Fratoroler focus on the social phenomenon of "likes". How is it that "likes" determine almost all aspects of our lives on social media?
A musical discussion in the best tradition of the Berlin School!
Thomas Köhler: Synthesizer, Sequencer, E-Guitar; Frank Rothe: Synthesizer, Sequencer, E-Bass.

Throwback Covers contains more than 20 top 40 hits across Four CDs. Almost five hours of music at a great price. Throwback Covers includes impressive renditions of songs made famous by artists including The Rolling Stones, Bob Dylan, Rihanna, The Beatles, Elvis Presley and Michael Jackson.

Teen idol, Bobby Vee enjoyed a phenomenal following on almost every continent of the world for over fifty years. The story of his career reads like a fairytale. At age 15, he and his band landed the opportunity of a lifetime, albeit under deeply tragic circumstances when he was asked to fill in at a gig following the fatal plane crash that took the lives of Buddy Holly, Richie Valens and The Big Bopper. From a teenager who had only ever worked as a paper boy, he went on to have a full life in music, scoring 38 hit singles in the U.S. and the U.K., with hordes of adoring fans on almost every continent. With his clear, ringing voice and clean cut good looks, Vee was made for superstardom. Unlike the first flush of hard-edged rock 'n' rollers a few years before, Vee's persona was acceptable to both the media and the parental market of middle America. So much so that he was described by the English rock critic Andrew Darlington, as the perfect parentally approved dream boyfriend. He also had the distinction of giving one Robert Zimmerman, AKA Bob Dylan, an early professional outing when he hired him for his band in 1959. Dylan returned the favour, suggesting the young Bobby change his name from 'Velline' to 'Vee'. This collection celebrates the birth of an icon by featuring 20 of his early hits including Suzie Baby, One Last Kiss, Rubber Ball, and of course, the timeless Take Good Care Of My Baby.

Rebel Yell is the second studio album by the English rock singer Billy Idol, released on 10 November 1983 by Chrysalis Records. After the release of his 1982 eponymous debut studio album, Idol continued his collaboration with producer Keith Forsey and multi-instrumentalist Steve Stevens. The album was recorded at Electric Lady Studios in New York. Initially recording without a drummer, utilizing only the LinnDrum and Roland TR-808 drum machines,[3] Forsey and Stevens later decided to hire Thommy Price to play drums on some of the songs. Musically, Rebel Yell is a new wave album with hard rock and other influences. The cover sleeve and images were shot by Brian Griffin. Idol got the idea of the album's title after attending a party with the Rolling Stones and drinking Rebel Yell bourbon whiskey.

Dave Brubeck was an American jazz pianist, composer and bandleader who was very much an exponent of the west coast ‘cool school’ of musicians, and who became known for his experiments with time signatures. Having made his first recordings in 1946, he became one of the jazz artists to help pioneer the growth of the vinyl long-playing album market recording for the Fantasy label in the early ‘50s before he moved to Columbia in 1954. This 35-track 3-CD collection (it contains a number of extended performances) comprises almost all the titles from five ‘live’ albums which were recorded during these years, and released during or soon after this era. Those albums were “Jazz at Storyville”, “Jazz at the Blackhawk”, “Jazz at the College of the Pacific”, “Jazz At Oberlin” and “Brubeck & Desmond at Wilshire Ebell” on the Fantasy label, and “Jazz Goes To College” on Columbia, with the recordings presented mostly in chronological order of recording rather than release. It features one solo performance along with trio and quartet performances, with Paul Desmond (alto sax), bassists Wyatt Ruther, Ron Crotty and Bob Bates, and drummers Lloyd Davis, Joe Dodge and Herb Barman. It captures Brubeck’s groups as they took their music into clubs, concert halls and colleges on the west coast and across the country, and offers a fine showcase for their improvisations at a key stage of Brubeck and Desmond’s careers.

In a career spanning over seven decades, Quincy Jones has earned his reputation as a renaissance man of American music. Since entering the industry as an arranger in the early 1950s, he has distinguished himself as a bandleader, solo artist, sideman, songwriter, producer, film composer, and record label executive. A quick look at a few of the artists he's worked with – Miles Davis, Frank Sinatra, Count Basie, Lesley Gore, Michael Jackson, Peggy Lee, Ray Charles, Paul Simon, and Aretha Franklin – reveals the remarkable diversity of his career. He has been nominated for a record 80 Grammy awards, and has won 27 in categories including Best Instrumental Jazz Performance for "Walking in Space" (1969), Producer of the Year (1981), and Album of the Year for Jackson's Thriller (1983) and his own Back on the Block (1990). Outside recording studios, he has produced major motion pictures, helped create television series, and written books, including Q: The Autobiography of Quincy Jones (2001). An inductee into the Rock and Roll Hall of Fame (2013), he has continued producing and recording, contributing the song "Keep Reachin'" for the documentary Quincy: A Life Beyond Measure (2018).

This album debuts 26 dean martin classic as well as hard to find songs for the first time in Stereo. Originally recorded in 1 channel monaural between 1950 and 1958, they have Been given a fresh new sound. Now you can hear more details in the original music. This Epic achievement has been made possible by the development of some breakthrough new audio Technology called “des” (digitally extracted stereo). This enables engineers to zero in on the Frequencies of various instruments and vocals, isolate them, and then extract this sound data From the original mono masters and mix them like a modern, multi-track recording. The result is An exciting listening experience that’s offered nowhere else!

80’s music remains as popular as ever and this 3CD, 60 track collection highlights some of the greatest hits of all time, including 24 UK Chart No. 1 singles!

Totally awesome three CD set. Electric 80's is a collection of the most electrifying tracks celebrating the electronic edge of '80s pop. Featuring extended, rare and unreleased remixes of massive hits, Electric 80's gives these classics a definite dancefloor flavor and the album comes as three continuous DJ mixes, making Electric 80's unique for 2014. Including huge tracks from the likes of Fleetwood Mac, Spandau Ballet, OMD, Tears for Fears, Human League, Pet Shop Boys, Heaven 17, Gary Numan, New Order, Frankie Goes to Hollywood and tons more, Electric 80's is sure to spark this Spring.

The unrivaled Soul Queen of New Orleans – a title officially bestowed by local officials, no less – Irma Thomas ranks among Crescent City R&B's greatest and most enduring musical ambassadors, never enjoying the coast-to-coast commercial success of contemporaries like Aretha Franklin and Etta James but nevertheless breathing the same rarified air in the minds of many soul music aficionados.

A seminal figure in the evolution of West Coast pop, singer/songwriter P.F. Sloan composed and produced some of the most enduring records of the 1960s. While his solo efforts remain folk-rock cult classics, they were barely promoted by longtime label Dunhill, and his subsequent exit from the company was the start of a fall from grace that culminated in a three-decade absence from the studio. Born Philip Gary Schlein in New York City on September 18, 1945, he spent the lion's share of his adolescence in Los Angeles. While browsing the Sunset and Vine music store Wallich's Music City, the 12-year-old met Elvis Presley, who agreed to an impromptu introductory guitar lesson.

The instrumental has always been an integral part of the Northern Soul scene, right back to its very earliest days. Not everyone likes them, but they’re so ingrained into the culture of the scene that it’s hard to imagine life without them. Certainly enough people do like them for us to have been approached by those who have wondered why the Kent catalogue has never opened its arms to embrace a whole CD of Northern instros – especially considering how many of them there actually are. Those who have, need wonder no more. After much thought and planning, we can finally lift the lid on Kent’s first ever overview of nearly a decade’s worth of floorfillers and all-time anthems that, between them, provide a comprehensive overview of what happens in a dance when the singing stops and the music takes over.

After playing live together since 2008, Sasha Dobson, Norah Jones and Catherine Popper have at last taken their collaboration into the studio. No Fools, No Fun with the release of their debut album on Blue Note Records. The trio, known as Puss n Boots after flirtations with such monikers as Fangbanger, Dixie Fried and Shitstorm, recorded the album at Studio G in Brooklyn with engineer/mixer Joel Hamilton. 'No Fools, No Fun' includes five original songs two each from Dobson and Popper and one from Jones and seven spirited cover tunes, all culled from Puss n Boots live repertoire. The 12-song collection takes its name from the lyrics of 'Bull Rider,' a Rodney Crowell song made famous by Johnny Cash. 'Bull Rider' is one of three album tracks that Puss n Boots recorded live in June of 2013 at The Bell House. Over the years, they have also performed at the Bridge School Benefit, played stadiums with the Beastie Boys on the 'Get Out The Vote' tour and joined Wilco onstage at Madison Square Garden, singing background vocals on 'Jesus, Etc.', a song that Puss n Boots interprets on 'No Fools, No Fun'.

Like so much of Moby's earliest work, this isn't so much an album as a compilation via his original label, Instinct. Ambient influences in techno were all the rage in 1993 in terms of press and coverage (though jungle would swiftly eclipse both it and the progressive house genre), so it's no surprise Instinct wanted some of that action, right down to the says-it-all title. Motivations aside, Ambient is an enjoyable collection of experiments; if Aphex Twin's monumental Selected Ambient Works releases eclipse it in terms of both quality and sheer inventiveness, Moby's own efforts in the field are often quite pleasing. Those familiar with such later efforts as "God Moving Over the Face of the Waters" and "The Rain Falls and rhe Sky Shudders" can find their partial roots here, though the compositions are generally more formal and less-immediately noteworthy than what came next.

The debut recording from McCoy Tyner's big band features the pianist's all-star 15-piece unit romping through five of his originals (including "Blues for Basie") plus Steve Turre's "Lotus Flower." With such fine soloists as tenors Junior Cook and Ricky Ford, trumpeter Kamau Adilifu, trombonist Turre, and the leader, the ensemble (which includes John Clark's French horn and the tuba of Howard Johnson) had quickly gained its own sound and the results are quite memorable and frequently exciting. Recommended.