Leroy Carr (March 27, 1905 – April 29, 1935) was an American blues singer, songwriter and pianist who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. He first became famous for "How Long, How Long Blues", his debut recording released by Vocalion Records in 1928

2020 album by British jazz pianist Danny Keane. "Roamin" incorporates Indian folk traditions, African rhythms, European classical, and contemporary dance music, all blended together with jazz at it's core.

Written as an examination of personal relationships, the new album by The Northern Belle is aptly titled We Wither, We Bloom. The Norwegian septet is among the pioneers of the nordicana scene that has been gaining momentum in the US the last few years.

Listening To The Music' was written and recorded in Zephaniah OHora's adopted hometown of Brooklyn, NY where prior to the pandemic he curated the music and frequently performed at Brooklyn traditional country music epicenter, Skinny Dennis.

Telemann published the Kleine Kammermusik in 1716 in Frankfurt: his second published collection, intended for performance equally with violin or flute.

Stephan Moccio, acclaimed composer/producer (Miley Cyrus, Celine Dion, The Weeknd), returns to his classical roots and the piano.

Mariah Carey has the most number-one singles for a solo artist in the United States (eighteen; second artist overall behind The Beatles), where, according to the Recording Industry Association of America, she is one of the best-selling female artists and sixteenth overall recording artist.

Soprano saxophone player Sascha Armbruster, oboe player Kelsey Maiorano, clarinetist Toshiko Sakakibara, trumpeter Jens Bracher, trombonist Stephen Menotti and tuba player Janne Jakobsen gather together and record the compositions written by Norbert Moslang. “Patterns” is a new record on “Bocian” label – this album is a mix of academic avant-garde, experimental music, free improvisation and avant-garde jazz. The musicians join together different kinds of motions, expressions, styles and passions to create a rich and original sound.

Viola player Eivind Holtsmark Ringstad is the latest talent to emerge from a new, golden generation of Scandinavian musicians. He made his debut with the Oslo Philharmonic Orchestra with conductor Eivind Aadland in 2013, and has since been travelling all around the world, performing in prestigious festivals and concert venues; he is a national favourite.

When Tora Augestad releases a musical portrait together with the Oslo Philharmonic, there’s nothing less than Kurt Weill, Marcus Paus, and Charles Ives on the menu. Augestad's repertoire for “Portraying Passion” takes the musical qualities of modernist, individualistic composers and places them squarely within the context of the 21st century.

If, as Liszt himself dubbed it, ‘Hexaméron’ is ‘a monster’, it’s a monster which certainly holds no terrors for Marc-André Hamelin, and the encounter between them makes for some thrilling pianism. The remainder of the recital—high-octane transformations of nineteenth-century operatic favourites—is every bit as electrifying, from a musician who never ceases to astonish whatever the repertoire.