Looney Tunes & Merrie Melodies, a Various Artists Compilation. Released 1970 on Warner Bros. Records. This 3xLP set promotes Warner Brothers and Reprise artists, accenting neurotic and humorous tunes from the two labels' roster of artists.

One of Les McCann's greatest albums, Much Les encapsulates much of what McCann did best in his early years, while adding a few novel embellishments - like a string section and Latin percussionists - that enhance his core sound. The results are winning, likable, and consistently engaging, making for an underrated classic. McCann is joined on every cut by his trio of the time, bassist Leroy Vinnegar (who contributes "Doin' That Thing") and drummer Donald Dean, who offers solid, laid-back support. However, it's actually the string section that provides the dominant flavor of McCann's accompaniment; of the six tracks, they appear on all three slow songs, plus - in an offbeat touch - the laid-back soul-jazz of "Doin' That Thing," giving it an almost movie soundtrack feel…

This material is the English version of East’s first album, Játékok which was released in 1981. East is one of the most beloved prog acts from Hungary (if not the most). While the rest of the world was into New Wave, Marillion carried the prog torch for Great Britain and points west. Guitarist János Varga, keyboardist Géza Pálvölgyi, singer Miklós Zareczky, bassist Péter Móczán and percussionist István Király decided to pick up the prog banner for Eastern Europe. In 1981, they released their debut album "Játékok." The English translation is games. Oddly, they did release an English version, but it was titled "Blue Paradise." It was a well-received debut, and is still highly regarded.

When The Omega Syndicate burst onto the scene in 2004 with their exhilarating debut “Analogue Waves” they quickly made quite an impression and many friends into the bargain. In a UK scene often accused of being lacklustre and amateurish, The Omega Syndicate have flown in the face of any such criticism with their exciting and dynamic fresh sounding take on the traditional Berlin School sound. Although they are creating long tracks with synths, sequencers and Mellotrons, what they produce is wholly original and while it can be said firmly and squarely to be “Berlin School”, it doesn’t always sound like a clone of Schulze or Tangerine Dream.

Jimmy Page and Robert Plant shocked fans when they reunited for MTV's Unledded special in October 1994 — and sent them into a state of bliss when they decided to take their renewed partnership on the road for a lengthy world tour, starting Feb. 26, 1995, in Pensacola, Fla. As they'd made clear by dissolving the band after drummer John Bonham's death in 1980, Page and Plant weren't interested in suggesting a Led Zeppelin reunion, and they drew a further line between their new project and the past by neglecting to invite former Zep bassist John Paul Jones. Still, for those who'd been hoping for updated yet still recognizable takes on Zeppelin classics, the 1995 tour's configuration — featuring a six-piece rock band, 29 British classical string players and 11 Egyptian folk musicians — still had to come as something of a surprise.

A lonely boy, who lives in Amsterdam with his refugee mother from Kosovo, keeps getting into trouble while yearning for her acceptance. But the traumas caused by the war, which his mother hides away from him, turn his world upside down.

Pim lives in a run-down house in a dead-end street somewhere on the Flanders coast, together with his mother Yvette Bulteel. Life here smells of cold French fries, cheap cigarettes, vermouth and stale beer. As a kid, Pim dreams of a better life, imagining princesses and beauty queens. But when Pim turns sixteen, he begins dreaming of Gino, the handsome boy next door, instead.

Recorded for radio broadcast, this performance features drummer Art Blakey & the Jazz Messengers live at Rutgers University in 1969. Featured in the Messengers are trumpeter Woody Shaw, tenor saxophonist Carlos Garnett, pianist George Cables, and bassist Scotty Holt. Although recorded during a transitional period for Blakey, as well as for jazz in general with the burgeoning fusion movement, this is nonetheless a swaggering performance of propulsive, edgy post-bop that equals any of Blakey's previous studio efforts. Here we get a burning take on Shaw's "The Moontrane," an expansive version of "'Round About Midnight," a supremely funky reading of the Blakey classic "Moanin'," and more.

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Catherine is a teenager going through adolescence just as her parents are getting a divorce. Her social life is no better as bullies and boys add to the pressure of growing up in the chaotic '90s.