Legendary guitarist Mike Stern has been celebrated for his versatile playing style since he first hit the scene in the 1970s, transcending genre by performing with Blood, Sweat & Tears, Miles Davis, Jaco Pastorius, The Brecker Brothers, David Sanborn, Béla Fleck, Yellowjackets and more. With Echoes and Other Songs, Stern brings together an all-star group of musicians (including Chris Potter, Jim Beard, Christian McBride, Antonio Sanchez, Richard Bona & Dennis Chambers) for 11 brand-new originals that will captivate and unite guitar and jazz fans of all generations.

The program “Musical Moments by Schubert and Rachmaninoff” explores two distinct approaches to the same musical concept. For Schubert, Musical Moments embody an intimate form, where simplicity and poetry unfold through brief and elegant pieces. Composed in 1827, a year before his death, these six miniatures distill the essence of his work, alternating between lyrical melodies and darker atmospheres, as a tribute to the fleeting nature of time.

The best lineup of the multifaceted Japanese psychedelic band.

In his Symphonie fantastique, the young Berlioz bared his soul in music, torturing himself with passion — some might say obsession — for his beloved. Through tender love scenes, a thrilling march to the scaffold, and an opium-induced nightmare, Berlioz’s riveting masterpiece is unforgettable.

Our new album ‘Echoes Across Borders’ is brought to you by principal clarinettist of the Welsh National Opera Thomas Verity and British-Hungarian pianist and composer Michael Csányi-Wills. This album takes as its jumping-off point Polish composer Mieczysław Weinberg’s Clarinet Sonata. Its resonances are then answered in Csányi-Wills’s brand new Clarinet Sonata. References to Jewish themes emergent in both works take centre stage in Michael’s Variations on a Ukrainian Theme, which takes as its source material a recording of a song by a 19-year-old concentration camp prisoner from 1945 – the same year that Weinberg wrote his Sonata. Finally, we come full circle but heard afresh, with a cross-genre realisation of Weinberg’s Rhapsody on Moldavian Themes by a contemporary klezmer band.

Giuseppe Martucci was one of the formative figures in the re-establishment of Italian instrumental music in the second half of the 19th century. His orchestral music had advocates as powerful as Mahler and Toscanini, and his piano concertos won admirers. His solo piano music was performed mostly by him, and today remains virtually unknown. These compositions offer verdant, colourful melodies, striking dance themes, and elegant music crafted for the salon. There are also some flamboyant and virtuoso challenges, tracing a lineage back to Scarlatti.

This ambitious and beautifully produced two-CD set includes nearly all of Iannis Xenakis' chamber music for strings, piano, and strings and piano combined. Chamber music constituted a small part of the composer's output, since large ensembles and large forms were vehicles more commensurate with the aesthetic of his monumental, granitic music. There are no small pieces here, though; in each of these works, ranging from solos to a quintet for piano and strings, Xenakis was able to express his uncompromising vision no less ferociously than in his orchestral works. While all of the pieces have an elemental character, many with a visceral punch, the actual sound of the music is surprisingly varied, and the individual works have distinctive and individual characters. In spite of the weightiness and rigor of the music, the tone is not necessarily heavy, and some pieces, like Evryali for piano and Dikhthas for violin and piano, have moments of what could almost be described as whimsicality.

Wozu auch der Einsatz historischer Instrumente gehört, die in diesem Fall die Merseburger Hofmusik eingebracht hat. An der Orgel ist Denny Wilke zu erleben. Für die großen, aufwühlenden Chöre sorgen der Philharmonische Chor Dresden und das Collegium Vocale Leipzig – allein schon an der Besetzung merkt man: Das ist ein großes Werk, in das man eintauchen kann wie in einen Film.

Howlin Rain’s grand 3xLP archival statement and untold story, written over nearly two decades in invisible ink between the lines. Features never before heard songs from The Russian Wilds, The Dharma Wheel, The Alligator Bride, Mansion Songs, Live Rain and the lost Ethan Miller Band sessions. With a broad cast of musical characters including Rick Rubin (Producer/American Records), Luther Dickinson (North Mississippi Allstars), Scarlet Rivera (Bob Dylan’s Rolling Thunder Revue), Joel Robinow (Once and Future Band), Isaiah Mitchell (Earthless/ The Black Crowes) and many more. Includes songs by The Rolling Stones, Grateful Dead, Leon Russell and Neil Merryweather. “I wanted to compile the record so it would have impact like our grandest, wildest, most unabashed studio album. I left out home demos, and songs from quiet corners, sketches, etc, in favor of fully formed, fully finished, studio level tracks from front to back. Lost at Sea is intended to be something that you can pour yourself into and get swept away in.” — Ethan Miller

By the time the Rolling Stones began calling themselves the World's Greatest Rock & Roll Band in the late '60s, they had already staked out an impressive claim on the title. As the self-consciously dangerous alternative to the bouncy Merseybeat of the Beatles in the British Invasion, the Stones had pioneered the gritty, hard-driving blues-based rock & roll that came to define hard rock. With his preening machismo and latent maliciousness, Mick Jagger became the prototypical rock frontman, tempering his macho showmanship with a detached, campy irony while Keith Richards and Brian Jones wrote the blueprint for sinewy, interlocking rhythm guitars. Backed by the strong yet subtly swinging rhythm section of bassist Bill Wyman and drummer Charlie Watts, the Stones became the breakout band of the British blues scene, eclipsing such contemporaries as the Animals and Them.

Between 1992 and 2007, Golden Smog, the engagingly shambolic alt country stupor-group featuring members of the Jayhawks, Wilco, Soul Asylum, and Run Westy Run, cut two EPs and three full-length albums. That may not seem like much of a catalog from which to draw a "Greatest Hits" album, but Stay Golden, Smog: The Best of Golden Smog, The Rykodisc Years doesn't even dig that deep. Stay Golden, Smog gathers eight of the fourteen songs from the Smog's first full album, 1995's Down by the Old Mainstream, and eight of the fifteen tunes from the follow-up, 1998's Weird Tales. As the title would suggest, Golden Smog's two most recent efforts, released by Lost Highway Records, aren't represented here, and their debut EP, 1992's On Golden Smog – originally released on a small Minneapolis indie label and later reissued by Rykodisc – is ignored. At this writing, the entire Golden Smog catalog is in print, and all of this begs the question: what exactly is the point of this album? There's no arguing that there's plenty of fine music on this collection; Golden Smog may have started as a drunken goof among a handful of friends, but there was an undeniable chemistry between the participants, and with the likes of Jeff Tweedy, Gary Louris, Dan Murphy, Marc Perlman, Kraig Johnson, and Jody Stephens on board, it's no surprise that this disc features some really fine songs played by friends who know how to make them work in the studio.

Sacred Fire: Live in South America is an album by Santana, released in 1993. This album is dedicated to the life of Cesar Chavez. The title, "Live in South America", is not correct, as the location of the concert production, Mexico City, is not located on the continent of South America.

Rolf Kuhn's decades-long presence on the jazz scene was a stroke of luck and a gift. Rolf Kuhn was an exceptional artist, a German jazz musician of the highest caliber, one of the very few with international standing. Kuhn had no idea it would be his last recording when he met with his quartet at Berlin's Hansa Studio in late June 2022. In August that year he sadly passed away. His compositions, whether balladic or fast-paced and driving, always left room for what jazz meant to him: creating music together, letting it take flight through improvisation that thrived from listening and feeling.

Innovative pianist Katie Mahan presents a lovingly chosen program that brings together the many sides of Mozart's magic.

Joe Henry’s 13th studio album “Invisible Hour”, recorded over four days in July 2013 at Henry's personal studio in California, tells a captivating story about resilience and the redemptive power of love.This record features several of his closest musical companions, including The Milk Carton Kids as well as Lisa Hannigan, who co-wrote the title track along with Henry and best-selling novelist Colum McCann. Now available on 180g black double vinyl for the first time, the 2024 reissue includes three special bonus tracks: Two alternate demo versions of “Slide” and “The Glorious Dead”, originally released on Henry’s 2017 record “Thrum”, as well as the previously unheard demo “News From The Great Wide World”.