On "Veins of Fire", Deserted Fear have again driven their songwriting, sound, and musical prowess into new territories. While remaining true to their trademarks, riffing and melodies yet also the drumming have been given an update, while vocalist Manuel "Mahne" Glatter extended his range even further. The lyrics on "Veins of Fire" reveal Deserted Fear as a band very much concerned and engaged with the most relevant contemporary issues without any urge to preach or to demand conformity. The songs on this album reflect a world full of insecurity, injustice, and growing divisions. The rise of death metal trio Deserted Fear is both remarkable and thrilling.

Very few bands make it to their 11th album. Even fewer do so with the same fire and fury that defined their early years. But Machine Head isn't just any band. For over three decades, the personification of determination, Founder/Vocalist/Guitarist Robb Flynn, has led Machine Head on an uncompromising path - one fueled by defiance, reinvention, and a relentless pursuit of evolution. Now, with 'UNATØNED', they've once again sharpened their sound into its most direct and impactful form to date. Determined to challenge himself, Flynn set strict songwriting parameters for 'UNATØNED', shorter, more focused songs with a decidedly American feel, unconventional key changes, and shifting structures that break expectations. That self-imposed restraint resulted in a lean, unrelenting album that captures Machine Head at their most potent.

Fly From Here - Return Trip is a 2018 remix and remaster of Fly from Here with new vocals from Trevor Horn throughout. Fly from Here was Yes’ twentieth studio album. Fly from Here - Return Trip was released on 25 March 2018 through PledgeMusic and at the two-day fan convention in London during the band's fiftieth anniversary tour. This album features the band members who appeared on the Drama album in 1980: Trevor Horn, Chris Squire, Steve Howe, Alan White, Geoff Downes. The addition of Trevor's lead vocals has produced a genuine sequel to Drama. In addition to remixing parts of the album, and singing lead vocal on the tracks, Trevor has added personal liner notes and the gatefold sleeve design features the painting by Roger Dean originally used on the inside of the 2011 edition.

Over the years many people have asked, "Will the real Robben Ford please stand up?" Those are the people who wonder if the singer/guitarist is really a blues-rock vocalist or a jazz fusion instrumentalist at heart. But truth be told, Ford is many different things. He is genuinely eclectic, which is why one never really knows from one album to the next what direction he will take. Blue Moon, Ford's first album for Concord Jazz, is primarily a vocal date. Ford gets in his share of inspired guitar solos, and he provides one instrumental: the gutsy "Indianola." But most of the time he sings. And as a vocalist, he favors an exciting blend of blues, rock, and soul on tracks like "Something for the Pain," "Don't Deny Your Love," and "The Way You Treated Me (You're Gonna Be Sorry)." Meanwhile, "It Don't Make Sense (You Can't Make Peace)" and the moody "Make Me Your Only One" are among the CD's more jazz-tinged vocal offerings. Ford does not embrace a standard 12-bar blues format on all of the material, but then, he never claimed to be a blues purist.

The two LP editions recorded at this Paris concert were the last examples of Bill Evans' playing to be released at the time. With bassist Marc Johnson and drummer Joe La Barbera, Evans had one of the strongest trios of his career, as can be heard on such pieces as Edition One's "My Romance," "I Loves You, Porgy," and "Beautiful Love." The close communication between the players is reminiscent of Evans' 1961 unit with Scott LaFaro and Paul Motian.

As phenomenally popular as Earth, Wind & Fire was from the mid-'70s to the early '80s, it's easy to forget that the band was hardly an overnight success. With Head to the Sky – EWF's fourth album overall, second with Philip Bailey, and second for Columbia – Maurice White's very spiritual and ambitious brand of soul and funk was starting to pay off commercially. The Latin-influenced "Evil" became the soulsters' biggest hit up to that point, and material ranging from the hauntingly pretty title song (which boasts one of Bailey's finest performances ever) to the jazz fusion gem "Zanzibar" is just as rewarding. The lineup White unveiled with Last Days and Time was working out beautifully; Bailey was clearly proving to be a major asset. Also worth noting is the presence of singer Jessica Cleaves, who left after this album and, several years later, resurfaced in George Clinton's eccentric female group the Brides of Funkenstein.