As sculpted shards of guitar tumbling, tolling, squalling shower the jittery bounce of a piano on opener “Human,” it’s obvious that Reason in Decline, Archers of Loaf’s first album in 24 years, is more than a nostalgic, low-impact reboot. When they emerged from North Carolina’s ’90s indie-punk incubator, the Archers’ hurtling, sly, gloriously dissonant roar was a mythologized touchstone of slacker-era refusal. But this, the distilled shudder of “Human” (as in “It’s hard to be human / When only death can set you free”), is an entirely different noise. In fact, it’s a startling revelation.

The show rounded off a seminal year for Young who had released the 'After The Gold Rush' record just 3 months earlier in September which followed on from the 'Déjà Vu' album he recorded as part of Crosby, Still, Nash & Young in March of the same year.

An underrated late '60s album, this one has sometimes been overlooked because it seemed like a generic throwaway. But it included some outstanding songs.

Margrethe Blossom Dearie (April 28, 1924 – February 7, 2009) was an American jazz singer and pianist. She had a recognizably light and girlish voice. Dearie performed regular engagements in London and New York City over many years and collaborated with many musicians, including Johnny Mercer, Miles Davis, Jack Segal, Johnny Mandel, Duncan Lamont, Bob Dorough, Dave Frishberg, and Jay Berliner.

Reigning ACM New Female Artist of the Year Lainey Wilson makes the top country album debut this week with the release of her sophomore album, Bell Bottom Country. Coming in at No. 12, the record racks up 10K in total first-week consumption (4.3K album only/6.6 million song streams), according to Luminate data.

Editors seemed to have found a renewed sense of creativity with 2019's

In celebration of the 80th Anniversary, The Count Basie Orchestra releases its first Christmas album, A Very Swingin' Basie Christmas!

It’s easily one of Harris’ best efforts.

Classic FM has partnered with Decca Records for a new album of music inspired by monarchs, by our Composer in Residence and star narrators Dame Helen Mirren and Damian Lewis OBE.

Back The Way We Came: Vol 1 (2011-2021) is a Best Of celebrating the first decade of Noel Gallagher’s High Flying Birds.

Not much is known about the English composer John Sheppard. When he was born, and where he grew up, is lost to history but most scholars place his birth at somewhere between 1515 and 1520. This places him in one of the most turbulent periods in English church history, something that can be heard on this disc in the wide stylistic range he used in order to adapt to the quickly changing politics of the day. The sophisticated six part texture of Gaude, gaude, gaude Maria suggests the influence of Queen Mary who encouraged elaborate sacred composition. It is one of Sheppard’s most thrilling and ambitious works.

Christopher Gunning is best known for his film and television work, for which he has won four BAFTA awards (for La Vie en rose, Agatha Christie’s Poirot, Middlemarch, and Porterhouse Blue) and three Ivor Novello awards (for Rebecca, Under Suspicion, and Firelight).

This is Volume 2 in the series ‘British Clarinet Sonatas’, in which Michael Collins is joined by the pianist Michael McHale. BBC Music awarded five stars to Volume 1, and wrote: ‘Collin’s clarinet-playing mesmerises the ear: the closing phrase of Stanford’s ‘Caoine’ movement shows what a player in this league can convey in just two quiet notes. Without snatching the limelight, Michael McHale’s accompanying finds a range of keyboard colours in, above all, the works by Ireland and Howells, making their individual sound-worlds seem unexpectedly subtle and rich.’ On this disc the pair turns to works for clarinet and piano by Arthur Benjamin, Edward Gregson, Joseph Horovitz, Sir Malcolm Arnold, and Arnold Cook.

This is Volume 1 in a new series of British Clarinet Sonatas, featuring the exclusive Chandos artist Michael Collins in works by Bax, Bliss, Howells, Ireland, and Stanford. He is accompanied by the pianist Michael McHale. Their ‘Lyrical Clarinet’ disc received much praise, among others from BBC Music which noted: ‘It’s hard to imagine this programme better played than it is here by Collins and McHale… technically impeccable.’

In addition to being a world-class violinist, pianist, conductor, and teacher, George Enescu was a well-renowned composer. In fact, his most celebrated violin pupil, Yehudi Menuhin, made the prediction that Enescu’s compositions would become ‘one of the great discoveries of the twenty-first century’, and, indeed, in recent years Enescu’s works have become more widely performed.