Mihaela Martin & Elena Bashkirova - Schubert: Violin & Piano (2021)
Mihaela Martin & Elena Bashkirova - Schubert: Violin & Piano (2021)
WEB FLAC (tracks) - 277 Mb | MP3 CBR 320 kbps - 167 Mb | Digital booklet | 01:12:00
Classical | Label: CAvi-Music
WEB FLAC (tracks) - 277 Mb | MP3 CBR 320 kbps - 167 Mb | Digital booklet | 01:12:00
Classical | Label: CAvi-Music
“Schubert’s music is always associated in my imagination with a journey in a horse-drawn carriage. Outside, the scenery is flowing by. Cities, mountains, rivers, lakes, villages. At times the carriage slows down, then it speeds up again, but I always have that feeling of being on a journey. Not on foot and not on horse, but in a carriage on wheels.” (Elena Bashkirova)Tracklist:
The year 1816 ushered in a series of new beginnings for 19-year old Franz Schubert. He had applied for a music teaching job in Laibach (and soon would probably be overjoyed in secret that he was turned down, thus avoiding the task of school teaching, which he abhorred). He sent Goethe a notebook with songs of his pen, hoping, in vain, that he would be allowed to dedicate them to the “prince of poets”. He dreamt of his future wedding with the soprano Therese Grob. And he composed incessantly. Apart from countless songs, Schubert’s catalogue already included a half-dozen works for the stage, three masses, sixteen string quartets, overtures, piano music, and choir pieces. Now, in the course of just a few weeks, he wrote his 4th Symphony, the “Tragic”. A cantata likewise flowed from his pen. And the Stabat Mater. Fourteen new songs. Furthermore: three sonatas “for fortepiano and violin”, his first chamber music works for violin.
Schubert probably intended these sonatas as music for domestic use: perhaps for Ferdinand, his favorite brother, who, one year thereafter, arranged them for orchestra with Schubert’s approval.
Or perhaps they were destined for the convivial circle of friends who gathered on a regular basis to make music, read out loud to one another, and have lively discussions. Schubert also took up the violin himself at times: in his school days, he had been the leader of the orchestra at the Vienna Stadtkonvikt (Municipal Seminary), where he was a pupil.
He thus may have played these sonatas himself on the violin. We do not know. The sonatas were only published in 1836, many years after Schubert’s death: publisher Anton Diabelli gave them the title “sonatinas”, and the name has stuck until today.
Indeed, despite their brevity, and although at first glance they seem relatively easy to master in terms of technique, the seemingly harmless epithet conceals a richly varied musical cosmos we can discover through these works.
01. Schubert: Sonatina No. 1 for Piano and Violin in D Major, Op. 137 posth, D. 384: I. Allegro molto
02. Schubert: Sonatina No. 1 for Piano and Violin in D Major, Op. Posth. 137 , D. 384: II. Andante
03. Schubert: Sonatina No. 1 for Piano and Violin in D Major, Op. Posth. 137 , D. 384: III. Allegro vivace
04. Schubert: Sonatina No. 2 for Piano and Violin in A Minor, Op. 137 posth, D. 385: I. Allegro moderato
05. Schubert: Sonatina No. 2 for Piano and Violin in A Minor, Op. Posth. 137, D. 385: II. Andante
06. Schubert: Sonatina No. 2 for Piano and Violin in A Minor, Op. Posth. 137, D. 385: III. Menuetto. Allegro
07. Schubert: Sonatina No. 2 for Piano and Violin in A Minor, Op. Posth. 137, D. 385: IV. Allegro
08. Schubert: Sonatina No. 3 for Piano and Violin in G Minor, Op. Posth. 137, D. 408: I. Allegro giusto
09. Schubert: Sonatina No. 3 for Piano and Violin in G Minor, Op. Posth. 137, D. 408: II. Andante
10. Schubert: Sonatina No. 3 for Piano and Violin in G Minor, Op. Posth. 137, D. 408: III. Menuetto. Allegro
11. Schubert: Sonatina No. 3 for Piano and Violin in G Minor, Op. Posth. 137, D. 408: IV. Allegro moderato
12. Schubert: Rondo brilliant, for Piano and Violin in B Minor, Op. 70, D. 895: I. Andante
13. Schubert: Rondo brilliant, for Piano and Violin in B Minor, Op. 70, D. 895: II. Allegro più mosso
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FILE: 01 - Mihaela Martin & Elena Bashkirova - Schubert- Sonatina No. 1 for Piano and Violin in D Major, Op. 137 posth, D. 384- I. Allegro molto.flac
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Conclusion: CDDA 100%
Signature: 3595EB7F12BD265BED2DBF3EB4CFBA659BD0895A
DON'T MODIFY THIS FILE
–––––––––––-
PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright © 2008-2010 y-soft. All rights reserved
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
FILE: 13 - Mihaela Martin & Elena Bashkirova - Schubert- Rondo brilliant, for Piano and Violin in B Minor, Op. 70, D. 895- II. Allegro più mosso.flac
Size: 57313919 Hash: 85C93D41ACCB4D41FEBC20BCB6F27374 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 303BD6BD0985BFF72C6023B2A721007C61AF3F03
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Conclusion: CDDA 100%
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Conclusion: CDDA 100%
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FILE: 08 - Mihaela Martin & Elena Bashkirova - Schubert- Sonatina No. 3 for Piano and Violin in G Minor, Op. Posth. 137, D. 408- I. Allegro giusto.flac
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FILE: 07 - Mihaela Martin & Elena Bashkirova - Schubert- Sonatina No. 2 for Piano and Violin in A Minor, Op. Posth. 137, D. 385- IV. Allegro.flac
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Conclusion: CDDA 100%
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Conclusion: CDDA 100%
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Conclusion: CDDA 100%
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Conclusion: CDDA 100%
Signature: 06B03DB23E245F664F98CF44AB2CAA72F7DC4BEE
FILE: 02 - Mihaela Martin & Elena Bashkirova - Schubert- Sonatina No. 1 for Piano and Violin in D Major, Op. Posth. 137 , D. 384- II. Andante.flac
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Conclusion: CDDA 100%
Signature: BE8C941CE56C909609502F5B89E34D2FD3904C11
FILE: 01 - Mihaela Martin & Elena Bashkirova - Schubert- Sonatina No. 1 for Piano and Violin in D Major, Op. 137 posth, D. 384- I. Allegro molto.flac
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Conclusion: CDDA 100%
Signature: 3595EB7F12BD265BED2DBF3EB4CFBA659BD0895A