There are stories here. There are memories and dreams, keepsakes and wishes. There are truths told straight and fashioned into shapes. There is struggle and resilience. There is humanity. Throughout, there is music.

‘One does not create by adding, but by subtracting’, said the film director Robert Bresson, quoted by Jacques Drillon in the booklet that accompanies this new recording of Bach’s Sonatas and Partitas for solo violin by Tedi Papavrami, seventeen years after a first version that already made quite an impact on the discography.

The seven compositions commonly called works for lute by Johann Sebastian Bach, despite more than a century of studies, do not seem to want to completely reveal the mystery of their birth, of their real instrumental destination and of Bach's decidedly abstract concept of the instrument, the lute, which in its latest evolution continued after almost three centuries of glory to attract the attention of the highest musical lineage.

On her most recent album, the pianist Claire Huangci made her first discographic foray into the chamber-music world of Ernest Chausson and Maurice Ravel. Her latest album creates a musical link almost back to the beginning of her professional career, to her highly acclaimed Scarlatti album, and proves yet again that she has a very close relationship with Baroque repertoire: with Johann Sebastian Bach’s varied and sparklingly virtuoso Toccatas she has taken ownership of a rarely heard collection of works, in which she presents the entire emotional spectrum of the young adult Bach.

‘The Bach violin concertos are not only one of the Baroque period highlights, but are one of the foundations of the entire history of music’ writes Swedish violinist Christian Svarfvar on his new album of Bach Re Composed by fellow Swede Johan Ullén. ‘It’s a whole world of beauty in 60 minutes. Then you may ask yourself: why recompose something that is already so perfect?’

Started playing the double bass in 1974.

Klemperer wurde im schlesischen Breslau als zweites von drei Kindern der Eltern Nathan und Ida Klemperer geboren.

Sebastian Claren studied Composition, Musicology, Philosophy and History of Art in Heidelberg, Berlin, and Freiburg.

De loopbaan van slagwerker John Engels beslaat ruim zeventig jaar.

The Klangforum Wien is an Austrian chamber orchestra, based in Vienna at the Konzerthaus, which specialises in contemporary classical music.

"The Complete Them 1964-67", the three disc anthology, billed as the most thorough collection of Van Morrison's early studio and live performances ever assembled. This is the first release via an exclusive licensing deal struck between Sony Music Entertainment's catalogue division Legacy Recordings and Morrison's own Exile Productions earlier this year. The set consists of all the tracks recorded for "The Angry Young Them" (1965) and "Them Again" (1966) albums, plus singles, demos, live sessions, rarities and alternate takes from the period 1964-1967, many of which are previously unreleased. All tracks on "The Complete Them 1964-1967" have been newly remastered for this collection, ensuring the best possible listening experience for both new and seasoned fans of Van Morrison.

Richard Galliano’s new collaboration with organist Thierry Escaich. An unexpected collaboration between two major instruments, the organ and the accordion. Two virtuosos, Thierry Escaich and Richard Galliano, compete with complicity and imagination to offer us this inspirational and magical program.

"That's Him!" is the second album by American jazz vocalist Abbey Lincoln featuring tracks recorded in 1957 for the Riverside label. Allmusic awarded the album 4 stars stating "even this early, she was already a major jazz singer with a style of her own".

Travis Scott's critically acclaimed sophomore release debuted at #1 on the Billboard Top 200 and Billboard Top R&B/Hip-Hop. In addition to inciting widespread fan fervor, "Birds In The Trap Sing McKnight" has drawn overwhelming critical and tastemaker support across the board. Over the course of 14 tracks, Travis threads together an engaging, enthralling, and epic patchwork of anesthetized and apocalyptic production, mind-numbing raps, and glorious hooks punctuated by an A-list cast of collaborators. Kendrick Lamar delivers hard-hitting and hypnotic bars in the middle of "Goosebumps" just before a signature chantable chorus. "The Ends" veers between a haunting hum and a verse-for-verse tandem of our protagonist and Andre 3000 of OutKast.

In June 1972, Miles Davis entered Columbia’s 52nd St. Studios to record music that was eventually released as On The Corner and part of Big Fun – stuff that was so far out and future perfect, it was its own genre.