In the CD programme Psychedelic Gems, psychedelic and progressive bands and their background are featured bands, whose overall output of published or unpublished material would not be sufficient to justify a CD on their own. Most of them played during the late sixties and early seventies, having published no more than a demo tape or a single, which is why several of them are presented together on one CD. Each group - so far all of them coming from German-speaking countries - is accorded a full-page colour picture of the cover of their single, a band history in German and English and, if space is available, a photo of their label. In contrast to bootleg labels such as Visions of the Past, Electrick Loosers or Prae-Kraut Pandaemonium, all licenses were legally obtained from the artists or their record companies. Overlapping releases are therefore nothing to be surprised about. Together with the one of the Garden Of Delights series…

2016 solo album from the singer/songwriter best known for his work with the Grammy-winning band America. Recorded at his Los Angeles studio Human Nature, the shimmering 12-track album plays to all of Beckley's strengths; the singer, songwriter and musician played most instruments on the album. "With a solo project I'm really a committee of one," says Beckley. "There's only myself to please. Having said that, it's not always easy. Each project is a snapshot in time. The material on Carousel came from a wide scope of inspiration." Carousel contains original standouts such as the deeply personal "Lifeline", "No Way I'm Gonna Lose You" (co-written with Dan Wilson who won an award for his work with Adele) and "Tokyo", of which Beckley says: "The song actually came to me while I was waiting to board a flight home from Japan. I seem to remember I lost track of time and almost missed the flight." There are also three covers on which Beckley puts his distinctive spin: Spirit's "Nature's Way", Gerry Rafferty's "To Each and Everyone" and Gerry and The Pacemakers' "Don't Let the Sun Catch You Crying". "I've fortunately never been short on inspiration for my original material but I do love to record a cover every so often," says Beckley. "These three are of course from my long list of fave songs."

When The World Knows Your Name is the second album from the Scottish rock band Deacon Blue. It was released in 1989 and attained the number 1 chart position in the United Kingdom. "Real Gone Kid" was the band's first Top 10 hit single, reaching No. 8 in October 1988. "Wages Day", "Fergus Sings the Blues", "Love and Regret" and "Queen of the New Year" also reached the UK top 30, and all five of the album's singles made the top 10 of the Irish singles chart.

Santana Arriving at the twilight of the 1960s, Santana were psychedelic pioneers who ushered Latin rock into the mainstream with their first three albums: Santana, Abraxas, and Santana III. Thanks to their appearance at Woodstock, their eponymous album was a smash hit right out of the gate, with its single "Evil Ways" making it into the Billboard Top Ten in 1969. They remained at the top of the charts until 1973, when leader and namesake guitarist Carlos Santana began exploring esoteric, spiritual jazz fusion on his own. Carlos may have wandered away from the band who shared his name, but he always returned to the group, sustaining them through years both productive and fallow.

Deep India is a venture under Deep Forests Projects, where Eric Mouquet experiments with different kinds of music from all over the world. This is a first of its kind collaboration between Indias iconic Santoor Instrument player Rahul Sharma and the legendary Eric Mouquet of Deep Forest fame. The album titled Deep India brings alive a fusion between traditional Indian melodies by Rahul Sharma and Electronica by Deep Forest. Deep India consists of 9 brand new tracks and 1 Radio edit that capture folk melodies from across the country. The tracks draw inspiration from ethnic folk numbers that are rooted within the regions of Jammu, Punjab, Rajasthan, Maharashtra, North East and South India among others.

For about the thousandth time, these very early recordings by Walter Becker and Donald Fagen that have remained officially unreleased for a reason: they're terrible and only vaguely resemble the actual Steely Dan that came years later. This is not to say that there is no merit to them, only very little, and only for those who are so obsessed by the Steely Dan legend they need to hear every bent note, of which there are plenty here. This is another shabby Dressed to Kill effort that should be avoided. Period.

Returning to the scene after a lengthy absence – during which time the shock rocker began to see some of the consequences of numerous assault accusations – Marilyn Manson barreled headlong on the "innocent until proven guilty" route, lashing out at detractors and critics with his 12th studio album, One Assassination Under God: Chapter 1. Objectively, One Assassination is another strong late-era set that's packed with dramatic industrial-lite statements and rollicking spook-show anthems, where Manson's twisted wordplay, (no-longer-that-shocking) religious imagery, and cartoonish cult-master antics intersect.

Alexis Sigismund Weissenberg was a Bulgarian-born French pianist.

Francisco Correa de Araujo (or Arauxo, or Acebedo) (1584–1654) was a Spanish organist, composer, and theorist of the late Renaissance.

Johann Baptist Strauss II, also known as Johann Strauss Jr., the Younger or the Son (German: Johann Strauß Sohn), was an Austrian composer of light music, particularly dance music and operettas as well as a violinist. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, Die Fledermaus and Der Zigeunerbaron are the best known.

Walter Gieseking was a German pianist known for his sensitivity and control of tone, color, and dynamics. His recordings of Debussy and Ravel remain an important legacy. He was born in Lyon, France in 1895, and his father was a respected doctor and entomologist. Gieseking started playing the piano when he was four years old and made remarkable progress, especially considering that he was largely self-taught.

Martial Solal was a French jazz pianist and composer, born 23 August 1927 in Algiers, Algeria - died 12 December 2024 in Versailles. He composed the scores to more then 40 movies including Jean-Luc Godard's A Bout de Souffle (Breathless) in 1960.

Charles Émile Waldteufe was a French pianist, conductor and composer known for his numerous popular salon pieces.

Born in Chambéry in 1976, Renaud Capuçon studied at the Conservatoire National Supérieur de Musique de Paris with Gérard Poulet and Veda Reynolds. He was awarded first prize for chamber music in 1992 and first prize for violin with a special distinction from the jury in 1993. In 1995 he won the Prize of the Berlin Academy of Arts. Then he studied with Thomas Brandis in Berlin, and later with Isaac Stern. Invited by Claudio Abbado in 1997, he continued his musical experiences as konzertmeister of the Gustav Mahler Jugendorchester during three summers with Pierre Boulez, Seiji Ozawa, Daniel Barenboim, Franz Welser-Moest and of course Claudio Abbado. In 2000 he was nominated “Rising Star” and “New talent of the Year” (French Victoires de la Musique), in 2005 “Soliste instrumental de l’année”, also by the French Victoires de la Musique, and in 2006 “Prix Georges Enesco” (Sacem).

Hot Space is the tenth studio album by the British rock band Queen. It was released on 21 May 1982 by EMI Records in the UK and by Elektra Records in the US. Marking a notable shift in direction from their earlier work, they employed many elements of disco, funk, rhythm and blues, dance and pop music on the album. This made the album less popular with fans who preferred the traditional rock style they had come to associate with the band. Queen's decision to record a dance-oriented album germinated with the massive success in the US of their 1980 hit "Another One Bites the Dust" (and to a lesser extent, the UK success of the song).