Joe Pass (born Joseph Anthony Jacobi Passalaqua; January 13, 1929 – May 23, 1994) was an American jazz guitarist. Pass worked often with pianist Oscar Peterson and vocalist Ella Fitzgerald…

Death Church from the incomparable Rudimentary Peni is a landmark release from the anarchist leftist wing of punk rock…

Jackie was always the most exciting cellist," Yo-Yo Ma, Jacqueline du Pré's fellow-cellist, has said. "It would be hard to think of another that took as many risks as she did… always for expressive reasons.

In 1939 Charlie Barnet made some of the best records of his entire career. Inspired by the example of Duke Ellington, he developed his orchestra into a formidable swing machine that sometimes seemed more closely connected to the Afro-American tradition than most of the other white big bands on the scene at that time. This volume in the Barnet chronology contains eight tracks with vocals by Judy Ellington (no relation to Duke!) and five by an insufferable droopy-voiced nerd by the name of Larry Taylor…

Jackie was always the most exciting cellist," Yo-Yo Ma, Jacqueline du Pré's fellow-cellist, has said. "It would be hard to think of another that took as many risks as she did… always for expressive reasons.

With their second album, Actually, the Pet Shop Boys perfected their melodic, detached dance-pop. Where most of Please was dominated by the beats, the rhythms on Actually are part of a series of intricate arrangements that create a glamorous but disposable backdrop for Neil Tennant's tales of isolation, boredom, money, and loneliness…

An epic set of 15 tracks, Havana Meets Kingston Part 2 unites the deep roots grooves of reggae, dancehall and rocksteady with the scorching soul of Cuban son, timba and salsa.

"I Believe" is Carter’s semi-autobiographical, coming out and coming of age album, including You and I co-written with Jon Batiste. Featuring a kaleidoscopic track list — “Black American music through the lens of a jazz musician,” as Carter describes it — the album takes listeners on a journey of love and self-acceptance.

With a buzz in our ears, we sing our way through the cantos of a new book. Shout – or whisper – our musical poetry into a spacious realm of warm analog keyboards, strings and reeds, flooded with subtle electronics, granular processing and microtonality. Interwoven contemporary chamber music tableaux are carefully folded into a unique multilayered electroacoustic blend – grandiose and yet intimate.

Composers of the 20th and 21st centuries have done much to explore the flute's sonorities in all their variety, from virtuosity and lyricism to more robust, percussive qualities. The works on 'The Whirlwind Within', conceived and performed by Spanish flautist Roberto Álvarez and Ukrainian pianist Kseniia Vokhmianina, embrace these facets of the flute, combining its naturally melodic capabilities with innovative techniques.

New studio album by the renowned reggae singer and bassist with ten songs.

One cannot miss the presence of Latvian nature when listening to the nine tracks selected for this album performed by the Liepaja Symphony Orchestra.

With "Outcast", the Dutch string quartet Matangi breaks a lance for artistic freedom and musical expression - and now also against a senseless war. The three Soviet Russian composers composed music that ran dangerously counter to the tastes of the regime under which they lived. Shostakovich kept a packed suitcase ready in case he was arrested by the KGB. Schnittke's work was viewed with suspicion and his performances were regularly prevented. In addition to his musical work, the Ukrainian composer Valentin Silvestrov is also known for his political commitment.

Mudlow is a trio that has been more or less active for 20 years and has made itself comfortable in beautiful Brighton on Britain's south coast. In their long career they have made it to the Deep Blues Festival in the USA and shared the stage in their home country with bands like Seasick Steve, Scott H. Biram, The Detroit Cobras, The Jim Jones Review and Alabama 3. Dangerous and quite funky is their sound, a kind of dirty blues whose lyrics are predominantly about losers and the adversity they endure, endure and endure.

The time has come to wield your sword and charge back to the battlefield! Following their last studio album, Doombound (2011), and extensive touring, the collective took a creative break. But now, the long, lingering 10-year sleep of Finnish heavy metal force BATTLELORE will finally end with the release of their much awaited, seventh record, entitled The Return Of The Shadow!…