Grease: The Original Soundtrack from the Motion Picture is the original motion picture soundtrack for the 1978 film Grease.

iSing Silicon Valley wurde 2013 mit der Vision gegründet, das Leben junger Frauen durch Chormusik zu verändern.

Uncompromising, witty, authentic, inspiring - Miesha & The Spanks have established themselves as a rock n roll force of nature to be reckoned with.

Der langjährige Tower of Power-Leadsänger aus Columbus, Ohio, präsentiert sein neues Soloalbum – ein smoothes Soul-Album für Jetzt und alle Zeiten.

Hätte sich Jacques-Philippe Lamoninary (1707-1802) wie viele seiner in der französischen Provinz geborenen Kollegen (darunter z.B. auch Rameau) dazu entschieden, sein Glück in der Metropole Paris zu versuchen, er wäre dank der Qualität seiner Musik heute sicherlich bekannter.

The Flowerpot Men were a 1980s British electronic group featuring Ben Watkins (Juno Reactor), cellist Adam Peters (film composer), and Paul N Davies (Naked Lunch). Demon Records is proud to present ‘1984’, a new collection curated with the assistance of the band.

The Muffat Collective is a period instrument quartet with a difference: four incredible musicians and friends dedicated to the emotions, historical context and beauty of the Baroque, an era full of passion, vitality and energy. After several years of delighting live audiences with their exciting and engaging concerts, this album brings the ensemble’s magic to a wider audience.

Lewis Allan "Lou" Reed was an American musician, singer, and songwriter. He was the guitarist, vocalist, and principal songwriter of the Velvet Underground, and his solo career spanned five decades. Rolling Stone magazine voted Reed's 1989 "New York" album the 19th best of the 1980s. In 2003, Rolling Stone magazine's list of The 500 Greatest Albums of All Time included two albums by Reed as a solo artist: "Transformer" and "Berlin". This Collection brings together remastered anthology of groundbreaking studio and live album titles written, recorded by Reed as a solo artist following the 1970 dissolution of the Velvet Underground.

The vocal ensemble Magnificat specializes in music of post-Reformation England and late 16th century Spain. This is a simply spectacular performance which earned the recording a Gramophone 'Editor's Choice' plaudit.

Juan Diego Flórez, Decca's “dashing tenor, the king of the bel canto repertory” now joins the illustrious list of tenors to record an album of ever-popular Neapolitan and Italian songs, including some in arrangements made for his idol and mentor Luciano Pavarotti. o complete the full Italian flavour these recordings were made in the Italian seaside resort of Fano, just south of Pesaro where Juan Diego makes his summer home - as Pavarotti did before him. For the orchestral tracks the Pesaro-based Filarmonica Giacchino Rossini is conducted by the gifted young Italian Carlo Tenan.

The Danish String Quartet bring their highly acclaimed Prism project to its conclusion. In each volume of this series a particular Bach fugue is connected to a late Beethoven quartet which, in turn, is connected to a quartet by a later master: "A beam of music is split through Beethoven's prism," in the Danes' words.

"BLACK LEATHER BLUES, the new record from Pennsylvania’s Dustin Douglas & The Electric Gentlemen puts the pedal to the floor, asking for no mercy with heavy riffs, huge hooks, and memorable blues-inspired rock n’ roll rhythms that takes you on a familiar yet fresh musical journey.

Marking 40 years since his first appearance at PizaExpress Live in London, the revered US saxophonist Scott Hamilton is to release a new live album, the first release on the newly formed PizzaExpress label PX Records.

Heikki Ruokangas, a master of Guitar Improvisation from Oulu and famous in Europe, visits the Hamina Rhythm Club. Ruokangas, one of Finland's few freejazz musicians, conjures an incredible amount of moods from his guitar. More recently, e.g. the guitarist, who has worked closely with American musicians, is visiting Hamina for the first time.

Kristian Matsson has never remained in one place for very long. Having spent much of the last decade touring around the world as The Tallest Man on Earth, Matsson has captivated audiences using, as The New York Times describes, "every inch of his long guitar cord to roam the stage: darting around, crouching, stretching, hip-twitching, perching briefly and jittering away…