Seu Jorge surpreendeu os fãs ao anunciar o lançamento de seu novo álbum, Baile à la Baiana, que estará disponível no dia 16 de fevereiro. O cantor revelou que começou a trabalhar no projeto ainda em 2018, construindo cuidadosamente cada detalhe ao longo dos anos.

Roden was singer with the Alan Bown Set ('60s) and Bronco ('70s) before going solo on the Island label. Only two Roden albums have ever been available on CD anywhere in the world. This CD picks the best of his six albums for Island and is the first best of on either vinyl or CD. Roden has sung/played on albums by Robert Palmer, Paul Kossoff, John Martyn, Mott the Hoople and Jim Capaldi and came from the same West Midlands music scene as Led Zeppelin. He stepped into the late Jim Morrison s shoes when remaining Doors became the Butts Band and worked with legendary New Orleans producer Allen Toussaint.

Digitally remastered SACD Hybrid edition of this 1979 album from the singer/songwriter. James Taylor was an interesting place when he recorded the colossally underrated Flag. Fresh off his double-platinum J.T., the artist who defines the singer/songwriter genre had just collaborated with Art Garfunkel and Carly Simon, undertaken a Broadway musical, and become more active in political affairs. All these factors contribute to this 1979 treasure, which finds Taylor plying more of his trademark mellow vibes and insightful, soul-gazing lyrics. Flush with exquisite acoustic textures, beautiful tonalities, and studio-perfect dynamics, this audiophile version brings Taylor's music to life like never before.

Miles Davis' tour of Europe during the spring of 1960 marked the close of his five year association with John Coltrane. Miles Davis' tour of continental Europe during the spring of 1960 marked the close of his five year association with John Coltrane. Although the controversial saxophonist had already embarked on his own bandleading career and had been lured back to Davis'group only reluctantly, creative sparks flew the instant the band took to the stage. Night after night stunned audiences witnessed the trumpeter and his star sidemen reinventing their regular repertoire like never before. As the tour progressed through Sweden, Germany, Switzerland and Holland, several of the bands appearances were broadcast or privately recorded, with the resulting tapes soon becoming sought after collector's items. This new Acrobat release compiles various recordings made during the trip, documenting the extraordinary creative alchemy of a legendary partnership about to disintegrate. In addition, the collection features a revealing backstage interview with John Coltrane, recorded in Sweden. The release also includes an in-depth essay by saxophonist and writer Simon Spillett.

Die 80er Live Vol. 2 - Größte Party Aller Zeiten is designed and signed as a reference on your choice of several exchangers file. Convenience, reliability and availability, is the property of our portal, efficiency and commitment to new heights, as well as the immensity of the creative transformation! Freestyle, Synth-pop, Hi NRG, Dance, New Wave, Funk, Soft Rock, R&B, Country, Disco, Blue-Eyed Soul.

Give Jim Belushi and Dan Aykroyd credit for at least one thing: the subtitle of "Big Men - Big Music" to their 2003 album, Have Love Will Travel, is pretty fun, and partially accurate. The two comedians-cum-retro-bluesmen are indeed big men, and they at the very least have a big band: the back cover features no less than 12 musicians, including the duo, begging the question of just how much does the Have Love Will Travel Revue actually pull in per gig. That's a question better settled by accountants and auditors, of course, but a lot of musicians does mean that the music at the very least sounds busy, even if it doesn't necessarily sound big. But that's really no change from Aykroyd's previous musical excursion, the Blues Brothers, who always utilized a big band to make faithful music.

Later hailed as one of the key goth rock albums of the '80s and considered by many hardcore Cure fans to be the band's best album, Pornography was largely dismissed upon its 1982 release, witheringly reviewed as a leaden slab of whining and moping. The truth, as usual, is somewhere in between: Pornography is much better than most mainstream critics of the time thought, but in retrospect, it's not the masterpiece some fans have claimed it to be. The overall sound is thick and murky, but too muddy to be effectively atmospheric in the way that the more dynamic Disintegration managed a few years later. For every powerful track like the doomy opener "One Hundred Years" and the clattering, desolate single "The Hanging Garden," there's a sound-over-substance piece of filler like "The Figurehead," which sounds suitably bleak but doesn't have the musical or emotional heft this sort of music requires. Pornography is an often intriguing listen, but it's just a bit too uneven to be considered a classic.

When all is said and done regarding the most influential power pop bands of the '60s, Herman's Hermits and Tommy James & the Shondells emerge as the clear-cut winners for the same reason: Their music was so diverse and well constructed that it showed the different dimensions of a genre that inspired music smart enough to respect its roots which, in turn, inspired music too hip for its own good – the modern rock movement that was not half as much fun as "the new wave," or as essential as anything found on ABKCO's perennial release of Herman's Hermits' Their Greatest Hits.

Fridrich Bruk – born in Kharkov in 1937 and a Finnish resident since 1974 – made his name as a composer of tangos. But the heart of his music lies in a series of (to date) 21 symphonies, which have a strong narrative element, some reflecting Jewish themes, others inspired by Karelia and Finland. The three most recent together form a kind of meta-symphony premised on the persecution of the Jews in the first half of the twentieth century. Bruk’s kaleidoscopic use of orchestral colour, his angular but expressive melodies and his dramatic musical language reflect this urge to chronicle the outrage visited on his fellow Jews – and which directly impinged on his own life.

This harpsichord recital by Scott Ross was first broadcast on the French radio France Musique in 1986. It was only released on CD in 2009 by Diapason. In this recital, Scott Ross plays the Suite in E minor and the First Concert in C minor by Jean-Philipe Rameau, the 4th suite in D major by Johann Sebastian Bach and three sonatas (K215, K492 and K27) by Domenico Scarlatti.

Uchida's performances seem completely natural as if that is the way the performances were intended. Not a point of cunning escapes her. Yet there is never a trace of self-consciousness in her point-making, not even in the heightened intensity of the tragic B minor Adagio. It is Mozart at his purest.

When I founded my ensemble Les Arts Florissants in 1979, I knew at once that I wanted the battle I was launching to make the baroque repertory popular again to be fought not only in the concert hall but also through that wonderful weapon of seduction, recordings.

"Impulse! 60: Legendary Live Performances" is a compilation album released on April 16, 2021, by Universal Music, celebrating the 60th anniversary of the iconic jazz label Impulse! Records.

"Impulse! 60: The Best of Impulse Records" is a comprehensive compilation album released on February 12, 2021, to celebrate the 60th anniversary of the legendary jazz record label Impulse! Records.

Desire Walks On is the eleventh studio album by American rock band Heart, released on November 16, 1993, by Capitol Records. The majority of the album was co-written by lead members Ann and Nancy Wilson. It is Heart's final studio album to feature longtime member Howard Leese, who, aside from the Wilson sisters, is the band's longest-serving member. Layne Staley, lead vocalist of the Seattle grunge band Alice in Chains, sings with the Wilson sisters on the cover of Bob Dylan's "Ring Them Bells".