Eat a Peach is the third studio album and the first double album by American rock band the Allman Brothers Band. Produced by Tom Dowd, the album was released on February 12, 1972, in the United States by Capricorn Records. It was the band's fourth album since their debut The Allman Brothers Band in 1969; released as a double album, it constitutes both their third studio album and second live album, containing a mix of live and studio recordings released in 1972. Following their artistic and commercial breakthrough with the July 1971 release of the live album At Fillmore East, the Allman Brothers Band got to work on their third studio album. On release Eat a Peach was an immediate commercial success and peaked at number four on Billboard's Top 200 Pop Albums chart. The album was later certified platinum and remains a top seller in the band's discography.

Flash and the Pan were an Australian new wave musical group (essentially an ongoing studio project) formed in 1976 by Harry Vanda and George Young, both former members of the Easybeats; they were a production and songwriting team known as Vanda & Young. The group's first chart success was their 1976 debut single, "Hey, St. Peter", which reached number five in the Australian Kent Music Report Singles Chart. The next single, "Down Among the Dead Men", peaked at number four in Australia in 1978; it was re-titled as "And the Band Played On" for international release. Their final studio album, Burning up the Night, was issued in October 1992 with two further singles, "Burning up the Night" (October) and "Living on Dreams" (March 1993).

The revival of Spanish music of the Baroque period continues moving forward into the Classical era with this premiere recording of sonatas for "violin y bajo" – violin and bass – by Juan de Ledesma. The sonatas were rediscovered only in the late 1980s, and they're very elegantly presented here in a package adorned by a reproduction of a marvelous French fan of the period. There isn't anything of earthshaking importance among the five sonatas on the disc, but they're attractive pieces with some challenges for the violinist, and both players of the instruments and those with collections of Spanish music will find the release of interest. The booklet notes by violinist Blai Justo (in English, French, and German, with Spanish and Catalan additionally available online) point to Corelli's influence, but also note the presence of the galant style of the period, and it is the latter sound, with its atmosphere of charm and its relaxed procession of contrasting two-measure phrases, that predominates. The players do well to avoid a harpsichord accompaniment, using either a combination of cello and guitar or one or the other instrument alone.

This double CD of Pentangle's BBC recordings is comprised primarily of rare and previously unheard tracks. From 1968 to 1973 Pentangle were prolific session guests on BBC radio, their unique fusion of sounds providing access to programmes covering folk, pop and progressive rock. When BBC cupboards were trawled for these recordings in the early nineties they were almost bare - a mere handful of tracks survived in the tape archive (released on the band of joy/strange fruit labels). Here at last, with previously unreleased songs among classics from all six of their albums, is a representative history of the Pentangle at the BBC. The accompanying 12 page booklet includes comprehensive liner notes, a full discography of Pentangle's BBC recordings, and several rare photographs.

2 Years On is the eighth studio album by the Bee Gees, which reached No. 32 on the US charts. Released in 1970, the album saw the return of Robin Gibb to the group after an earlier disagreement and subsequent split following Odessa. 2 Years On was the first album with drummer Geoff Bridgford, who remained a full-time member of the group until 1972 although he was not pictured on the sleeve. The best-known track is "Lonely Days". Released as the first single by the reunited brothers, it charted high in the US (No. 3 on the Billboard Hot 100 and No. 1 on the rival chart Cashbox), but only reached No. 33 in the United Kingdom.

“Guerrilla Girls!”, Ace Records’ much-anticipated first release of 2023, takes us on a thrilling ride from punk’s mid-70s origins, via the left-field post-punk groups, jangly female combos, grunge bands and vigilante Riot Grrrls of the 80s and 90s, to the she-punk bands of recent years – a five-decade alternative to the macho hegemony of rock. The collection highlights songs that emerged out of a dynamic underculture of female creative expression. What unites the featured artists is a healthy disregard for the way the music industry ties up its female performers into pretty, neo-liberal packages. From Patti Smith, universal mother of the punk movement, to the Bags, Bikini Kill and Skinny Girl Diet, this music is anti-A&R. Including lesser-known names such as San Francisco street punk Mary Monday and London-based experimentalists pragVec, it shows that, rather than being a few novelty bands existing on the margins, these performers represent a stronger, more three-dimensional version of the female experience.

Angel Clare is the debut solo studio album by Art Garfunkel, released on September 11, 1973. It is his highest-charting solo album in the United States, peaking at No. 5 on the Billboard 200, and includes his only US Top 10 hit as a solo artist, "All I Know". It also contained two other Top 40 hits, "Traveling Boy" (#102 Bubbling under the Hot 100, No. 38 Adult Contemporary) and "I Shall Sing" (No. 38 Hot 100, No. 4 Adult Contemporary). It was produced by long-time Simon & Garfunkel producer Roy Halee, alongside Art Garfunkel. The title, Angel Clare, comes from the name of a character in Thomas Hardy's novel, Tess of the d'Urbervilles.

Recorded At: Große Freiheit 36, MTV Studios London.

Comprehensive seven CD box set that contains all of the original six albums as well as the 'It's All Over Now' album that was recorded in 1975 but not released until 1988. Also included are unreleased tracks from the Warner vaults as well as live recordings and rarities from band member Ian Gomm who is also providing a mass of rare/unseen images from his archive as well as contributing to the sleeve notes. CD1 features the band's eponymous debut album as well as three previously unreleased tracks from the Warner vaults and rare studio recordings from Ian Gomm's archive. CD 2 features the band's sophomore album 'Despite It All' that is accompanied by live tracks recorded at The Roundhouse in London in 1972. CD 3 features the band's third album 'Silver Pistol' and also has three rare tracks that were recorded for the album but didn't make the final cut, there is also more live recordings from The Roundhouse in 1972. CD 4 features the band's fourth album 'Nervous On The Road' and also has live recordings from Amsterdam in 1972, Paris in 1973 and more from The Roundhouse in 1972. CD 5 features the band's fifth album 'Please Don't Ever Change' as well as singles recorded as The Hitters and Limelight, along with live recordings from Newcastle in 1973 and Cardiff in 1974. CD 6 features the band's final official album 'The New Favourites Of Brinsley Schwarz' which includes one of Nick Lowe's most famous songs '(What's So Funny 'Bout) Peace, Love And Understanding', with bonus live tracks from gigs in Sheffield, Tilburg and Cardiff, all in 1974. CD 7 features the album 'It's All Over Now', recorded in 1975 but not released until 1988. Bonus material includes the band's last ever single, billed as The Brinsleys as well as live recordings from Groningen in 1975 as well as Koln in March 1975, recorded just nine days before the band broke up.

Neck and Neck is a collaborative album by American guitarist Chet Atkins and British singer-songwriter and guitarist Mark Knopfler, released on October 9, 1990 by Columbia Records. "Poor Boy Blues" was released as a single, and in 1991 won a Grammy Award for Best Country Collaboration with Vocals. That same year, "So Soft Your Goodbye" won a Grammy Award for Best Country Instrumental Performance. Atkins originally recorded "Yakety Axe", a parody of Boots' Randolph's "Yakety Sax", on his 1965 album More of That Guitar Country. This new recording features lyrics and a new arrangement that were composed by Merle Travis. Atkins also previously recorded "I'll See You in My Dreams" on an album with Merle Travis.

The sixth recording in the Young Composers series – a collaboration with the National Youth Choir. The works featured on the recording are by Jamie Powe, Crystalla Serghiou, Áine Mallon and Cameron Biles-Liddell, the four National Youth Choir Young Composers for 2024. Their works are based around the creative theme of ‘Evolve’, which coincides with the refresh of National Youth Choir’s ensemble names earlier last year.

DYNAMIC SOLO SHOW FROM JOE WALSH S 1983 TOUR Having joined the Eagles in 1975, in time to appear on the ground breaking Hotel California album (and its seminal title track), Joe Walsh re-ignited his solo career in 1978 while his new paymasters struggled to record its follow up. The critically well-received But Seriously, Folks… released in May 78 contained Joe s biggest solo hit, the comedic Life s Been Good . Following the breakup of the Eagles in July 1980, Walsh continued to release solo albums throughout the 1980s, and although the sales of such did not match the level of his earlier successes, his live tours were met with enthusiasm and commendations from fans and critics alike. Recorded for live FM Broadcast via the King Biscuit network, while touring his 1983 release You Bought It You Name It - his second post-Eagles album and his 6th overall solo-effort - the show presented here was played at the Irvine Meadows Amphitheatre on October 3rd 1983, featuring a sterling performance of his 1978 hit (which provides this CD its title) alongside 10 other JW classics, this dynamic show is finally available for non-attending fans to enjoy for the first time.

AN EXTRAORDINARY PERFORMANCE BY THE ELETRIC MILES DAVIS SEPTET The Miles Davis Septet, as it then was, toured Europe from October 24 to November 21, 1973, stopping off on November 3rd at Vienna s Stadthalle Venue, for a concert consisting of six tracks lasting 62 minutes and 48 seconds. Featuring the most familiar line-up from this period - Dave Liebman (tenor and soprano sax, flute), Reggie Lucas (guitar), Pete Cosey (guitar, percussion), Michael Henderson (bass), Al Foster (drums), and James Mtume (percussion),the entire program was broadcast on television in Austria and synched too on certain channels in the US. A no-nonsense affair, the band came on, played their set and went off. The opening track, Turnaroundphrase, titled along the lines of the infamous Call It What You Like from the Isle of Wight festival recording, begins with percussion from Mtume, then moves into an unfamiliar jam heavily featuring wah-wah guitar, heavy drums and cymbals, and Miles's horn, also through wah-wah, in a configuration similar to Zimbabwe off Pangaea. Throughout, Michael Henderson's bass is prominent, I think possibly because of where this was recorded and from where he was poached (from Stevie Wonder).

Italian composer Nicola Porpora is mainly a footnote in the history books these days, noted as Haydn's teacher, but in his day he was a rival to Handel and wrote a good deal of music for the celebrated castrato Carlo Broschi, aka, Farinelli. That music is sampled here by the startlingly soprano-like French countertenor Philippe Jaroussky, and listeners are likely to feel that it's been unjustly neglected. Jaroussky sounds great, his creamy voice sailing through the mostly tuneful pieces. There are also a few big showpieces of the sort that Renée Fleming and others have recorded on their Baroque aria albums.

Hitherto unpublished works by the very popular late seventeenth- / early eighteenth- century Italian composers Alessandro Scarlatti and Giovanni Bononcini - that's what Soprano Amaryllis Dieltiens and her continuo partner Bart Naessens found in the Brussels collection of François-Joseph Fétis, who was a famous musicologist in the nineteenth century. With their ensemble Capriola di Gioia they present many of these pieces recorded here for the first time ever. The quality of the compositions is on a par with those already known - an irresistible pleasure for friends of secular Baroque cantatas! Soprano Amaryllis Dieltiens has been acclaimed particularly by connoisseurs of Baroque singing.