Well, here it is folks, one of the premier prog classics from the early 80's revival of the genre. Along with Marillion, IQ, Pallas, and Pendragon, Twelfth Night were one of a handful of UK bands who took the influence of Genesis, and added in their own brand of punk and new wave attitude, to form a brand new sound that helped spearhead the prog resurgence in 1982.

From a live FM broadcast recorded at the Teatro La Cupula, Santiago, Chile 8/13/2013. Despite a seemingly hectic recording schedule, Bonamassa continued to tour extensively following the release of Driving Towards Daylight and Seesaw, embarking on over 80 dates across North America, South America and Europe in 2013. The shortest stint of these was the South American tour, where Bonamassa played just 5 shows across Peru, Argentina, Brazil and Chile. Anticipation for the short stop was nevertheless feverish, especially in Chile where Joe Bonamassa had not yet performed live.

Hector Zazou invites four outstanding instrumentalists from India and Uzbekistan to step into a virtual hall of mirrors, in which sound is reflected from one note to another: an aural equivalent of a famous scene in Orson Welles' The Lady From Shanghai.
Twenty-five years after laying the foundations for Afro-electronic fusion (with Congolese singer Bony Bikaye on the “Noir & Blanc” LP), and after many other groundbreaking albums, the ever-innovative Hector Zazou offers a fresh take on classical Asian music, in which the musicians' inspired performances are enhanced by his subtle reprocessing of the original sonic elements (no supplementary electronic sounds having been used)…

Solo Piano Works 1971, 1972, 1984.

Recorded Live In Chicago, Illinois, U.S.A. 1985. Soundboard recording.

The flashy style of hip-hop-inspired contemporary R&B neologized by journalist Barry Michael Cooper – in an October 1987 Village Voice feature on innovative producer and Guy leader Teddy Riley – gets a surprising and thoughtful overview through a two-disc volume in Hip-O/Universal's extensive Gold series. It's not definitive, but it's representative. More significantly, it's a rare anthology capable of wowing casual listeners on a nostalgia trip, as well as collectors. Rather than merely compile album versions and single edits of the biggest hits in the Universal-distributed catalog, Hip-O goes deep with some dubs, extended mixes, and remixes. For every two massive crossover hits (such as Keith Sweat's Riley-produced "I Want Her" and Bobby Brown's "My Prerogative") there's a forgotten R&B hit or a buried gem, such as Jeff Redd's "You Called and Told Me" – an exemplary but low-charting single rightly considered a classic by NJS fanatics. Some might be surprised by the presence of Al Green, but he appears with a track produced by Al B. Sure! and Kyle West, who don't get enough credit for their contribution to the style's genesis and development.

Controversial at the time, delayed because of fights with the record company over lyrical content and the original title (Volunteers of America), Volunteers was a powerful release that neatly closed out and wrapped up the '60s. Here, the Jefferson Airplane presents itself in full revolutionary rhetoric, issuing a call to "tear down the walls" and "get it on together." "We Can Be Together" and "Volunteers" bookend the album, offering musical variations on the same chord progression and lyrical variations on the same theme.

Limited Edition of 300 numbered copies incl. a 12 page booklet with the complete tracklistings and information. What an incredible listening experience this way! Three mixes for each song: front, back and center speaker mixes! The center and back speaker mixes reveal a lot - buried instruments or vocals now clear and sweet! You will hear things you never heard before!

It's no understatement to call Elvis Presley the chief catalyst of the rock 'n' roll era. Presley earned his nickname ''The King'' by releasing dozens of course-altering singles over the course of his influential career. During the 1950s, Presley's records spent a collective 53 weeks in the No.1 chart position. On 24 Karat Hits, two dozen of the King's greatest recordings have been painstakingly compiled using the original 1, 2 and 3-track tapes. All the hits are here from Heartbreak Hotel to Suspicious Minds. Elvis as weve never heard him before.

The U.K.'s Edsel label gives the first two Heatwave albums – Too Hot to Handle and Central Heating, brilliant releases that reached the Top Five of Billboard's R&B albums chart, crossed over, and marked the arrival of major songwriter, arranger, and keyboardist Rod Temperton – some much-needed attention. There are five bonus tracks, including the extended version of "The Groove Line," the "Special Disco Version" of "Boogie Nights," and the decent "Too Hot to Handle" B-side "Slip Your Disc to This." One unfortunate gripe: a split-second timing error on the indexing mark between Too Hot to Handle's "Boogie Nights" and "Ain't No Half Steppin'."

Japanese reissue, part of Universal's 'Disco Fever' 2018 campaign for the Japanese market.

Girder Music presents fully remastered audio on both CD and 180 gram color vinyl of the first two Petra albums 1974 and Come and Join Us. It took us years working with Word|Curb records to make these releases happen, but we did it.

A new chapter, a new-line-up, a newly minted sound; Miki Berenyi Trio's debut album Tripla is a landmark record for its three creators: Miki Berenyi, KJ 'Moose' McKillop and Oliver Cherer. The album's richly layered, imaginative and uniquely slanted strain of dream pop is an often euphoric and sometimes melancholic mix of guitars and electronica, fronted by Miki's instantly recognisable vocal, overlaid with an often profound and sometimes abrasive or yearning view of the world. Miki Berenyi Trio, or MB3 for short, is named after its lead singer - a direct way to convey the presence of the former singer/co-guitarist of Lush, and one of the most instantly recognisable faces of the '90s - but the songwriting is entirely a three-way collaboration, as the album title describes: acknowledging the mother tongue of Miki's father, Tripla is Hungarian for 'triple'.

On her PENTATONE debut Reine de coeur, star soprano Hanna-Elisabeth Müller brings the German and French art song traditions together, focusing on song cycles by Robert Schumann, Alexander von Zemlinsky and Francis Poulenc, accompanied by pianist Juliane Ruf. The album presents a highly personal anthology of songs that address love and loss, and the heights and depths of the human soul. While Schumann’s Sechs Gesänge Op. 107 and Sechs Gedichte und Requiem Op. 90 offer the quintessence of the Romantic German Lied, Zemlinsky’s turn-of-the-century Walzer-Gesänge introduce the listener to a later and less well-known chapter in the genre’s history.

Allan Clayton demonstrates his exceptional versatility with a Liszt programme of eighteen songs, all of which—in contrasting ways—make prodigious technical and musical demands of the performers.