Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms.

Seven-time Grammy® winner Paul Winter has a body of work that chronicles his wide-ranging experiences in the musical traditions and natural environments of the Earth.

A artista iniciou formalmente a sua vida profissional em 1955, ao assinar contrato de crooner com a casa noturna carioca Dancing Avenida, gravando no ano seguinte o primeiro dos mais de 20 discos de uma carreira que ultrapassa seis décadas.

Places of Sounds and Words is a work for vocalists, ensemble, and sounds from the “real” world: from parks, squares, stairways, conversations, and arguments.

Ralph Kirkpatrick tackles the monumental piano works from the great Wolfgang Amadeus Mozart on this stunning programme.

Wanderley was already playing the piano at the age of five; at the age of twelve he received lessons in music theory.

The Boston Symphony Orchestra and Andris Nelsons earned a Grammy Award in 2015 for their first volume in this Shostakovich series, entitled Shostakovich: Under Stalin’s Shadow.

The piano is the powerhouse of musical instruments: with its vast tonal range and its ability to simultaneously supply chords and melodies, it generally takes the dominating place in virtually any setup.

Elliott Jacqués had an unlikely career change: he was one of Britain’s rising jazz stars until he took a U-turn into modern classical music and unexpectedly found himself at the top.

Continuing a century of mutual inspiration between two vast and interlocking musical worlds, Reverso further explores the interface between jazz and classical music.

The 11 tracks on Phillips’ new album are informed by the time that the pandemic shut down allowed for reflection, moving between quiet love songs and rockers that consider the multi-faceted meanings hidden in our everyday lives. “Stone Throat” is a jazzy, midtempo rocker that looks at a couple in a new relationship, trying to find the balance between desire and responsibility, or as Phillips sings, “trying to find the balance, between the sacred and the street.” There’s a hint of new wave ska in the rhythm of “I Was a Riot,” a song that casts a compassionate eye on the end of a relationship.

The sun sets over the ranch, a can of beer cracks, and an acoustic guitar wrangles the day’s thoughts and memories into a semblance of order.

Specially commissioned instrumental mixes of all tracks on the latest album "Soaring Wild Lands".

In 1999 Dawda Jobarteh moved from The Gambia and settled in Denmark. Named after Gambia's first president, with whom Dawda's father, Amadou Bansang Jobarteh, was close, Dawda's heritage is solidly rooted in one of West Africa's most illustrious musical dynasties. However it is as a truly international musician that Dawda has found his place, and key to this is his willingness and enthusiasm for working with musicians from different backgrounds and traditions.

‘The UK’s finest interpreter of song’, Barb Jungr has long been associated with the work of Bob Dylan and Leonard Cohen. Her Hard Rain collection of 2014 received 5 star reviews on 3 continents and her live performance of the policial songs of Dylan and Cohen ran for 3 weeks of sold out performances in New York. Accompanied by Jenny Carr, who has played with everyone from Jason Donovan to Claire Martin, Barb breathes something new into every lyric and melody you thought you knew. From her early beginnings on the fledgling London alternative cabaret circuit, through almost every musical genre, Barb Jungr’s work has often defied categorisation. Accompanied by some of the best live musicians in Britain her increasingly rare live appearances are unmissable.