Flim & The BB's - This Is A Recording (1992) is the second album by the American jazz fusion group Flim & The BB's. The band is known for their smooth, melodic jazz-fusion sound that blends elements of jazz, pop, and rock with a polished, radio-friendly aesthetic. Their music incorporates groovy rhythms, catchy melodies, and sophisticated instrumental interplay, making it a standout in the smooth jazz genre.

Jamie Saft - A Bag of Shells (2010) is an album by the American jazz pianist and composer Jamie Saft. Known for his versatile and distinctive style, Saft blends jazz with elements of avant-garde, free jazz, and experimental music. A Bag of Shells is a highly introspective and emotionally charged album that showcases his ability to move between traditional jazz, improvisation, and more modern, unconventional forms.

The Bandwagon (2003) is a highly regarded album by the American jazz pianist Jason Moran and his trio, The Bandwagon. Moran is known for his innovative approach to jazz, combining elements of traditional jazz with contemporary and avant-garde influences. The Bandwagon is considered one of his standout works, demonstrating his ability to bridge jazz history with modern sensibilities.

'More' Live (1979) is a live album by the legendary jazz saxophonist Phil Woods and his quartet. Phil Woods is one of the most respected alto saxophonists in the world of jazz, known for his bebop roots and later work in various jazz subgenres. His music often blended intricate melodies with improvisational excellence, and he was associated with some of the most notable jazz figures in his career, including Charlie Parker and Bill Evans.

Un Milione Di Voci (2002) is the debut album by the Italian progressive rock band Periferia Del Mondo. The band, whose name translates to "Periphery of the World," is known for its blend of progressive rock, symphonic elements, and influences from both Italian rock traditions and international progressive scenes.

On The Right Track (1994) is an album by the jazz collective Different Trains, a group led by American saxophonist Steve Lacy. The album is known for its avant-garde jazz style, blending improvisation with structured compositions in a way that pushes the boundaries of traditional jazz. The album represents the experimental edge of jazz during the early '90s.

Air Show No. 1 (1986) is a collaborative jazz album by the band New Air, featuring the renowned vocalist Cassandra Wilson. The album represents a blend of avant-garde jazz and contemporary elements, showcasing experimental sounds and creative improvisation typical of the 1980s jazz scene.

Approach (1986) is a collaborative jazz album by prominent Japanese musicians Isao Suzuki, Masahiko Togashi, Hideo Ichikawa, and Akira Shiomoto. These musicians are highly regarded in Japan’s jazz scene and each brings a distinctive contribution to the project.

The Not So Bright Side of the Moon (2000) by The Squirrels is the band's seventh studio album. The Squirrels are an alternative rock band from Seattle, known for their eccentric style and sometimes quirky humor. Their music often mixes elements of pop, rock, and other genres, along with playful and satirical lyrics.

Music influenced by the great rock bands from the 1960s, 1970s and 1980s. Thanks to the experience and the technique of its members, MASQUE OF ART will not fail to delight the fans of AOR and Classic Rock.

This 4 CD edition includes alternate versions, rare mixes, new song edits and many more surprises!

Recorded in Mesa, Arizona on 12th August 2014. YES is one of the world s most influential, ground-breaking, and respected progressive rock bands. On August 12th 2014, YES performed two of their most popular and storied albums of their catalog in their entirety, all in one concert: Close to the Edge and Fragile at the Mesa Arts Center in Mesa, AZ. A must for all YES enthusiasts as well as a wonderful introduction to new fans of the band.

By 1978, southern rock was running on fumes. By 1980, most of these bands no longer existed or if they did, they no longer enjoyed the commercial success of the early to mid-70s. This live compilation of artists who recorded for the legendary Capricorn label serves as a celebration, of sorts, of the genre's most successful period. Some of the recordings date back to the early 1970s. The Allman Brothers Band's Statesboro Blues live performance at the Fillmore with Duane Allman is a different performance than the performance that appears on At Fillmore East. The inclusion of this track made this compilation very collectable among ABB fans for many years until the entire Fillmore East performances were released in 2014. And there are other rare cuts here including the only official live release from Sea Level, the band that Chuck Leavell of ABB started after the band's first breakup. Hotels, Motels and Road Shows is a fine time capsule of the 70s southern rock genre from one of the premier labels of the era. Too bad it's never been released on CD.

The Trashmen, a Minneapolis band, recorded the 1:20-minute "Surfin Bird" in the basement of George Garrett's record shop in the fall of 1963. Recorded in the basement of George Garrett's record store. When they played the tape to Bill Diehl, a DJ at Minneapolis radio station WDGY, he said it was too short and suggested they re-record it. The Trashmen were taken by Garrett to Kay Bank Studios four blocks away and re-recorded. Released in November on the Garrett label, "Surfin Bird" received airplay on WDGY, selling 3,000 copies in its first week and reaching #3 in Minneapolis in its second week. The record was distributed by Soma Records and was a hit everywhere, climbing to #4 in the U.S. in January 1964. The hit hit song "Crazy" galvanized Minneapolis teens, and many teen bands visited Kay Bank Studios to make records with Garrett, including The Gestures, who went on to become one of the most popular teen bands of all time. Some of these groups, like The Gestures and The Castaways, had national hits.This compilation is a collection of Soma Records/Kay Bank Studios-related material that captures the vibrancy of the Minneapolis teen scene from 1964 to 1966. It is full of the charm of the local teen garage scene, which was different from that of New York and Los Angeles, more down-to-earth and more "Bird Fever" than "British Fever".

8 CDs DELUXE BOX SET "The statement in the music, beyond the music, is that the Arista years and its fruits on record amply embodied a satisfying American flowering of Braxton’s work, in the “jazz” plot of its garden…but in doing so, and moving through flower to airborne pollen, it also showed that moment to be as evanescently improvised, as idiosyncratically composed, as the music itself. " - Mike Heffley, liner notes