagles greatest hits albums (Their Greatest Hits (1971-1975) & Eagles Greatest Hits, Vol. 2), along with other singles not included on the first two compilations, album tracks and the new track "Hole in the World". Farewell Tour - Live from Melbourne is a double DVD by Eagles, released in 2005. It was filmed in Melbourne, Australia at the Rod Laver Arena on the 14, 15 and 17 of November 2004, in the same name tour, featuring two new songs. It is the second record featuring the Eagles as quartet (without Don Felder) but it did feature a horn section.

With Your Wilderness, Bruce Soord's the Pineapple Thief shift their musical focus away from their exploration of polished rock so evident on 2012's All the Wars and 2014's Magnolia, and back toward contemporary prog. Drummer Dan Osborne, who made his debut with the band on Magnolia, proved short-lived in his role; he has been replaced by Porcupine Tree/King Crimson kit man Gavin Harrison. Soord also enlisted guests including Supertramp's John Helliwell on clarinet, Caravan's string player/arranger Geoffrey Richardson, Godsticks' guitarist Darran Charles, and a four-voice choir. Harrison's addition can't be overstated. His playing extends the reach of their musicality exponentially.
The album title denotes themes of isolation, loneliness, and alienation - not unfamiliar ones in PT's oeuvre. That said, they've never been explored with such a brooding focus as they are here…

First Blood harks back to the glory days of the '60s blues-rock boom – Mike Henderson and the Bluebloods' gritty sound is far from original, but years on the Nashville bar band circuit have honed their skills to a razor-sharp point, and the record is refreshingly raw and direct, distinguished by rock-solid musicianship.

Norwegian trumpeter Mathias Eick opts for a different approach on Midwest. Four years after the song-like Skala, his sophomore ECM date that has attained "classic" status in European critical circles, he employs notions of history, folk tradition, and dislocation. This album was inspired by Eick's time spent playing the American continent; his tour began on the West Coast. When he entered the rural, upper Midwest and encountered its vast open spaces, he began to feel a sense of "home." He later learned that over the past two centuries of immigration, over a million Norwegians had settled there. After conceiving a "road" album that would begin in Hem, the village of his birth, and traverse the ocean to America, Eick enlisted violinist Gjermund Larsen (a folk musician who has contributed to Christian Wallumrød's ECM recordings), pianist Jon Balke, double bassist Mats Eilertsen, and percussionist Helge Norbakken. The compositions are all lyrical, in typical Eick fashion, but with Larsen they take on a rougher, more earthen quality.

This may be more Move than the casual fan wants, but it's not just another rehashed collection. From the remastered sound to the presence of various outtakes (including lost live tracks), the 30th anniversary triple-disc Movements is as definitive a set as we'll ever have on this band, containing everything except for the Message From the Country album. Disc one consists of the group's early singles plus The Move album and one outtake ("Disturbance"), all sounding really clear and tough, the loudest psychedelic pop music you'll ever hear out of England. Disc two contains the complete Shazam album, as well as alternate stereo or undubbed mixes of such songs as "Cherry Blossom Clinic," "(Here We Go Round) The Lemon Tree," "Fire Brigade," and an Italian-sung version of "Something." The sound is OK, with brilliant delineation on the guitars and basses…