This collection includes the rock hits of 60-90's of such performers as Bruce Springsteen, Rod Stewart, Phil Collins, Guns N’ Roses, Foreigner, Eric Clapton, David Bowie, Chris Rea, Bob Dylan, The Animals, and more…

Complex re-release of the most remarkable and worldwide sought afterSeries The Dark Side Of The Moog by German electronic pioneers Klaus Schulze and Pete Namlook (aka Peter Kuhlmann) in three slip lid boxsets, each with 5 CDs, incl. bonus material and new linernotes. The second box contains Vol. 5 to Vol. 8 and the Bonus CD. Their relationship between Klaus and Pete and the exchange of ideas was unorthodox from the beginning of their co-operation, in that they rarely met personally. The most remarkable contacts they had were outside of their studios, for instance their concert of April 1999 at the Jazz Festival in Hamburg , which was released as an edited version on 'Dark Side Of The Moog, Vol.8' (will be released in the second Boxset) - the interplay and chemistry between them is clearly evident, and it becomes even clearer on the un-edited version of the concert (which will be released as bonus CS on the third boxset).

Rhino's The Best of Foghat is an excellent 16-track collection featuring every one of the hard-rocking boogie band's best-known songs, from "Slow Ride" and "I Just Want to Make Love to You" to "Fool for the City," "Drivin' Wheel," and "Ride, Ride, Ride." In short, it's all the Foghat most fans will ever need.

Hollywood badboys L.A. Guns are BACK with the most primal and explosive studio album of their modern era! The Gunners bring back the authentic sounds and style of Hollywood's heyday with a set of all-original material that rocks hard with incredibly hooky songs and memorable riffs! Leopard Skin marks L.A. Guns' fifth studio album since 2017, when guitarist Tracii Guns and singer Phil Lewis reunited and released The Missing Peace. "There's the saying, 'a leopard never changes its spots,'" Guns said in a statement. "But even so, they have a million different spots. And they're all unique. It's the same with L.A. Guns. We can't shed our leopard skin, but there's a lot of different spots in this band."

Philip Glass' soundtrack to Martin Scorsese's Dalai Lama epic Kundun captures the grace, beauty, joy and melancholy within the film. Glass uses familiar minimalist structures, but works with traditional Tibetan instrumentation and monks, giving the music an alluringly otherworldly feel. It's an entirely original, evocative score, and one of Glass' high-water marks in the field.

This CD reissue (put out in 1990) may be hard to find, now that Savoy has been sold to the Japanese Denon label. Originally issued under flugelhornist Wilbur Harden's name, the 1958 quartet (which also includes pianist Tommy Flanagan, bassist George Duvivier and drummer Granville T. Hogan) performs nine Rodgers & Hammerstein songs mostly taken from The King and I, plus a reprise and an alternate take of "Hello Young Lovers." The interpretations are tasteful yet swinging, and include such familiar tunes as "Getting to Know You" and "We Kiss In a Shadow," along with some obscurities. Enjoyable music.

The first two of the three string quartets of Mendelssohn's Op. 44 were recorded by the Cherubini Quartett in 1990. With its transparent textures, elegant phrasing, and refined execution, the ensemble is temperamentally suited to this music, which seems to require those qualities above others. While Mendelssohn acquired many advanced compositional techniques from studying Beethoven's quartets, he never presumed to plumb the master's spiritual depths, and preferred instead to emulate the Classical gentility and poise of Haydn and Mozart. The String Quartet No. 3 in D major, Op. 44/1, is predominantly exuberant and optimistic, and the Cherubini Quartett delivers it in a light, effervescent style, and only occasionally touches on the deeper passions that Mendelssohn prized in this work. More serious and fervid in expression, the String Quartet No. 4 in E minor, Op. 44/2, evokes the tense emotions of eighteenth century Sturm und Drang. The Cherubini Quartett renders the work with a darker coloration and richer tone, but these shadings neither interfere with the clarity of the parts nor weigh down Mendelssohn's fleet lines.