View from the House is the eleventh studio album by American singer-songwriter Kim Carnes. It was released on July 25, 1988 by MCA Records. The album marked a return to her early country music roots. Carnes recorded the album in Nashville, Tennessee, and co-produced the album with Jimmy Bowen. View from the House received positive reviews, with music critics praising Carnes's cover songs. The album reached number 39 on the Billboard Top Country Albums chart, and contained two hit singles. "Crazy in Love" and "Speed of the Sound of Loneliness" both charted on the Billboard Hot Country Singles & Tracks at number 68 and number 70 respectively. "Crazy in Love" also reached number 13 on the Adult Contemporary chart.

Joanna Connor is an American Chicago-based blues singer, songwriter, and virtuosa guitarist. What sets Joanna Connor apart from the rest of the pack of guitar-playing female blues singers is her skill on the instrument. Even though Connor has become an accomplished singer over time, her first love was guitar playing, and it shows in her live shows and on her recordings. She covers the range of modern blues, slide guitar and blues rock with her own compositions very much influenced by funk, rock, jazz and world music as well as delta blues. Her sense of melody, phrasing and dynamics along with a very modern technique make her a very funky, soulful and compelling guitarist. As for vocal abilities, if Joanna wasn't a guitarist, she could easily be a lead singer in any band.

Blessed with good looks, a powerful voice, and a gift for communicating with an audience, Julio Iglesias is one of the most popular and enduring figures in the history of Latin music, a true international superstar who has sold over 300 million albums worldwide and remains a popular concert draw and chart-topping recording artist in a career that has spanned six decades. "Starry Night is dedicated to my faithful companion HEY! Always with me in the silence and the shadows."

Nick Cave is an artist who has never shied away from exploring the darker side of the human experience, often in broadly gothic strokes on his early albums but with a growing degree of nuance and compassion as Cave and his work matured. But a very real and deeply painful tragedy was visited on Cave while he was working on his 16th solo album, Skeleton Tree. His 15-year-old son Arthur Cave died when he fell from a cliff in July 2015, and while the writing and recording was already underway when the youngster suffered his accident, the grief and pain of loss Cave felt is palpable throughout this album. Skeleton Tree is relatively modest in scale – it runs just 40 minutes, the cover artwork is minimal, and the music lacks the dramatic, grand-scale arrangements of Cave's albums of the 21st century.

Raw to the Bone is the 13th album by rock band Wishbone Ash. Like its predecessor, Twin Barrels Burning, it is one of the band's heaviest records, capitalising on the popular new wave of British heavy metal that Wishbone Ash had helped influence. It is the only Wishbone Ash album to feature Mervyn Spence on bass and vocals. It is also the last album with guitarist/vocalist Laurie Wisefield, who ended his eleven-year stint with Wishbone Ash after the release of this album.

Wolfgang Katschner and the Lute Compagney provide the oratorios 'Jonas' and 'Judicium extremum' with a Dixit Dominus and a Magnificat, which in their expressiveness are in no way inferior to the more popular oratorios.

Die sogenannte ,,Alte Musik-Szene" ist in einer noch vor ein paar Jahren für undenkbar gehaltenen Expansion begriffen. Fast jeden Tag werden neue Ensembles gegründet und neue ,,alte" Werke zum ersten Mal der stummen Vergangenheit entrissen. Wir leben - wie wohl nie zuvor - auf Du und Du mit unserer jahrhundertealten Musikgeschichte.