Hot Potatoes is the best available single-disc overview of Devo's career, hitting nearly all of the most significant moments from their first five albums, as well as including the non-LP singles "Be Stiff" and "Working in a Coalmine." "Whip It" and "Freedom of Choice" are here, of course, as are cult favorites "Jocko Homo," "Mongoloid," "Satisfaction (I Can't Get Me No)," plus many more. However, even if it's the best available, it isn't that widely available in the U.S.; plus, Devo's first three albums in particular all have at least a few fine songs that aren't included here. But if you only want one disc and don't mind hunting a bit, Hot Potatoes: The Best of Devo is superior to the American Greatest Hits, which for some reason does not feature "Mongoloid," one of the most obvious choices for a Devo hits collection.

Since Charly Records began working with the catalog of the fabled Texas label International Artists Records, they've released a steady stream of material by Lone Star psychedelic pioneers the 13th Floor Elevators, beginning with the definitive 2009 box set Sign of the 3 Eyed Men. But while Charly's releases have been beautifully assembled and annotated, they've also been created with serious fans in mind, rather than someone looking for the band's basic oeuvre. While a four-disc box set might seem a bit much for someone who just wants the basics, The Albums Collection is a thorough but elegant collection that delivers the Elevators' essential repertoire in one package. The Albums Collection includes the four albums the Elevators released in their lifetime - The Psychedelic Sounds of the 13th Floor Elevators, Easter Everywhere, Live, and Bull of the Woods - all in remastered form…

Marko Hietala has been synonymous with quality for more than four decades. As a founding member of the heavy metal band Tarot, as a key member of the supergroup Sinergy (alongside extreme talents such as Alexi Laiho) and as one of the key figures in the world's biggest symphonic metal band Nightwish, Hietala has not only shaped but also defined the sound of harder rock. Needless to say, his thunderous bass lines and rich vocals have been heard in the world's most famous venues such as Wembley Arena and legendary festivals such as Rock in Rio.
Roses From The Deep promises to deliver a unique blend of dark, introspective lyricism and soaring, cinematic soundscapes. Drawing inspiration from myth, nature, and the human experience, Hietala has crafted an album that transcends genres, with elements of progressive rock, folk, and symphonic metal seamlessly intertwined…

The Long Run is the sixth studio album by American rock group the Eagles. It was released in 1979 by Asylum Records in the United States and the United Kingdom. This was the first Eagles album to feature bassist Timothy B. Schmit, who had replaced founding member Randy Meisner, and the last full studio album to feature Don Felder before his termination from the band in 2001. This was the band's final studio album for Asylum Records. It also turned out to be their last studio album during their original tenure, as the Eagles disbanded in 1980; even though they reunited in 1994, they did not release another studio album until 2007's Long Road Out of Eden. The album was certified 7× Platinum and has sold more than eight million copies in the US.

Alicia Keys' debut album, Songs in A Minor, made a significant impact upon its release in the summer of 2001, catapulting the young singer/songwriter to the front of the neo-soul pack. Critics and audiences were captivated by a 19-year-old singer whose taste and influences ran back further than her years, encompassing everything from Prince to smooth '70s soul, even a little Billie Holiday. In retrospect, it was the idea of Alicia Keys that was as attractive as the record, since soul fans were hungering for a singer/songwriter who seemed part of the tradition without being as spacy as Macy Gray or as hippie mystic as Erykah Badu while being more reliable than Lauryn Hill. Keys was all that, and she had style to spare – elegant, sexy style accentuated by how she never oversang, giving the music a richer feel. It was rich enough to compensate for some thinness in the writing – though it was a big hit, "Fallin'" doesn't have much body to it – which is a testament to Keys' skills as a musician.