The debut Hubro album by the highly regarded Norwegian power-trio Bushman’s Revenge – cult stars of the Rune Grammofon label for a decade – operates on several levels simultaneously. It can even sound like the work of several different trios. After a hypnotic experimental prelude that creates a sort of audible weather system, with the delicate, bare-wire glissandos of Even Helte Hermansen’s soprano guitar heard against Gard Nilssen’s Pink Floyd-ish beaten drums and the unusually reticent, elegantly dancing measures of Rune Nergaard’s electric bass, ‘Et Hån Mot Overklassen’ (which Google Translate renders as “A Mockery of the Upper Class’) begins to settle into a form of strikingly virtuosic and proggy jazz-rock; the instruments sound pretty much like guitar, bass and drums are meant to do, and the opening numbers follow a recognisable jazz model of theme/improv/theme.

Melted compiles music made by the greater crew in 2022 & 2023; a radio show, and some stage action, a variety of styles and vibes.

Hailed as "gospel titans" by Rolling Stone, the Blind Boys of Alabama defied the considerable odds stacked against them in the segregated South, working their way up from singing for pocket change to performing for three different presidents over the course of an 80-year career that saw them break down racial barriers, soundtrack the Civil Rights movement, and help redefine modern gospel music forever.

Formed in 2003, the Oslo based trio are upfront about their love for the progressive rock of Cream and Jimi Hendrix, the galactic jazz of Sun Ra, Ornette Coleman, Sonny Sharrock and Alice Coltrane, plus the raw power of Black Sabbath and The Pixies. «Thou Shalt Boogie!» is their sixth album on Rune Grammofon and has a velvety, warm sound that was captured at Athletic Sound in Halden, Norway, a legendary old school studio with a 30-year history.

Recorded during a show at the Storyville jazz club in Molde in May 2012, this could very well be their finest recorded effort during their ten years as a band. Bringing new meaning to the concept of loose but tight, they blend the freedom of jazz with the energy of rock in the most convincing ways as they race through numbers from all their previous four Rune Grammofon albums, taking no prisoners along the ride. On top of everything it´s also really well recorded and mixed, with a great punchy sound.

“A lot of this batch of songs is a reaction to the production stuff that I do,” says Jonathan Wilson of his new album Eat the Worm. “It began to dawn on me: a lot of my friends and people that I really admire, when they get in the studio, they get much more conservative…. Sometimes you’ve got to take chances and resist the urge to dumb things down to the kind of humdrum album we’ve all heard. It’s got to be kind of strange.”