Trombonist Brian Drye has spent the last two decades exploring and performing the vast array of music that is available in the NYC area.

Luca Guglielmi (Turin, Italy, 1977) is known for his historically informed interpretations of music from all periods, his wide repertoire, and his strong commitment to the study and application of the phenomenology of music.

Giancarlo Guerrero is a six-time GRAMMY® Award-winning conductor, Music Director of the Nashville Symphony and NFM Wrocław Philharmonic and Principal Guest Conductor of the Gulbenkian Orchestra in Lisbon.

The Brandenburg Concertos by Johann Sebastian Bach (BWV 1046–1051, original title: Six Concerts à plusieurs instruments) are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier). They are widely regarded as some of the best orchestral compositions of the Baroque era.

Brahms’s Trio op.114, originally conceived for clarinet (like the two Sonatas op.120), is presented here in its version with viola: ‘Like all Brahms’s works, this trio is a vocal, melodic piece. And the viola is perhaps the instrument of the string quartet that comes closest to the human voice’, says violist Miguel Da Silva.

Aaron Pilsan is only twenty-five years old, but he already has a busy career to his credit, with a solo album devoted to Beethovenand Schubert - very well received by the critics - and another of duo repertory with the cellist Kian Soltani. A student of Lars Vogt, he has also received guidance from András Schiff - Bach has always been at the centre of their work together.

A unique concept: the complete piano music by Petrassi and Dallapiccola on 2 CDs.

John Challenger has been Assistant Director of Music at Salisbury Cathedral since September 2012, where he accompanies the Cathedral's liturgy on the great Father Willis Organ. He received his musical education as a chorister at Hereford Cathedral under Dr Roy Massey and Geraint Bowen, and as an Organ Scholar at St George’s Chapel, Windsor, and St John’s College, Cambridge; at St John’s, under the directorship of Andrew Nethsingha, he played the organ for services, concerts, recordings, broadcasts, tours, and four critically-acclaimed recordings on the Chandos label.

"Jazzrausch Bigband is making jazz sexy again" (Bayerischer Rundfunk).

“It was my wish to cool things down a bit,” says David Helbock. The Austrian-born pianist has formed a new trio with guitarist Arne Jansen and trumpeter Sebastian Studnitzky, and it is clear when he talks about it how far he has already moved on since his previous group: “In the Random Control Trio we had a lot of instruments on the stage, there was a lot of changing from one instrument to another… and a lot of notes.” And the new group? “It is more about emotions. And emotions are the most important thing in music.”

Memorias I: Memorias is clair-obscur’s birthday present for Astor Piazzolla, who would have celebrated his 100th birthday in 2021. A manera de memorias is the title of Argentinean author Natalio Gorín’s anthology of interviews with Astor Piazzolla from the 1990s.

If ever a moment in history called for the caustic, corrosive rantings of guitarist-composer-poet Todd Clouser and the abstract grooves of his combustible beat-skronk band Magnet Animals, it’s this one. With our collective headspaces dizzied by a nearly yearlong pandemic induced isolation and battered by an unceasing barrage of political insanities, the serrated wit and surrealist insights of Fake Dudes arrives with the kinetic force of a madcap sermon.

Illinois based instrumental trio AZIOLA CRY is Jason Blake on Warr Guitar, Mike Milaniak on guitar, and Tommy Murray on drums. The trio released their debut album, Ellipsis, in 2005, followed by Ghost Conversations in 2007. The group has performed with bands such as Behold… The Arctopus, Don Caballero, Tiles, Far Corner, and others, while appearing at progressive rock festivals including M.A.R.S. Fest and more.

SHRINE is an international music collaboration between musicians from Iceland, Denmark and Sweden.

“To express such an universal theme of “music for peace”, the piece should portray that most personal, smallest point of view. I think that is the most powerful way, and only music can achieve this.”