Le Poème Harmonique, one of the most important early music ensembles in France, is celebrating its 20th anniversary this year. For this occasion ALPHA CLASSICS has compiled twenty CDs from the catalogue in an attractively designed box. Award-winning recordings can be heard, some of them with an unusual repertoire from the Renaissance and Baroque periods. For loyal fans and those who want to become fans!

Lotti's Requiem Mass in F major is considered by Thomas Hengelbrock the most important Requiem before Mozart's. It's full of expressive contrast: Lotti has an affection for a quasi-Palestrina style on the one hand and the skill to deploy more up-to-date techniques on the other. This Requiem is essentially in the late Baroque idiom, occasionally recalling certain of Vivaldi's larger sacred vocal pieces.

This exciting studio recording is the second project resulting from the collaboration between Marie-Nicole Lemieux Karina Gauvin and conductor and harpsichordist Alan Curtis' award winning Complesso Barocco. Giulio Cesare is one of Handel's most renowned operas and the role of Giulio Cesare is considered to be one of the most beautiful roles in the baroque opera. The full vocal cast is stunning and Alan Curtis shows once again why he is considered one of the world's leading Handel specialists.

On a Day Like Today is the eighth studio album by Canadian singer-songwriter Bryan Adams, released in 1998. The album reached #3 in Canada & #11 in the UK. "On a Day Like Today" was the first single released. It reached #13 in the UK and #1 on the Canadian Singles Chart. "When You're Gone", the second single, was a smash hit reaching #3 on the UK Chart and was in the Top 10 for ten weeks. It reached #11 in Canada. "Cloud Number Nine" reached #6 in the UK and #7 in Canada.

Judas Priest‘s 10th studio album is getting the deluxe reissue treatment for its 30th anniversary.
Turbo, originally released in April of 1986, is scheduled to return to stores on Feb. 3 with new artwork, remastered sound, and a heaping helping of bonus material that includes two discs of previously unreleased live recordings from that year’s Fuel for Life tour.

When Alice in Chains' debut album, Facelift, was released in 1990, about a year before Nirvana's Nevermind, the thriving Seattle scene barely registered on the national musical radar outside of underground circles (although Soundgarden's major-label debut, Louder Than Love, was also released that year and brought them a Grammy nomination). That started to change when MTV jumped all over the video for "Man in the Box," giving the group a crucial boost and helping to pave the way for grunge's popular explosion toward the end of 1991. Although their dominant influences - Black Sabbath, the Stooges - were hardly unique on the Seattle scene, Alice in Chains were arguably the most metallic of grunge bands, which gave them a definite appeal outside the underground; all the same, the group's sinister, brooding, suffocating sound resembled little else gaining wide exposure on the 1990 hard rock scene…

Some may have expected that creating an album to follow the darkly magnificent fan favourite, "Mors Diligentis", would be a daunting prospect for Spain’s doyens of doom, Golgotha. However, the band have sailed majestically past all their previous achievements with their latest collection of epic hymns. "Spreading The Wings Of Hope" exemplifies everything that is great about this much-loved band - the earthshaking heaviness and the enthralling melodies, the contrasting dual vocals that express such powerful emotions and the sublime song writing that can utterly enchant the listener. This album sees Golgotha scaling new peaks of creative endeavour and weaving some of the most captivating musical spells of their career to date. Fans of the very finest heart-rending heaviness should prepare to experience absolute melancholic, melodic magnificence!

Bobby Hutcherson's second quartet session, Oblique, shares both pianist Herbie Hancock and drummer Joe Chambers with his first, Happenings (bassist Albert Stinson is a newcomer). However, the approach is somewhat different this time around. For starters, there's less emphasis on Hutcherson originals; he contributes only three of the six pieces, with one from Hancock and two from the typically free-thinking Chambers. And compared to the relatively simple compositions and reflective soloing on Happenings, Oblique is often more complex in its post-bop style and more emotionally direct (despite what the title may suggest). The latter is especially true on the two opening Hutcherson pieces, the sweetly lilting "'Til Then" and the innocent, childlike theme of "My Joy," which is reminiscent of "Little B's Poem" (save for its multi-sectioned structure)…

The music of Shostakovich has been core to Klaus and the Oslo Philharmonic’s programming from the start of their relationship, and they first performed Symphony no. 5 in November 2019 - before Klaus took up his tenure as Chief Conductor. A special performance of the 5th symphony in Oslo on 14th August will celebrate the release of this album on Decca Classics. Mäkelä & the Philharmonic will go on to perform the symphonies on tour later this year, including concerts at Salzburg Festival and Musikfest, Berlin.

A fine compilation of 1965-73 BBC performances, the majority of the tracks hailing from 1965-67, although some are drawn from 1970 and 1973. As one of the best live bands ever, the Who as expected come through pretty well in the live-in-the-studio environment, although the arrangements usually stick close to the records. Most of the songs were done by the group for studio releases as well, but there are a few covers that they never put on their albums or singles at the time, making this essential for the fan. Those numbers include the obscure James Brown tune "Just You and Me, Darling," "Dancing in the Street," ""Good Lovin'," and "Leaving Here" (although a mid-1960s studio version of that last song was eventually released).

Off the Wall was a massive success, spawning four Top Ten hits (two of them number ones), but nothing could have prepared Michael Jackson for Thriller. Nobody could have prepared anybody for the success of Thriller, since the magnitude of its success was simply unimaginable – an album that sold 40 million copies in its initial chart run, with seven of its nine tracks reaching the Top Ten (for the record, the terrific "Baby Be Mine" and the pretty good ballad "The Lady in My Life" are not like the others). This was a record that had something for everybody, building on the basic blueprint of Off the Wall by adding harder funk, hard rock, softer ballads, and smoother soul – expanding the approach to have something for every audience.

Swedish outfit Tribute was formed in Norrköping in 1982 by multi-instrumentalists Per Gideon Andersson and Christer Josef Hedin. An idea to produce and perform a concert on the concept "A Tribute to the Music" was what started it all - the twosome had already written all the music and it was then a matter of assembling the needed musicians. Many long nights of rehearsals followed, as well as much legwork for the promotion of the event, and when it went down on May 28th 1982 it was an astounding success. The concert hall was filled to the brim and the audience was more than pleased. It was then decided to make this an ongoing musical venture. The band travelled to Holland and Germany, and got themselves about 50 gigs there, and also anaged to secure a spot at the Montraux jazz festival after knocking on quite a few doors…