Konrad Ruhland (19 February 1932 – 14 March 2010) was a German musicologist. He was born in Landau am Inn (Germany/Bavaria)

A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the '60s and '70s, a time when British jazz began to find its own identity.

On March 2nd, 2020 in Minneapolis, MN., Nathaniel Rateliff kicked off his highly anticipated tour supporting And It’s Still Alright, the singer-songwriter’s acclaimed new solo album which had just been released. Nine days later everything changed—the pandemic hit, and the sold-out nine-month run was cancelled.

Karen Black was boundless. An actor, singer, screenwriter, poet, and unyielding creative spirit, she was a prominent figure in the American New Wave, portraying a host of tender and labyrinthine women on screen.

A lifelong friend of Prokofiev and frequently performed outside of Soviet Russia in his lifetime, Nikolai Myaskovsky is best known today for his 27 symphonies.

…Famous Last Words… was the last album that Roger Hodgson made with Supertramp before seeking a solo career, and he made sure that radio would take kindly to his last hurrah with the band. Sporting an airy and overly bright pop sheen, …Famous Last Words… put two singles on the charts, with the poignant "My Kind of Lady" peaking at number 31 and the effervescent smile of "It's Raining Again" going to number 11…

Stay Hungry is the third studio album by American heavy metal band Twisted Sister. Released on May 10, 1984, the album includes the band's two most well-known songs, "We're Not Gonna Take It" and "I Wanna Rock". According to RIAA certification, Stay Hungry gained multi-platinum status with U.S. sales of more than 3,000,000 copies…

Released in 1970 during the stopgap between Stand! and There's a Riot Goin' On, Greatest Hits inadvertently arrived at precisely the right moment, summarizing Sly & the Family Stone's joyous hit-making run on the pop and R&B charts.

Songs Of Loss and Separation, the sprawling second album from TIMES OF GRACE is insistent in its bluesiness, bleeding distortion and emotion, weaving effortlessly between pensive, heavy, midtempo rock riffs and atmosphere.

Where I Should End is the sophomore album release from Saint Sister, recorded with Rían Trench in The Meadow, Co. Wicklow, and mixed in Berlin with Benedikt MacIsaac.

Island return with their second album Yesterday Park on tastemaker NYC label Frenchkiss Records. Yesterday Park is an album about nostalgia, that feeling of looking back, not to one specific time or place but rather the feeling associated with the hazy blur of childhood and teenage memories.

Legends in Thrash - crushing, rolling and knocking you down with their new album "Blood In The Water". Delivering finest fast and hard metal for new- and oldschool thrasher alike!

Naurora is undoubtedly Dewa Budjana's most ambitious work yet. Progressive, fresh, engaging, technically brilliant. Budjana’s tunes consistently clasp his listeners in a drape of gorgeous melodies, showpiece guitar parts and astounding ensemble passages that have a spacious air. Naurora, has is an exhilarating mix of styles, it delivers a succession of memorable motifs. It melds East Asian music with progressive jazz fusion and some occasional elements of rock, but most of all it delivers an idiosyncratic sound that is instantaneously identifiable as Dewa Budjana’s own.

In 1991, Coil released the third of their early classic full-length albums “Love’s Secret Domain”, seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries’ releases of the time wasn’t an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating psychedelic masterpiece unrivalled in their discography and still a landmark album.

A reissue of Derek Bailey and Anthony Braxton's Royal, expanded to include both intended volumes. Volume 1 was originally released in 1984; the second volume was never issued. The second release in a series of collaborations between Honest Jon's Records and Incus: three double-LPs of the legendary free-improvising guitarist Derek Bailey, solo (HJR 200LP) and in duos with Anthony Braxton and Han Bennink (HJR 202LP), augmenting the original releases with marvelous, previously unissued music.