Since 1727, JS Bach's "Great Passion" has gripped the hearts and uplifted the minds of audiences all over the globe. Nearly three centuries after its premiere, the work has lost none of its power to evoke feelings of compassion for all those who suffer. Its mix of urgent story-telling, meditative arias and mighty choruses sets St Matthew's account of Christ's betrayal, trial and execution eloquently and emotionally.

For his first album devoted entirely to works sung in German, star countertenor Philippe Jaroussky has chosen four religious cantatas: two by J.S. Bach (including the much-loved ‘Ich habe genug’) and two by Georg Philipp Telemann. Jaroussky is accompanied by the Freiburger Barockorchester, which also joined him for live performances at Berlin in 2015 as part of the singer’s season as artist-in-residence at the city’s historic Konzerthaus.

Angela Hewitt takes a well-deserved break from her mammoth Bach and Couperin surveys to present us with this enthralling set of Chopin’s most distinguished piano pieces—the complete Nocturnes and Impromptus.

To celebrate his 70th birthday, (March 15th) Charles Lloyd presents his first live quartet album; a really exciting set of music recorded in Basel in 2007 featuring a revamped Quartet now with young stars Jason Moran on piano and Reuben Rogers on bass both making ECM debuts here. The latest offering is blisteringly up-tempo and sensually ballad-oriented and include also a beautiful cover of Cuban singer-songwriter Silvio Rodríguez s tune.

Alternating between soprano, tenor and baritone saxes in this collection of straight-ahead jazz for the Japanese market, Barney Wilen refuses to be pinned down to a single tone quality or approach, even on the same instrument. Among other things, he mimics the lagging phrasing of Lady Day on "You've Changed" on soprano, "Blues Walk" bumps along agreeably on baritone while "Old Devil Moon" is sustained and humorous, and "Mack the Knife" is converted into a glacial smoky ballad with almost casual nonchalance.

Some Other Time: The Lost Session From the Black Forest is a newly unearthed studio session from the iconic pianist Bill Evans featuring bassist Eddie Gomez and drummer Jack DeJohnette. Recorded on June 20, 1968, nearly 10 years after the legendary Kind of Blue sessions with Miles Davis and a mere five days after the trio's incredible Grammy award-winning performance at the Montreux Jazz Festival, this is truly a landmark discovery for jazz listeners worldwide. Available in deluxe 2-CD and limited edition 2-LP sets, and containing over 90 minutes of music, this is the only studio album in existence of the Bill Evans trio with Gomez and DeJohnette. Some Other Time was recorded by the legendary MPS Records founder and producer Hans Georg Brunner-Schwer along with writer/producer Joachim-Ernst Berendt at the MPS studios in the Black Forest (Villingen, Germany).

Born in South-Korea and at the age of two adopted into a Dutch family, Lavinia Meijer started to play the harp at the age of nine. Within two years she was admissioned to study at the young talent class of the conservatory of Utrecht (Bachelor) and later at the conservatory of Amsterdam (Master). At both conservatories she graduated with Honours. Her success at the conservatory of Amsterdam was a prelude on Lavinia’s career to come.