Billionaire sportsman Buddy King unwinds by hunting human captives on his remote mountain estate. But his latest victim, Ava Bravo, is no easy target.

"One More Dream" is a coming-of-age drama set in modern-day America. High School is as much a time for fear and self-doubt as it is for dreams. In One More Dream, we get a rare glimpse into the mind of young Jeremy as he tries to understand how the heartbreaks of adolescence interrupt the lives of his friends and how real the fight is in overcoming the doubts and fears in his own life. Jeremy's life is pretty good until a bully embarrasses him in front of the whole school and the love of his life breaks up with him. Devastated, he turns to Jules, his encourager. Jules is a tender heart with a tough exterior, but instead of comfort, Jules has some harsh truths for Jeremy about dealing with his fear. Later, when Jeremy stumbles across his arch-nemesis in crisis, he reluctantly rescues him. Jeremy begins to see how the pain of the past impacts how people respond in the present, and although he cannot change the past, having friends who support you and encourage you can give you the strength to overcome the fears and doubts and create a new dream for yourself.::Rovy13

UK four CD round up of British doo-wop pop legends The Darts covering their recordings for the Magnet label between 1977-81 Disc One is their #9 charting self-titled album. The second disc features the Everyone Plays Darts LP which hit #12 in the summer of 1978. Among the six bonus tracks is the #18 hit 'Don't Let It Fade Away'. Disc Three has the #38 charting album Dart Attack. Dating from 1979 it includes the hit singles 'Get It' (#16), 'Duke Of Earl' (#6), 'Can't Get Enough Of Your Love' (#43) and 'Reet Petite' (#51). The fourth and final disc is the rare Darts Across America album, originally released only in the USA. Now restored to it's original LP art and coming with 13 bonus cuts. The 20 page booklet contains detailed liner notes by History Of Rock editor Michael Heatley in discussion with vocalist Griff Fender and pictures of all the relevant record sleeves. The band remain in the Top 500 Chart acts of all time in the UK and still regularly play one off shows across the country.

Born in Brooklyn, raised in Switzerland, resident of Toronto, and recording in Memphis, singer Shakura S'Aida turns in her second solo album, Brown Sugar, for the German Ruf Records label. On her first CD, UMI's Blueprint, she sang blues cover songs from the 1940s and ‘50s, but here she and her guitarist, Donna Grantis, have penned nine of the 11 songs themselves. They have done so in some familiar blues styles, starting with the opening trio of 12-bar blues tunes, "Mr. Right," "Walk Out That Door," and "Gonna Tell My Baby," then going on to less hardcore variations such as the blues-rock found on "(Did It)" Break Your Heart" and the bluesy piano ballad "Angel on High."

Journey to the Centre of the Eye is the debut album from English progressive rock band Nektar that came out in November 1971. Though formally divided into 13 tracks, the entire album consists of a single continuous piece of music, with some musical themes which are repeated throughout the work. Because of its narrative nature, it has been called a rock opera and/or dense concept album. The story follows an astronaut who, while on a voyage to Saturn, encounters aliens who take him to their galaxy, where he is suffused with knowledge and wisdom. It is usually interpreted as a commentary on the nuclear arms race.

Three generations of Delaney women explore the highs and lows of modern-day dating, learning that love and romance can be found at any age…and sometimes where you least expect it.

With a few changes in personnel, the Zawinul Syndicate continues to be Joe Zawinul's personal vehicle for pan-global fusions of jazz, Afro-Latin rhythms, rock and whatever world music he can lay his hands on. Again Zawinul keeps a configuration of vocalists on board, including his own gritty electronically processed voice, and he even dusts off his childhood accordion for a bit of Austrian local color on "Medicine Man." The leadoff track, a group remake of "Carnivalito" recorded live in Copenhagen, is, oddly enough, inferior to Zawinul's solo version – too cluttered. But with the South African freedom-fighting, percolating "Black Water," the Syndicate is back on track, empowered as always by Zawinul's unquenchable urge to swing right in the pocket.