Mozart was the only composer to successfully conquer this hybrid form. For him, an orchestral serenade meant a large work (often nearly an hour long) combining all of the parts of a symphony with several aspects of the concerto. There are marches, minuets, and sections featuring a solo violin or horn. Karl Bohm was a Mozart specialist–his interpretations have just the right combination of discipline and spontaneity. This is music from an era when the pace of life was much more leisurely than it is now. So sit back, relax, and enjoy.

Until Charpentier, the myth of Orpheus had never provided the subject matter for an opera in French. He repaired the omission with this fascinating little gem on the margins of the large-scale tragédie lyrique. Charpentier offers us here a myth left in suspension, without a resolution, a carefree and happy ‘descent’ that consecrates Orpheus’ song and the enchanting power of music. A poetic experience amid the depths of night, which inspire Sébastien Daucé and his Ensemble Correspondences more than ever!

Premiered at the King's Theatre, London during May 1739, this is not a familiar Handel opera, although its music certainly will be. It is a pasticcio opera cobbled together by Handel using an existing libretto and music he plundered from the little known Francesco Araja (c1709-1770).

Earthling is the twenty-first studio album by the English musician David Bowie, released on 3 February 1997 through RCA Records in the United Kingdom, Virgin Records in the United States, and Arista Records/BMG in other territories. Developing musical styles previously explored on Outside (1995), Earthling showcases an electronica-influenced sound partly inspired by the industrial and drum and bass culture of the 1990s, further exhibiting jungle and techno styles. Lyrically, the tracks express themes of alienation and spirituality. One of them, "I'm Afraid of Americans", was remixed for release as a single by Nine Inch Nails' Trent Reznor, who appeared in its music video. The artwork depicts Bowie wearing a Union Jack coat co-designed by Alexander McQueen. Earthling charted better than its predecessor and reached the top ten in several countries.

Shamall is the moniker used by German composer and multi-instrumentalist Norbert Krueler, a highly influential DJ in Germany by trade and a passionate part-time musician to boot.
The late 80’s was the playground for flutey synths, plucky guitars, bassy stabs, pan-pipes and digi-attacks. This album is pitched right in there and uses with great skill the leading edge technology available at the time. It has a comforting familiarity, like a distant friend, which puts you at ease allowing each track to be absorbed and enjoyed. ‘Spanish Impressions’ demonstrates the clever compositional angle which many of the tracks take. Different sections joust for the high ground during the opening minutes before an unexpected shuffling rhythm settles the track down allowing different themes room to grow…

Following their recordings of Bruckner's Symphonies Nos. 7 (ALPHA932, Diapason d'Or) and 8 (ALPHA987, awarded 'best symphonic recording of the year' at the International Classical Music Awards), Paavo Jarvi and the Tonhalle-Orchester Zurich here conclude their tribute to the Austrian composer in this bicentenary year with a recording of his 9th symphony. The orchestra's history has been closely linked to Bruckner since it gave the first Swiss performance of one of his symphonies under Richard Strauss in 1903. "The great classical and romantic tradition of the Tonhalle-Orchester Zurich make it ideally suited to Bruckner, the central composer for modern symphony orchestras," says Paavo Jarvi. Bruckner composed this musical farewell (he wrote the words "a farewell to life" in the score) in his final years; legend has it that he was still working on the symphony on the day he died.

New recording from Elisabeth Leonskaja - an album which pays tribute to the second Viennese school featuring works by Berg, Schoenberg, Webern. One of the most celebrated pianists of our time, remaining true to herself and to her music, and in doing so, is following in the footsteps of the great Russian musicians of the Soviet era, such as Sviatoslav Richter and Emil Gilels… "When I play, I am not presenting myself on the stage, but the music I am playing. It is the music that matters." EL