After working with two monstrously loud guitar heroes, Leigh Stephens and Randy Holden, Blue Cheer wanted to pursue a more subtle musical direction, and on their fourth album, simply titled Blue Cheer, they followed the path of the first half of 1969's New! Improved! Blue Cheer, featuring guitarist Bruce Stephens and keyboard man Ralph Burns Kellogg, instead of the power trio format they pioneered on their first two albums and the second half of New! Improved! with Holden.

Work Song is a near-classic by cornetist Nat Adderley. Adderley utilizes a cornet-cello-guitar front line with Sam Jones and Wes Montgomery, along with a top-notch rhythm section pianist including Bobby Timmons, Percy Heath, or Keter Betts on bass and drummer Louis Hayes. First up is a fine early performance of his greatest hit, "Work Song." He also helps introduce Cannonball Adderley's "Sack O' Woe." Four songs use a smaller group, with Timmons absent on "My Heart Stood Still," which finds Keter Betts on cello and Jones on bass; "Mean to Me" featuring Nat backed by Montgomery, Betts, and Hayes; and two ballads ("I've Got a Crush on You" and "Violets for Your Furs") interpreted by the Adderley-Montgomery-Jones trio. No matter the setting, Nat Adderley is heard throughout in peak form, playing quite lyrically.

Ink is the sixth studio album by British new wave band the Fixx, released in 1991. The single, "How Much Is Enough?", reached No. 11 on the Billboard Mainstream Rock Tracks chart and No. 10 on the Modern Rock Tracks chart.

Esoteric Recordings label is proud to announce the release of the very first 4CD collection of every album and single track recorded by the legendary Atomic Rooster between 1970-1974. Sleeping for Years is a clamshell boxed set anthologising all the recordings made by the band on the classic albums Atomic Rooster, Death Walks Behind You, In Hearing of Atomic Rooster, Made In England and Nice n’ Greasy and on such hit singles as Tomorrow Night and Devil’s Answer.
Atomic Rooster was formed by former Crazy World of Arthur Brown members Vincent Crane (Organ, Piano, Keyboards) and Carl Palmer (drums). Their self-titled first album was recorded in 1970 with Nick Graham on bass, vocals & flute, but the band soon splintered when Carl Palmer departed to join ELP…

Klaus Schulze is a founding member of Tangerine Dream and Ash Ra Tempel, two seminal bands in the evolution of synthesizer-based electronic music. Big in Japan is the double CD plus DVD release by Klaus Schulze - drawn from his performances in Tokyo on the 20th and 21st of March 2010. This multi-disc set provides all the "playing in the moment" excitement listeners love in their live albums, yet also delivers the powerful and lasting listening experience one would expect from a musical legend.

Eat a Peach is the third studio album and the first double album by American rock band the Allman Brothers Band. Produced by Tom Dowd, the album was released on February 12, 1972, in the United States by Capricorn Records. It was the band's fourth album since their debut The Allman Brothers Band in 1969; released as a double album, it constitutes both their third studio album and second live album, containing a mix of live and studio recordings released in 1972. Following their artistic and commercial breakthrough with the July 1971 release of the live album At Fillmore East, the Allman Brothers Band got to work on their third studio album. On release Eat a Peach was an immediate commercial success and peaked at number four on Billboard's Top 200 Pop Albums chart. The album was later certified platinum and remains a top seller in the band's discography.

Flash and the Pan were an Australian new wave musical group (essentially an ongoing studio project) formed in 1976 by Harry Vanda and George Young, both former members of the Easybeats; they were a production and songwriting team known as Vanda & Young. The group's first chart success was their 1976 debut single, "Hey, St. Peter", which reached number five in the Australian Kent Music Report Singles Chart. The next single, "Down Among the Dead Men", peaked at number four in Australia in 1978; it was re-titled as "And the Band Played On" for international release. Their final studio album, Burning up the Night, was issued in October 1992 with two further singles, "Burning up the Night" (October) and "Living on Dreams" (March 1993).

The revival of Spanish music of the Baroque period continues moving forward into the Classical era with this premiere recording of sonatas for "violin y bajo" – violin and bass – by Juan de Ledesma. The sonatas were rediscovered only in the late 1980s, and they're very elegantly presented here in a package adorned by a reproduction of a marvelous French fan of the period. There isn't anything of earthshaking importance among the five sonatas on the disc, but they're attractive pieces with some challenges for the violinist, and both players of the instruments and those with collections of Spanish music will find the release of interest. The booklet notes by violinist Blai Justo (in English, French, and German, with Spanish and Catalan additionally available online) point to Corelli's influence, but also note the presence of the galant style of the period, and it is the latter sound, with its atmosphere of charm and its relaxed procession of contrasting two-measure phrases, that predominates. The players do well to avoid a harpsichord accompaniment, using either a combination of cello and guitar or one or the other instrument alone.

This double CD of Pentangle's BBC recordings is comprised primarily of rare and previously unheard tracks. From 1968 to 1973 Pentangle were prolific session guests on BBC radio, their unique fusion of sounds providing access to programmes covering folk, pop and progressive rock. When BBC cupboards were trawled for these recordings in the early nineties they were almost bare - a mere handful of tracks survived in the tape archive (released on the band of joy/strange fruit labels). Here at last, with previously unreleased songs among classics from all six of their albums, is a representative history of the Pentangle at the BBC. The accompanying 12 page booklet includes comprehensive liner notes, a full discography of Pentangle's BBC recordings, and several rare photographs.

2 Years On is the eighth studio album by the Bee Gees, which reached No. 32 on the US charts. Released in 1970, the album saw the return of Robin Gibb to the group after an earlier disagreement and subsequent split following Odessa. 2 Years On was the first album with drummer Geoff Bridgford, who remained a full-time member of the group until 1972 although he was not pictured on the sleeve. The best-known track is "Lonely Days". Released as the first single by the reunited brothers, it charted high in the US (No. 3 on the Billboard Hot 100 and No. 1 on the rival chart Cashbox), but only reached No. 33 in the United Kingdom.

“Guerrilla Girls!”, Ace Records’ much-anticipated first release of 2023, takes us on a thrilling ride from punk’s mid-70s origins, via the left-field post-punk groups, jangly female combos, grunge bands and vigilante Riot Grrrls of the 80s and 90s, to the she-punk bands of recent years – a five-decade alternative to the macho hegemony of rock. The collection highlights songs that emerged out of a dynamic underculture of female creative expression. What unites the featured artists is a healthy disregard for the way the music industry ties up its female performers into pretty, neo-liberal packages. From Patti Smith, universal mother of the punk movement, to the Bags, Bikini Kill and Skinny Girl Diet, this music is anti-A&R. Including lesser-known names such as San Francisco street punk Mary Monday and London-based experimentalists pragVec, it shows that, rather than being a few novelty bands existing on the margins, these performers represent a stronger, more three-dimensional version of the female experience.

Angel Clare is the debut solo studio album by Art Garfunkel, released on September 11, 1973. It is his highest-charting solo album in the United States, peaking at No. 5 on the Billboard 200, and includes his only US Top 10 hit as a solo artist, "All I Know". It also contained two other Top 40 hits, "Traveling Boy" (#102 Bubbling under the Hot 100, No. 38 Adult Contemporary) and "I Shall Sing" (No. 38 Hot 100, No. 4 Adult Contemporary). It was produced by long-time Simon & Garfunkel producer Roy Halee, alongside Art Garfunkel. The title, Angel Clare, comes from the name of a character in Thomas Hardy's novel, Tess of the d'Urbervilles.

Recorded At: Große Freiheit 36, MTV Studios London.

Comprehensive seven CD box set that contains all of the original six albums as well as the 'It's All Over Now' album that was recorded in 1975 but not released until 1988. Also included are unreleased tracks from the Warner vaults as well as live recordings and rarities from band member Ian Gomm who is also providing a mass of rare/unseen images from his archive as well as contributing to the sleeve notes. CD1 features the band's eponymous debut album as well as three previously unreleased tracks from the Warner vaults and rare studio recordings from Ian Gomm's archive. CD 2 features the band's sophomore album 'Despite It All' that is accompanied by live tracks recorded at The Roundhouse in London in 1972. CD 3 features the band's third album 'Silver Pistol' and also has three rare tracks that were recorded for the album but didn't make the final cut, there is also more live recordings from The Roundhouse in 1972. CD 4 features the band's fourth album 'Nervous On The Road' and also has live recordings from Amsterdam in 1972, Paris in 1973 and more from The Roundhouse in 1972. CD 5 features the band's fifth album 'Please Don't Ever Change' as well as singles recorded as The Hitters and Limelight, along with live recordings from Newcastle in 1973 and Cardiff in 1974. CD 6 features the band's final official album 'The New Favourites Of Brinsley Schwarz' which includes one of Nick Lowe's most famous songs '(What's So Funny 'Bout) Peace, Love And Understanding', with bonus live tracks from gigs in Sheffield, Tilburg and Cardiff, all in 1974. CD 7 features the album 'It's All Over Now', recorded in 1975 but not released until 1988. Bonus material includes the band's last ever single, billed as The Brinsleys as well as live recordings from Groningen in 1975 as well as Koln in March 1975, recorded just nine days before the band broke up.

Neck and Neck is a collaborative album by American guitarist Chet Atkins and British singer-songwriter and guitarist Mark Knopfler, released on October 9, 1990 by Columbia Records. "Poor Boy Blues" was released as a single, and in 1991 won a Grammy Award for Best Country Collaboration with Vocals. That same year, "So Soft Your Goodbye" won a Grammy Award for Best Country Instrumental Performance. Atkins originally recorded "Yakety Axe", a parody of Boots' Randolph's "Yakety Sax", on his 1965 album More of That Guitar Country. This new recording features lyrics and a new arrangement that were composed by Merle Travis. Atkins also previously recorded "I'll See You in My Dreams" on an album with Merle Travis.