Blood Incantation’s Absolute Elsewhere is unlike anything you’ve ever heard before. At roughly 45 minutes, the two compositions that make up this album are as confounding as they are engaging in their scope, melding the 70's prog leanings of Tangerine Dream (whose Thorsten Quaesching appears on "The Stargate [Tablet II]") with the deathly intent of Morbid Angel. Absolute Elsewhere, which takes its title from the mid-70's prog collective (best known as a celestial stopover for King Crimson drummer, Bill Bruford), Blood Incantation are leaving the notion of genre behind and writing a new language for extreme music itself.
Deluxe Artbook Edition featuring 3 CDs containing “Absolute Elsewhere” (Album), “All Gates Open” (Original Motion Picture Soundtrack), “Luminescent Bridge” (Maxi Single, 2023, previously only released on vinyl).

Throughout their career, Caravan Palace has consistently defied musical conventions and genres, forging their unclassifiable, hybrid pop signature sound. Embraced by multiple communities (dancers, gymnasts, gamers, video animators…) who turned their songs into viral hits, the group has achieved enormous success, accumulating several billion streams across all platforms as well as an RIAA Platinum Certified Single with "Lone Digger". Their idiosyncratic soundscapes achieve the rare feat of being both leftfield and commercial. Gangbusters Melody Club, their fifth album is a joyous jigsaw puzzle of an album and their most dancefloor-friendly to date.

Before this, the last the world heard from international cult songwriter Bill Pritchard was his unexpectedly electronic-heavy 2005 album, By Paris by Taxi by Accident. That album came after a long disappearance from public performance that followed several spirited albums of introspective college rock-era alternative pop crafted by Pritchard either alone or with his band Beatitude.

Ilya Gringolts made a splash with his CD of the Paganini D Major Concerto, so it's no surprise that he excels in these fiendishly difficult solo pieces, including one of his own. His playing is dazzling, secure even in the most tortuous passages. The Hindemith sonatas are abstract, anti-Romantic works.

The second release from Katia and Marielle Labèque's own KML label largely revisits Debussy and Stravinsky works that the duo previously essayed for Philips. Their newer versions are preferable, and may well represent the Labèque sisters' finest recordings to date. Whereas a driving, steel-edged literalism characterizes their earlier Debussy En blanc et noir, the duo now imbues the score with greater rhythmic leeway.

The Labèque sisters' recordings on the Philips and London labels from the early '80s, which were big hits, largely disappeared after their initial acclaim and, as of the early 2000s, were only found in excerpts on compilations. So as the big labels continue to abandon new classical recordings, the Labèques started their own record label, as many other artists have done, allowing them the freedom to choose what kind of music they want to record, whether it be standard piano duet repertoire or new interpretations of Lennon and McCartney.

One might have thought that Satie's charmingly eccentric and obscurely evocative piano music would fit the French piano duo Katia and Marielle Labèque, like a silk chemise, but this disc of his most popular pieces for piano two-hands and piano four-hands is their first recording of any of his works.

Since they started their own KML label, the Labèque sisters have turned in one superb recording after another. First came a brilliant all-Ravel disc, then an incandescent disc of Debussy and Stravinsky, and now a disc combining Schubert and Mozart: the former with his colossal Fantasy in F minor, D. 940, plus the melancholy Andantino varié in B minor, D. 823, and the latter, with his monumental Sonata in D major, D. 448. In all three works, the Labèques are magnificent, but very different.

Country star Gretchen Wilson has set a May 15 release date for her third album, "One of the Boys," which will be released by Columbia in the wake Epic Nashville's closure last year. Wilson co-produced the 11-track set with Mark Wright and her Muzik Mafia mate John Rich of Big & Rich. Rich also guests on first single "Come To Bed," which has thus far topped out at No. 32 on Billboard's Hot Country Songs chart. The new album is the follow-up to 2005's "All Jacked Up," which has sold 1.2 million copies in the United States, according to Nielsen SoundScan.

British trumpeter Ken Colyer, one of the major New Orleans revival brassmen, had broken up his regular group in 1971 due to his erratic health but fortunately he continued playing on a part-time basis during the remaining 17 years of his life. This infectious set (which came out on CD in 1998) was performed at a church in 1972 before a live audience and although Colyer and his septet play songs that could be thought of as hymns, there is nothing somber or overly reverent about the interpretations. Colyer (who is in excellent form), clarinetist Sammy Rimington, trombonist Barry Palser, pianist Ray Smith, banjoist Pete Morcom, bassist Alan Jones and drummer Colin Bowden put lots of feeling into the music and there are plenty of stomps and ensemble-oriented jams. Among the ten selections (all of which are quite enjoyable) are "Just A Little While To Stay Here," "Sing On," "Bye And Bye" and "Walking With The King." This is easily recommended to New Orleans jazz collectors.

The Deaton Le May Project was established and set up as a 100% pure studio project by Craig LeMay (drums and percussion) and Roby Deaton on guitar, keyboards, and vocals.
The sound of the Deaton LeMay Project truly reminds of bands like Saga, Camel; but it also “shows” influences of Rick Wakeman and even Keith Emerson. The latter influence can be heard in Different Place In Time, which is packed with beautiful flowing and sometimes dramatic keyboard motifs and melodies; but the duo also has a tendency towards classic hard rock elements and even some AOR characteristics. The second part of the album which consists of the six-part Elements Of Life Suite is the highlight and most extraordinary song of The Fifth Element. A true prog rock gem packed with tempo changes, intense vocals, pompous keyboard textures, impressive instrumental passages, and stunning guitar work…