Daron Hagen is a Guggenheim, Rockefeller, and Kennedy Center Friedheim Award-winning composer, with a catalogue of internationally performed work spanning four decades.

With this program entitled Madonna della grazia by allusion to one of the popular songs the component, the Ensemble Il Caravaggio proposes to illustrate a journey around the figure of the Woman in Italy. Mother, washerwoman, beloved, the Woman is portrayed in all these beauties.

The powerhouse singer will release a seven-song EP, Live from the Goldmine, on March 16. The songs are pulled from her album release livestream last year that celebrated the arrival of her debut album, Goldmine, in June.

Brahms was a severe critic of his own work, often assailed with uncertainty and reluctant to publish works he considered immature or incomplete. With the exception of the Scherzo in C flat for the Sonata F.A.e. he made his first violin solo work known to the public only at the age of forty five with the publication of the Concerto in D major, op. 77.

‘Not only do I like, admire, and adore your music, I have fallen in love with it, and am still smitten,’ wrote the young Marcel Proust to Gabriel Fauré in 1897. And added, ‘I know your work well enough to write a 300-page volume about it.’ Clearly, In Search of Lost Time is not a book devoted to Fauré, but this composer occupies a more important place therein than has been noted. Along with Reynaldo Hahn, Fauré was the mentor and guiding light of the author’s early years when the young man drew on his conversations with the master and on a re-hearing of Fauré’s scores to expand his musical knowledge and creative thought: ‘I spoke at great length with Fauré last night,’ a 24-year-old Proust confided to Hahn as early as 1895.

For a very long time, the “flûte française” has fascinated both audience and performers. That is not surprising considering that this term covers both areas of instrumental music and of composition. When at the end of the 19th century Paul Taffanel established himself as the founder of the “school of modern flute”, the virtuo- so and composer reached the end of his era. The future belonged to new, extraordinary performers and a completely new music. France was able to offer both.

To celebrate his 70th birthday, legendary English singer-songwriter Graham Parker has announced a new live album, Five Old Souls, recorded in 2018 with his backing band, The Goldtops, and the return of the Rumour Brass.

Escalandrum is a jazz band led by percussionist Daniel “Pipi” Piazzolla, the grandson of Astor Piazzolla, who was one of Argentina’s best known composers. But while Piazzolla’s tango legacy can be felt in some of their music, the band has defined their own mature jazz sound.

The album Sparks, Vol. 2 couldn't be more aptly named, as bows bend and sparks fly in this vibrant collection of pieces for string orchestra.

Lee "Scratch" Perry OD is a Jamaican record producer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He has worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, the Congos, Max Romeo, Adrian Sherwood, the Beastie Boys, Ari Up, the Clash, the Orb, and many others.

Grouplove released their last album, Healer, on March 13, 2020, the same day the U.S. declared a national emergency in response to the COVID-19 pandemic. About six months after possibly the worst Friday the 13th of all time, Grouplove reconvened in a recording studio, resulting in This Is This, a brand-new, surprise album dropping this Friday.

On January 5, 2017, Robert Owens passed away in Munich. He left behind a vital legacy of music that is just now being fully discovered.

This new studio recording contains three works for piano and orchestra that virtuoso pianist Orion Weiss and conductor Leon Botstein first performed in concert at the Bard Music Festival. Together, the three works span almost a century of musical Romanticism and are as different from one another as the generations they represent. In each piece, the virtuoso genre becomes a means by which the composer responds to a specific source of inspiration – in the first case (Korngold), a performer and family friend who had suffered a horrendous tragedy, in the second (Rimsky-Korsakov), a venerated old master, and in the third (Chopin) a melody from a beloved opera.

This richly rewarding album is Oksana Volkova’s first solo album on Delos, though she appeared alongside the late, great Dmitri Hvorostovsky in Delos’s GRAMMY®-nominated 2017 release of Verdi’s complete Rigoletto. Here she delivers powerful, passionate and ravishing performances of (mostly) well-known French, Italian, Russian and Belarusian arias for mezzo-soprano.

Sonate a Quattro are the brilliant compositions from Italian composer Gioachino Rossini, written during the summer of 1804 at the young age of 12. These works, at the time, were commonly performed by wind quartet and it wasn’t until 1954 when the original manuscripts were discovered in the Library of Congress in Washington, D.C. showing their original arrangement for string quartet.