Black Orchid is an album by jazz group The Three Sounds featuring performances recorded in 1962 and released on the Blue Note label. The 1998 limited CD reissue features other seven unissued tracks recorded at different sessions. It was also issued in Japan in 2015, on SHM-CD, featuring different bonus tracks recorded on the same sessions.

Neeme Järvi and the Gothenburg Symphony Orchestra present Vol. 2 in their series of the Symphonies of Atterberg. It is part of a larger recording project focussed on Scandinavian music, which has already seen Neeme Järvi give highly regarded performances of works by the Norwegian composers Halvorsen and Svendsen with the Bergen Philharmonic Orchestra.

Between the Buttons is the fifth British and seventh American studio album by the English rock band the Rolling Stones, released on January 20, 1967 in the UK and February 11 in the US as the follow-up to Aftermath.

"Best of United Artists Years: 1971-1974" compiles the some of the best recordings from space-rock pioneers Hawkwind's earliest and, arguably, most compelling material. The record also features some rare and alternate versions of songs from the band's studio albums of that era, like "Silver Machine (Live at Roundhouse 1971)". This limited edition pressing on swirl color vinyl is exclusively available for Record Store Day 2017. The album was pressed at Pallas Group in Germany on audiophile-grade vinyl.

Cherry Red Records are pleased to announce the release of the new album by the legendary Hawkwind, Into The Woods.

Cherry Red are delighted to announce the brand-new studio album by the legendary Hawkwind – All Aboard The Skylark. All Aboard The Skylark is the band’s 32nd studio album and a storming return to their space rock roots.

Paul Thatcher Smith (April 17, 1922 - June 29, 2013) was an American jazz pianist. He performed in various genres of jazz, most typically bebop, but is best known as an accompanist of singers, especially Ella Fitzgerald.

Handel wrote incidental music for only one play, Tobias Smollett's Alceste, and it was never produced, so the composer, characteristically, recycled most of its major numbers. In this recording, Christian Curnyn and the Early Opera Company deliver a distinguished account of the rarely performed or recorded complete score.

Jazz In The Space Age was recorded in 1959 and 1960. It still stands up today as original and with Bill Evans on piano this is an excellent example of just how creative Russell's music was back then.

At the close of 1963, the Rolling Stones were, for want of a better word, on a – roll. They'd done okay if not great the previous summer with their debut single, a cover of a Chuck Berry obscurity called "Come On," which was more energetic than 99 percent of its competition, and then roared into the Top 20 in November with a follow up single, a savage rendition of the Lennon-McCartney song "I Wanna Be Your Man," complete with slide guitar and a bass that sounded like its amplifier was cranked up to 12.

Jean-Efflam Bavouzet is recognised today as one of the world’s finest interpreters of Haydn’s piano works, International Piano having described him as ‘Haydn’s greatest contemporary keyboard exponent.’ In the first five volumes of his ongoing series devoted to Haydn’s sonatas he has been applauded for his intelligent musicianship, crisp technique, and sheer sense of joy in the music. In this concerto recording he performs in partnership with the conductor Gábor Takács-Nagy, the two united by an admiration for Haydn’s infectious good humour and art of the unexpected.

The keyword "Italy" and "Contrabass" is the eighth album of UNAMAS Label at Ohga Hall by Mr. Mick Sawaguchi (Sawaguchi Masaki). Giovanni Bottechni's "Violin & Contrabass + Grand Duo Concertante by five string players", a masterpiece of Italian baroque contrabass, It is a truly ambitious program that Rossini's string sonata No. 1 major in the formation of two violin, one cello, one contra bass, and the masterpiece of director Spielberg "Schindler's list main theme" with a contrabass solo…

Following the disastrous failure of his 550 Music debut, Have a Little Faith, Joe Cocker tried what must have seemed like a couple of surefire commercial ideas: first, hire Don Was, who has made a career out of organizing salvage operations on stars of the '60s and '70s, as producer; and second, do an "unplugged" session, albeit under another name…