Every orchestra has a characteristic sound & personality that identifies them through the ages, & in the case of the Boston Symphony Orchestra it is their contoured string & wind elegance, panache & suavity that marks them out as the premier Francophone American orchestra. With Seiji Ozawa at the helm, a conductor much identified with French repertoire, these Quad recordings of Maurice Ravel, accomplished during his long tenure as music director, are afforded the sonic treatment they deserve & are now able to receive given the latest SACD technology employed by Pentatone enabling the release of the full spectrum of sound captured by a previous eras sound engineers.

Backhaus was one of the great exponents of the Classical and Romantic repertory and his performances had an integrity that eschewed any unnecessary display and flamboyance; his concern was to give the most direct interpretation of what the composer wishes and the structure and architecture of his chosen repertory was paramount.

Bluesman George “Mojo” Buford started blowing the harmonica in his teens, eventually linking up to tour with fellow Mississippian Muddy Waters.

"We were just trying to create some new music while we were all hunkered down in our homes to have something for everybody to listen to,” says Jay DeMarcus of the How They Remember You EP, which he completed in a few months’ time with his Rascal Flatts bandmates, Joe Don Rooney and Gary LeVox. With the veteran country-pop trio’s planned farewell tour postponed due to the pandemic, the members instead culled through their stockpile of unfinished tracks and chose a stylistically varied sampling to polish to completion.

Crucial questions around healing, cultural identity, and disability are among the many subjects visited by Thanya Iyer's sophomore album, KIND. Although represented by a concise title, KIND explores an expansive universe where Iyer and her band examine interpersonal relationships, ideas of home and destination, and our collective responsibilities to one another. To aid in this journey of big, difficult questions, Iyer enlists the help of a huge cast of musicians, with guest features ranging from brass trios, vocal sextets, flautists, and harpists.

We are not in the times of 100 Club Oxford Street, The Nashville, Hope and Anchor … when a multitude of young people tried to escape from the musical prison that prevailed in England in the mid-70s, where rock stadium and virtuosity They made up the bars for a bunch of low-class misfits who just wanted to get out of the routine between paints.

Mercury Prize-nominated Portico Quartet has always been an impossible band to pin down. Sending out echoes of jazz, electronica, ambient music and minimalism, the group created their own singular, cinematic sound over the course of three studio albums, from their 2007 breakthrough ‘Knee-Deep in the North Sea’, and 2010 John Leckie produced ‘Isla’, to the self titled record ‘Portico Quartet’ in 2012. Now rebooted as Portico Quartet after a brief spell as the three-piece Portico, the group are set to release their fourth studio album Art In The Age Of Automation this August on Manchester’s forward thinking indy jazz and electronica label Gondwana Records.

For this new album, pianist Igor Gehenot continues the adventure of his international quartet and adds the blowing of French saxophonist David El-Malek (Baptiste Trotignon). Between post-bop and contemporary music, “Cursiv” takes us deep into the heart of a sulphurous New York and on to the bare plains and fjords of Norway.

Black Veil Brides release a new rerecorded version of their debut album We Stitch These Wounds entitled Re-Stitch These Wounds.

Rarely heard on disc, the songs of Florent Schmitt receive fresh exposure in this significant new survey of these neglected works including a number of world premiere recordings.

Adrian Byron Burns performing live at The Mean Fiddler, London, England in 1997.

Chicago blues singer Angela Brown is considered one of the best blues singers of her generation, Angela has a superb voice that is equally at ease with classic as well as modern blues.

Lisa Ono is a popular Brazilian-Japanese bossa nova singer. Born in Sao Paulo, Brazil. Lisa Ono spent her childhood in Brazil until she became 10 years old. She started singing and playing the guitar when she was 15 years old, and her debut as a professional Bossa Nova singer was in 1989. Her natural voice, rhythmic guitar playing, and her charming smile led her to a huge success and helped Bossa Nova to be popular in Japan. She has performed with many top musicians such as the legendary Antonio Carlos Jobim, the Jazz Samba giant Joao Donato, and has been performing enthusiastically in New York, Brazil and Asian countries. The album “Dream”, which was released in 1999, sold more than 2 hundred thousand copies in Japan, and since than she has established a determined position in the Japanese Bossa Nova community.