Siloah (1970). In 1970 Manuela, Tiny, Thom and Wolfgang were living and playing together in Munich. Under the name of Siloah they released a now highly sought-after LP whose master tapes are lost. In 1993 it was released on CD for the first time (Lost Pipedreams LP 013 CD), but unsufficiently decrackled and without any bonus tracks. Now at last there is a flawless re-issue of it including everything recorded at that time - even the track from the extremely rare "Release" sampler as well as their 7'' "Mit Tiny nach Tanger", of which only one copy was made. But what is most impressive is the 28-page booklet in colour, which leaves nothing to be desired. Siloah’s second album, "Sukram Gurk", recorded with a new line-up in 1972, is soon to follow. Dag Erik Asbjørnsen: "Siloah made two LPs, regarded as among the most frenzied on the German underground scene"…

With the distinct ethnic-driven sound of Deep Forest, Eric Mouquet belongs to the few unique pioneers of electronic music. His highly recognizable sounds defined the concept of world music and shaped the all-new sound of ethnic-electronica. Deep Forest’s latest releases include Deep Brasil, Deep Africa and Deep India where Eric Mouquet explores the unique musical expressions of some exciting cultures.
On his new album “Evo Devo” Eric Mouquet has gone even further - and nevertheless simultaneously back to the “bohemian feel” of his early works. His tonal craftsmanship has developed into an own artistic language. Every track explores a distinct emotion. You can almost feel and follow Eric’s inner motivations and share his musical journey to the frontiers of contemporary electronic music and beyond.

This new album of music by Ralph Vaughan Williams, the latest by the London Choral Sinfonia and Michael Waldron, features collaborators including violinist Jack Liebeck and tenor Andrew Staples. The collection includes works such as Vaughan Williams's Violin Concerto; ""In Windsor Forest,"" adapted from the opera 'Sir John in Love;' and ""Prelude on Gibbons’ Song 13,"" newly orchestrated for strings. Among these adaptations are Vaughan Williams' own transcriptions of J.S. Bach's works, including the 'Giant' Fugue and 'Schmucke Dich' chorale, reflecting his admiration for Bach's music. The album contains poignant pieces like ""Nothing is here for tears,"" a sombre response to King George V's death, and ""Land of our birth,"" an homage to Britain's World War II victory.

The original score of El Prometeo (Prometheus) is held in the Leopoldine Library in Vienna. It dates from 1669 and was written by Antonio Draghi, a composer who was also a singer, notably in the operas of Cavalli. For the first time in history, an Italian set a text in Spanish. The last act of El Prometeo has disappeared. But since the libretto of this act has survived, Leonardo García Alarcón decided to rewrite all the music for it. ‘I immersed myself in Draghi’s music in order to understand his style, his favourite intervals, the type of melody he composed and the type of basso continuo he was fond of, so as to try to produce a score that is worthy of him. So I hope that this third act will measure up to his music, his intentions and his creativity!’ says the Argentinian conductor. Directing a brilliant cast (Fabio Trümpy, Mariana Flores, Giuseppina Bridelli, Scott Conner, Borja Quisa, Zachary Wilder, Ana Quintans), Leonardo García Alarcón brings this Baroque opera to life in Spanish, an opportunity to show his love for his mother tongue, ‘a supremely musical language’!

Originally released in 1986 only on LP and MC, this Deluxe Edition includes archive tapes & studio adventures. After 26 years of a long wait it has finally come out, CD of the cult debut album with some additional bonus tracks. The successful 80's producer, Theo Werdin has searched his garage for us and played the old tapes himself. The original demo recordings from 1985 and even more awesome unreleased demo tracks have been discovered in the old archives. Many legendary names who participated in this project, and only by the then broke the record company, it was Dresden China, group that had so much potential, unfortunately not as well known as they deserved. Now we have everything on a CD compiled and provided new booklet with lots of additional information and images to an insight, how the time is all gone.

Maria Muldaur's trilogy of old-timey blues and jazz releases for the Stony Plain imprint (she simultaneously records more contemporary music for the Telarc label) concludes with this appropriately titled set. Much is made in the liner notes of the veteran jazz/blues/pop/gospel singer being mentored in her early jugband years by no less of an icon than Victoria Spivey, so it seems Muldaur feels this tribute to the style and material of Spivey and other "classic blues queens" of the '20s and '30s is a sort of closure. It is also a history lesson, with detailed booklet information, some of it written by Muldaur, providing fascinating capsule biographies of the women whose music is covered here.