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    Stevie Wonder - The Complete Stevie Wonder (2005/2015)

    Posted By: Rtax
    Stevie Wonder - The Complete Stevie Wonder (2005/2015)

    Stevie Wonder - The Complete Stevie Wonder (2005/2015)
    WEB FLAC (tracks) - 14.4 GB | MP3 CBR 320 kbps - 5.3 GB
    39:13:06 | Soul, Funk, Rhythm & Blues, Pop, Jazz | Label: Motown

    The Complete Stevie Wonder is a digital compilation featuring the work of Stevie Wonder. Released a week before the physical release of A Time to Love, the set comprises almost all of Wonder's officially released material, including single mixes, extended versions, remixes, and Workout Stevie Workout, a 1963 album which was shelved and replaced by With a Song in My Heart. The set also contains a digital (PDF) booklet and three music videos: "Overjoyed", "Part-Time Lover" and "So What the Fuss". On April 21, 2015, the box set lost its exclusivity rights to iTunes. It was removed from the iTunes store, but is available on other streaming services, and available on FLAC as well.

    Nils Landgren & Swedish Radio Choir - Sandström: Sonnets of Darkness and Love (2025)

    Posted By: Fizzpop
    Nils Landgren & Swedish Radio Choir - Sandström: Sonnets of Darkness and Love (2025)

    Nils Landgren & Swedish Radio Choir - Sandström: Sonnets of Darkness and Love (2025)
    WEB FLAC (Tracks +Booklet) 170 MB | Cover | 47:29 | MP3 CBR 320 kbps | 115 MB
    Jazz | Label: ACT Music

    A powerful live recording of Sandström's final work, blending choral music with Nils Landgren's trombone and vocals.

    Mark Knopfler - The Studio Albums 2009-2018 (2022) {6CD Box Set, Limited Edition}

    Posted By: popsakov
    Mark Knopfler - The Studio Albums 2009-2018 (2022) {6CD Box Set, Limited Edition}

    Mark Knopfler - The Studio Albums 2009-2018 (2022) {6CD Box Set, Limited Edition}
    EAC Rip | FLAC (Tracks) + Cue + m3u + Log ~ 2,11 Gb | MP3 CBR320 ~ 881 Mb
    Full Scans ~ 1,23 Gb | 06:05:13 | RAR 5% Recovery
    Roots Rock, Country Rock, Soft Rock, Classic Rock | UMC / Vertigo / Mercury #00602445706679

    A follow up to The Studio Albums 1996-2007 release in October 2021, is a second collection of Mark Knopfler studio albums, including Get Lucky (2009), Privateering (2012), Tracker (2015) and Down The Road Wherever(2018) plus a collection of studio b-sides and bonus tracks and two previously unreleased songs – ‘Back In The Day’ and ‘Precious Voice From Heaven’.  Audio has been overseen by original mastering engineer Bob Ludwig at Gateway Mastering. This is a mini-vinyl style 6CD collection in a clamshell-style box. Original studio albums housed in gatefold sleeves with folded printed lyric sheets. Bonus disc in single sleeve wallet with lyrics insert, plus 5 art cards.

    James Taylor - The Warner Bros. Albums: 1970-1976 (2019) {6CD Box Set, Remastered}

    Posted By: popsakov
    James Taylor - The Warner Bros. Albums: 1970-1976 (2019) {6CD Box Set, Remastered}

    James Taylor - The Warner Bros. Albums: 1970-1976 (2019) {6CD Box Set, Remastered}
    EAC Rip | FLAC (Tracks) + Cue + m3u + Log ~ 1,20 Gb | MP3 CBR320 ~ 543 Mb
    Full Scans ~ 258 Mb | 03:45:00 | RAR 5% Recovery
    Warner Bros. Records 603497852390 / Rhino Entertainment Company #R2 587550
    Folk Rock / Soft Rock / Singer-Songwriter

    Between 1970 and 1976, James Taylor released six albums with Warner Bros. Records that became the foundation for his unparalleled career that includes five Grammy® Awards, induction into the Songwriters and Rock and Roll Halls of Fame, and more than 100 million records sold worldwide. Albums: 1970–1976 includes newly remastered versions of the six legendary studio albums that James Taylor recorded between 1970 and 1976 (Sweet Baby James (1970), Mud Slide Slim and the Blue Horizon (1971), One Man Dog (1972), Walking Man (1974), Gorilla (1975), and In the Pocket (1976). Each album in the set has been remastered, a process overseen by Peter Asher, who signed Taylor to the Beatles’ Apple Records label in 1968, worked as his manager for 25 years, and originally produced several of these albums.

    Native Harrow - Like Never Before: Duo Acoustic Volume One (2025)

    Posted By: Fizzpop
    Native Harrow - Like Never Before: Duo Acoustic Volume One (2025)

    Native Harrow - Like Never Before: Duo Acoustic Volume One (2025)
    WEB FLAC (Tracks) 235 MB | Cover | 46:28 | MP3 CBR 320 kbps | 107 MB
    Folk Rock, Female Vocal, Songwriter | Label: Different Time Records

    Philadelphia folk-soul outfit Native Harrow has mesmerized audiences across the U.S. and Europe with a series of six self-produced albums and a decade of captivating live performances. Known for their individualistic blend of the American folk-rock tradition with soul, RnB, soft rock, jazz, and psychedelic art rock, they have created a discography of “rich, engrossing records” and “instant classics” while single-mindedly following their own artistic code.

    Amanda Lear - Brief Encounters Reloaded (2010)

    Posted By: popsakov
    Amanda Lear - Brief Encounters Reloaded (2010)

    Amanda Lear - Brief Encounters Reloaded (2010)
    EAC Rip | FLAC (Img) + Cue + Log ~ 641 Mb | MP3 CBR320 ~ 206 Mb
    Full Scans | 01:16:48 | RAR 5% Recovery
    Prolific Media Group UK / Just Good Music For Your Ears #JGM-PMGCDA01/2010
    Disco / Euro-Dance

    The return of Amanda Lear to dance music. An album containing remixes by some top Italian and English DJ, including a special DJ: Boy George! Including a cover of "Back To Black" by Amy Winehouse, "Always On My Mind" by Pet Shop Boys and other very good unreleased tracks.

    Deep Purple - Live In London (1982) {2003, Japanese Reissue}

    Posted By: popsakov
    Deep Purple - Live In London (1982) {2003, Japanese Reissue}

    Deep Purple - Live In London (1982) {2003, Japanese Reissue}
    2CD | EAC Rip | FLAC (Img) + Cue + Log ~ 620 Mb | MP3 CBR320 ~ 244 Mb
    Full Scans | 00:57:24 + 00:29:54 | RAR 5% Recovery
    Hard Rock, Classic Rock | VAP Records #VPCK-85325

    In 1974, Deep Purple were proving detractors wrong who figured that the exit of both singer Ian Gillan and bassist Roger Glover a year earlier would lead the group into an artistic tailspin. But as it turned out, newcomers David Coverdale and Glenn Hughes were worthy replacements, who contributed significantly to two more Purple classics in a single-year span, Burn and Stormbringer. And the "new look Purple" was certainly capable of delivering the goods during their live performances that year, as evidenced by the 2011 archival release, Live in London 1974. Expectedly, the track listing is comprised of then-new tunes (a red hot, set-opening reading of Burn's title track, as well as "Might Just Take Your Life," etc.), plus classics ("Smoke on the Water," "Space Truckin'," etc.).

    Blackbirds - 2 Studio Albums (1968-1971) [Reissue 2005]

    Posted By: gribovar
    Blackbirds - 2 Studio Albums (1968-1971) [Reissue 2005]

    Blackbirds - 2 Studio Albums (1968-1971) [Reissue 2005]
    EAC Rip | FLAC (tracks+.cue+log) - 583 MB | MP3 CBR 320 kbps (LAME 3.93) - 209 MB | Covers - 82 MB
    Genre: Psychedelic Rock, Pop Rock | RAR 3% Rec. | Label: Long Hair

    The Blackbirds were originally formed in south-west Germany and they released their first album "No Destination" on UK-Label Saga in 1968. The Blackbirds consists of psychedelic beat/pop music with a touch of the Mothers of Invention type satire (Something Different) and some progressive touches. Strong vocals by singer and guitar player Werner Breinig and some interesting Hammond organ work by Hubert Koop are characteristic of the group's music which proves a great talent of specific song writing. The German label OPP released 5 tracks of this first album on the "Snake in the Grass" album later on. 2nd album "A Touch Of Music", originally released in 1971 on German label OPP with a complete new line-up - with the exception of singer and guitar player Werner Breinig who now played violin and flute as well- and a complete new style of music…

    Mikhail Pletnev, Vadim Repin, Ilya Gringolts, Nobuko Imai, Lynn Harrell - Sergey Taneyev: Chamber Music (2005)

    Posted By: Designol
    Mikhail Pletnev, Vadim Repin, Ilya Gringolts, Nobuko Imai, Lynn Harrell - Sergey Taneyev: Chamber Music (2005)

    Sergey Taneyev - Chamber Music: Piano Quintet Op.30; Piano Trio Op.22 (2005)
    Mikhail Pletnev (piano); Vadim Repin, Ilya Gringolts (violin)
    Nobuko Imai (viola); Lynn Harrell (cello)

    EAC | FLAC | Tracks (Cue&Log) ~ 342 Mb | Mp3 (CBR320) ~ 189 Mb | Scans ~ 91 Mb
    Genre: Classical | Label: Deutsche Grammophon | # 00289 477 5419 | Time: 01:22:37

    Apparently a staple in Russia, the music of Taneyev exists on the fringes of the repertoire in the West, something that should be rectified–and will be if this superb CD made by a starry cast of performers gets the attention it deserves. He’s a Romantic composer, but hardly of the heart-on-sleeve variety, since he was a master of counterpoint and firmly encased his Romantic impulses in a well-fitted classical jacket. Sometimes he makes you think of a more modern, pungent Brahms with a Russian accent.

    Lisa Gerrard - The Silver Tree (2006) [14 Tracks Edition, 2007]

    Posted By: Designol
    Lisa Gerrard - The Silver Tree (2006) [14 Tracks Edition, 2007]

    Lisa Gerrard - The Silver Tree (2006) [14 Tracks Edition, 2007]
    EAC | FLAC | Image (Cue&Log) ~ 304 Mb | Mp3 (CBR320) ~ 148 Mb | Scans ~ 58 Mb
    Label: Rubber Records | # RUB224 | Time: 01:04:38
    Experimental Ambient, Modern Classical, Mystical Minimalism

    One listen to Lisa Gerrard's The Silver Tree (originally available only digitally, then as an Australia-only import, and finally, as a U.S. release) is enough to convince anybody – who isn't already convinced – that there's a very specific reason she has been courted by directors to compose soundtracks. There are 13 tracks here full of wispy ambient soundscapes, on top of which the former Dead Can Dance vocalist places her almost otherworldly gift of a voice. Sung nearly as prayers or meditative mantras, Gerrard employs monosyllabic glimpses of other languages – and occasionally English – to create her own tapestry of dreams. Some may be tempted to call this "new age" music, but it's so much more melancholy than much of what passes for that trash, and it's nearly sacred in its approach to articulation, creating the feeling in places ("Come Tenderness," "The Sea Whisperer," and "Abwoon," to name a few) that she is actually singing inside a cathedral. In other places, such as "Wandering Star" and "Serenity," her voice offers a drone approach that is as subtle – yet powerful – as her instrumentation.

    Robyn Hitchcock And The Egyptians - Fegmania! (1985)

    Posted By: Designol
    Robyn Hitchcock And The Egyptians - Fegmania! (1985)

    Robyn Hitchcock And The Egyptians - Fegmania! (1985)
    EAC | FLAC | Tracks (Cue&Log) ~ 315 Mb | Mp3 (CBR320) ~ 113 Mb | Scans included | 00:47:30
    Jangle Pop, Neo-Psychedelia, Aternative Rock | Label: Midnight Music | # CHIME 00.08 CD

    After the stripped-back collection I Often Dream of Trains, Robyn Hitchcock slowly formed a backing band called the Egyptians with ex-Soft Boys Andy Metcalfe and Morris Windsor, and keyboardist Roger Jackson over the course of the next year. Fegmania!, the Egyptians' first album, was a distinct departure from both the Soft Boys and Hitchcock's previous solo work, featuring layered, intertwining guitars and keyboards that created lush and thick sonic textures. Even with the more detailed arrangements, the songs remained twitchy and off-kilter, with melodies that usually went in willfully unpredictable directions, yet remained catchy all the while. Fegmania! was Hitchcock's most consistent work to date, featuring such highlights as the Eastern-tinged "Egyptian Cream", and the creepy "My Wife & My Dead Wife", and the relatively straightforward "The Man with the Lightbulb Head".

    John Mayall - The Last Of The British Blues (1978)

    Posted By: Designol
    John Mayall - The Last Of The British Blues (1978)

    John Mayall - The Last Of The British Blues (1978)
    EAC | FLAC | Tracks (Cue&Log) ~ 283 Mb | Mp3 (CBR320) ~ 101 Mb | Scans included
    British Blues, Blues Rock | Label: One Way Records | # MCAD-22074 | Time: 00:40:25

    This was the last of the six albums John Mayall originally made for Blue Thumb/ABC Records between 1975 and 1978, about which he has said, "ABC released six of my albums as a tax write-off. A week after they were released you couldn't find them in any store." It's a live album on which Mayall fronts a quartet consisting of guitarist James Quill Smith (who sings lead on several songs), bassist Steve Thompson, and drummer Soko Richardson. The approach is rock-oriented, and the set list includes such Bluesbreakers favorites as Mose Allison's "Parchman Farm," and Freddie King's "Hideaway" (taken at a frantic tempo), along with the usual complement of generic Mayall originals, among them, a remake of "The Bear," from Blues From Laurel Canyon.

    Sal Salvador - Shades Of Sal Salvador (1957) [Japanese Edition 1999]

    Posted By: gribovar
    Sal Salvador - Shades Of Sal Salvador (1957) [Japanese Edition 1999]

    Sal Salvador - Shades Of Sal Salvador (1957) [Japanese Edition 1999]
    EAC Rip | FLAC (tracks+.cue+log) - 143 MB | MP3 CBR 320 kbps (LAME 3.93) - 103 MB | Covers - 64 MB
    Genre: Jazz, Bop, Cool Jazz, Swing | RAR 3% Rec. | Label: Toshiba-EMI (TOCJ-62021)

    A versatile guitarist and onetime head of the guitar department at the University of Bridgeport, Sal Salvador was a capable soloist and accompanist whose single-string style, shaped by his early interest in the music of Charlie Christian, was augmented by extensive studies of guitar technique. Salvador's years of research, playing, and analysis eventually led to his writing guitar methodology books, among them Sal Salvador's Chord Method for Guitar and Sal Salvador's Single String Studies for Guitar in the '50s and '60s. He became interested in jazz during his teens, and began playing professionally in Springfield, MA, in 1945. He worked with Terry Gibbs and Mundell Lowe in New York at the end of the '40s, then joined Stan Kenton's orchestra in 1952. Salvador worked with Kenton until the end of 1953, and appeared on the New Concepts of Artistry in Rhythm album…

    William Christie, Les Arts Florissants - George Frideric Handel: Belshazzar (2013)

    Posted By: ArlegZ
    William Christie, Les Arts Florissants - George Frideric Handel: Belshazzar (2013)

    William Christie, Les Arts Florissants - George Frideric Handel: Belshazzar (2013)
    EAC | FLAC | Image (Cue & Log) ~ 880 Mb | Total time: 55:21+68:13+42:52 | Scans included
    Classical | Label: Les Arts Florissants | # AF.001 | Recorded: 2012

    A brand-new label from one of the world's finest early music ensembles makes an auspicious debut with this stunning new recording of Handel's oratorio Belshazzar. Les Arts Florissants, led by the great William Christie, have launched their new label with the goal of expanding the ensemble's connection to the listening public on a scale far beyond the concert hall. Belshazzar was first performed in 1745, and was frequently revised. Christie has chosen what he considers to be the most successful of the various versions of Belshazzar, resulting in the restoration of the piece in all its splendor. The libretto's subject, which focuses on the decline of a once glorious society and the ephemeral nature of Empire, is especially relevant today. This deluxe set also includes a bonus essay by Jean Echenoz entitled In Babylon, printed separately on special paper and included alongside the regular booklet. This specially commissioned work draws the reader deep into the ancient, majestic city, the seat of power of Belshazzar the King.

    Georg Solti, Chicago Symphony Orchestra - Felix Mendelssohn: Symphonies Nos. 3 & 4 (1986)

    Posted By: ArlegZ
    Georg Solti, Chicago Symphony Orchestra - Felix Mendelssohn: Symphonies Nos. 3 & 4 (1986)

    Georg Solti, Chicago Symphony Orchestra - Felix Mendelssohn: Symphonies Nos. 3 & 4 (1986)
    EAC | FLAC | Image (Cue & Log) ~ 313 Mb | Total time: 70:14 | Scans included
    Classical | Label: Decca | 414 665-2 | Recorded: 1985

    These are both exciting, high-powered performances very typical of Sir Georg. The dazzling qualities of the Chicago orchestra in achieving knife-edged precision of ensemble shine out consistently, and anyone who still thinks that Mendelssohn has Victorian cobwebs on him could hardly find more striking proof otherwise. The performances certainly bring out the exuberance of the inspiration, with the Scottish Symphony made almost as bright and athletic as the Italian.