An avid chamber musician, Anne-Maria Hölscher regularly performs with various chamber music ensembles, contemporary music ensembles such as Ensemble Ascolta, Klangforum Heidelberg, Collegium Novum Zurich, and various orchestras. She also regularly performs solo concerts with a broad repertoire spanning the past five centuries.

It isn't hard to understand why some goth rock, darkwave, and gothic metal fans have been drawn to Anekdoten. Their music isn't goth rock, darkwave, or gothic metal; they are a progressive rock/art rock band that has strong '70s leanings and has been greatly influenced by King Crimson (with hints of Pink Floyd and Jethro Tull). But because their material tends to be melancholy, dark, and gloomy, some goth rock and darkwave enthusiasts have embraced them. And while Anekdoten's work has never been groundbreaking, much of it has been of a high quality. That high quality is evident on Chapters, a two-CD anthology that was assembled in 2009. Chapters ranges from previously released recordings from the '90s and 2000s to some previously unreleased rarities, including an alternate mix of "Sad Rain" and demos of "Book of Hours," "Prince of the Ocean," "This Is Far from the Sky," "Thirty Pieces," and "Nucleus"…

One of French pop's most poetic songwriters, Georges Brassens was also a highly acclaimed and much-beloved performer in his own right. Not only a brilliant manipulator of language and a feted poet in his own right, Brassens was also renowned for his subversive streak, satirizing religion, class, social conformity, and moral hypocrisy with a wicked glee. Yet beneath that surface was a compassionate concern for his fellow man, particularly the disadvantaged and desperate. His personal politics were forged during the Nazi occupation, and while his views on freedom bordered on anarchism, his songs expressed those convictions more subtly than those of his contemporary, Léo Ferré. Though he was a skilled songwriter, Brassens had little formal musical training, and he generally kept things uncomplicated – simple melodies and spare accompaniment from a bass and second guitar. Along with Jacques Brel, he became one of the most unique voices on the French cabaret circuit, and exerted a tremendous influence on many other singers and songwriters of the postwar era. His poetry and lyrics are still studied as part of France's standard educational curriculum.

Maretimo Records presents Spring Time Vol. 13 - 18 premium chillout, chillhouse, downbeat, lounge trax. Let the sunshine & springtime in your heart. Beautiful chill music trax will warm your body, mind & soul.

Despite being born a Canadian citizen - between 1960 and 1966 he lived with his mother in Winnipeg, Manitoba, which he calls his ‘hometown’ and where his music career began - from 1967 Neil Young lived outside Canada, until he returned in 2020. After becoming successful, he bought properties in California, one of which, in Malibu, burned to the ground in the 2018 Woolsey Fire. In 1970. Young purchased Broken Arrow Ranch (which he named after the Buffalo Springfield song) , a property of about 1,000 acres near La Honda, California (population 979 at the 2020 census) for US$350,000 (US$2.7 million in 2023 dollars); the property was subsequently expanded to thousands of acres.

Men I Trust Drop Second New Album Of The Year 'Equus Caballus'.

Influence of hallucinations induced by chewing roots from the iboga plant on the works of Joaquin Joe Claussell's Edits & Overdubs IBOGA Compilation. The iboga plant is indigenous to the humid, tropical climates of West Central Africa, including Gabon, Cameroon, Congo, and Angola, which are home to the 2nd largest rainforest in the world. It has been used for centuries in spiritual initiation ceremonies and practices, particularly by the Bwiti tradition and religion in Gabon. Joaquin Joe Claussell was inspired by these influences and went into the studio to create a compilation of edits and overdubs of African vibrational sounds and rhythms. The result is a collection of eleven compositions that showcase the future possibilities of this influential work.

Pink Floyd at Pompeii - MCMLXXII, the groundbreaking 1972 film directed by Adrian Maben. Digitally re-mastered from the original 35mm footage, with enhanced audio newly mixed by Steven Wilson. Set in the hauntingly beautiful ruins of the ancient Roman Amphitheatre in Pompeii, Italy, this unique film captures Pink Floyd performing an intimate concert with additional rare behind-the-scenes footage of the band beginning work on The Dark Side of the Moon at Abbey Road Studios.

Sol y vida is Elīna Garanča’sjourney to the South, from Spain to Italy and Latin America, and is her first album focusing entirely on non core-classical repertoire. Be ready to expect a personal album from the mezzo-soprano, whose centre of life has been Spain for many years. A selection of songs, canzone and tango pieces, both mirroring and spreading a flamboyantly emotional array of beaming happiness, passionate longing and exuberant joy. A feast of vocal colours, and a firework of passion, from the well-known Granada to the intimate world of La Llorona.

Switzerland has always had a great attraction for Russian composers. Peter Tschaikowsky, Sergei Prokofjew and Igor Stravinsky were impressed by the beauty of the Swiss Alpine landscape. The composer Sergei Rachmaninoff should even find his new home here. Not far from Lucerne, on Lake Lucerne, the famous composer and pianist built a magnificent house, the "Villa Senar", in 1930 and found the peace and quiet here to compose famous works today. In the summer of 1934 he wrote his highly virtuoso "Rhapsody on a Theme by Paganini" for piano and orchestra, and a year later his 3rd symphony.

The back cover of this Czech release promises "certainly the most intense chamber programme that might be dedicated to the joint memory of Sviatoslav Richter and Dmitry Shostakovich," and the performances live up to the billing. The first half of the program is given over to a pair of string quartets from the year 1960, around the point where Shostakovich's inward turn following his denunciation by Soviet cultural commissars merged with his reflections on the violence of modern war to create a uniquely modern tragic dialogue.

Another French baroque opera composer, Henry Desmarest, resurfaces after centuries of obscurity. Vénus & Adonis, first seen in 1697 in Paris, was composed in the midst of a scandal, when Desmarest eloped with a young singer who was the daughter of a powerful official. In his absence, he was sentenced to death and thus effectively exiled until his pardon in 1720. The opera’s theme of illicit love seems to have fired Desmarest’s imagination, and the stylish cast, headed by Karine Deshayes and Sébastien Droy, responds in kind. One senses, too, rare involvement in the playing of Les Talens Lyriques. More Desmarest operas await.

Dave Dee, Dozy, Beaky, Mick & Tich may not be a household name across the pond, but the British five-piece spent more time on the U.K. charts in the late '60s than the Beatles did. Universal's Very Best of Dave Dee, Dozy, Beaky, Mick & Tich collects 22 cuts from the infectious, Wilshire-based pop/bubblegum quintet, including "Legend of Xanadu," "Bend It," "Zabadak!," "Okay!" and "Hold Tight!" The latter was resurrected by director Quentin Tarantino in 2007 for the film Deathproof. Like 2000s Polygram International collection Best of Dave Dee, Dozy, Beaky, Mick & Tich, all of the major hits are here, though this time around they're buffered by an oddball caché of bonus tracks that includes covers of the Everly Brothers' "Bye Bye Love," "In Dreams" by Roy Orbison, and a medley of "Stairway to Heaven" and "Pinball Wizard" by Led Zeppelin and the Who, respectively.

Made in Russia. Manufacturer: OOO "SMART". Active since the early '90s, Jamiroquai have amassed a steady stream of hits in their native U.K. and experienced chart success in just about every other area of the world, with an irresistible blend of house rhythms and '70s-era soul/funk (the latter, especially, leading early on to claims of Stevie Wonder imitations).

Santana was still a respected rock veteran in 1999, but it had been years since he had a hit, even if he continued to fare well on the concert circuits. Clive Davis, the man who had signed Santana to Columbia in 1968, offered him the opportunity to set up shop at his label, Arista. In the tradition of comebacks and label debuts by veteran artists in the '90s, Supernatural, Santana's first effort for Arista, is designed as a star-studded event. At first listen, there doesn't seem to be a track that doesn't have a guest star, which brings up the primary problem with the album - despite several interesting or excellent moments, it never develops a consistent voice that holds the album together. The fault doesn't lay with the guest stars or even with Santana, who continues to turn in fine performances. There's just a general directionless feeling to the record, enhanced by several songs that seem like excuses for jams…