WLFGRL is the 2014 album by Matt Stephenson, who goes by the name Machine Girl not because he is feminine. This 13-track version was released by Dred Collective. The lossless version is in 32-bit/96kHz while the MP3 is converted into 320kbps.

Vocalion's Reissue of Paul Mauriat's "En España" & "Michèle". Both are remastered by Michael J. Dutton and expanded with some bonus tracks from "Mon Amour Je Viens Du Bout Du Monde/Lili Marlene" LP. This time in Stereo only.

Original Motion Picture Soundtrack for the animation Mimi And The Mountain Dragon (2019). The music was composed by Rachel Portman (Chocolat, A Dog’s Purpose, Their Finest). Mimi And The Mountain Dragon is a 2019 adventure animated film based on the book by Michael Morpurgo. The film is directed by Vincent James, stars Esther Greaves, Claire Martin, Michael Morpurgo.

Issued in 1978, No Place to Fall is, regrettably, the second and last album for RCA. Like its predecessor, Renegade Picker, Young's ever-evolving music is centered in the heart of outlaw country this time out, though there are, as usual, interesting twists and turns. The band is stellar, with Buddy Emmons and Buddy Spicher, Tracy Nelson, Jerry Shook, Dale Sellers, and a bunch of guitar pickers, as well as drummer Kenny Malone, among others. The material is noteworthy on many levels, not the least of which is Young's decision to record, for the third time, "Montgomery in the Rain" and "Seven Bridges Road."

As both a singer and an archivist, Shirley Collins is a massively important figure in British traditional folk music, but she's also been something of an enigma since she gave up performing and recording in the '80s. To take her at her word, Collins lost confidence in her ability to sing when she froze on-stage during a production at London's National Theatre. While she's made occasional appearances speaking about folk history and was persuaded to appear on some sessions by David Tibet of Current 93, it was generally believed Collins' musical career was over. However, in one of the more pleasant recent surprises in U.K. folk, Collins invited some musicians and recording technicians to her cottage in East Sussex to help her make a record.

A new formation with old friends, a particular sound with familiar vignettes: Other Animal plays “alternative prog-jazz”. The newest project of Bernhard and Peter Meyer, who take the key roles as composers and producers in this quartet, unites players from Berlin and New York who harmonize perfectly together and inspire each other. The Meyer brothers are best known for their highly acclaimed Melt Trio. With their distinct music and sophisticated stylistics on semi-acoustic bass and electric guitar, they have been contributing to the Berlin-specific jazz sound for years.

Young, enthusiastic, and talented, he has travelled the world with his performances sharing the sounds of love with his audiences. Inspired by legends of jazz, Guy Mintus is not limited to jazz alone, but uses his cultural background to fuse world music into original compositions.

It is here, on this 1977 blockbuster, that Steve Miller shored up his "Space Cowboy" moniker and cosmic persona: from the winged horse on the album cover to a judicious smattering of synthesizers in the music, Book of Dreams bridged the gap between blues-rock and the indulgences of prog rock.

Steve Miller had started to essay his classic sound with The Joker, but 1976's Fly Like an Eagle is where he took flight, creating his definitive slice of space blues.

THE BYRDS “BYRDS” (’73 REUNION)
The announcement of the reunion album featuring all five original Byrds raised expectations to the point where whatever emerged was almost bound to be an anticlimax. (Imagine the effect of the Beatles reforming around the same time, if you will.)

It goes without saying that The Best of the Byrds: Greatest Hits, Vol. 2 doesn't have as many classic singles as the group's first hits collection, since the Byrds stopped being a singles band shortly after the release of Greatest Hits.

Chris Hillman, Gram Parsons, and Kevin Kelley all left the Byrds in wake of the release of Sweetheart of the Rodeo, leaving Roger McGuinn to assemble a new band from scratch. Dr. Byrds & Mr. Hyde…

One of the most important albums of the jazz-funk genre, 1973’s Spectrum shows legendary drummer Billy Cobham—a veteran of groundbreaking fusion albums by Miles Davis and Weather Report—at a creative peak. Joined by keyboardist Jan Hammer (of Mahavishnu Orchestra), guitarist Tommy Bolin, and bassist Lee Sklar, Cobham delivers a hard-grooving, sophisticated performance that stands among the era’s best fusion recordings.

Born in Aachen and now living in Germany’s buzzing urban metropolis Berlin, Christoph smartly moves within the jazz genre ever since the early 90s, but never felt responsible really to surrender to its boundaries and clichees. "Magic" is his first album.

“Emil Gilels stands out as giant among giants”, wrote Gramophone when the Odessa-born pianist died in 1985. “In terms of virtuosity he was second to none, yet his leonine power was tempered by a delicacy and poetry that few have matched and none has surpassed”. Ludwig van Beethoven was at the heart of Gilels’ repertoire and in 1968 he recorded this complete cycle of the composer’s piano concerto with the Cleveland Orchestra and its long-standing maestro, another musical titan of the era, George Szell.