Rocky Mountain Low is a unique portrayal of a late-1970s American Punk/New Wave scene. It is the first time that a Punk/New Wave scene, from its inception in 1976 through to the end of 1979, has been documented in its entirety. In their presentation of Colorado’s musical reaction to the initial wake of Punk Rock in the late 1970s, the compilers have set the bar unattainably high for future would-be historians. While Colorado’s late-1970s underground music scene was small and existed on the margins of the larger, more well-known scenes, its documentation is important in that what is being presented is a complete and accurate portrayal of part of the cultural movement that was taking place at the time. Thorough and comprehensive research viewed through an objective lens provides a previously unseen snapshot of America’s musical underground of the period. This documentation shows that the Punk movement of the late 1970s was anything but paint-by numbers—a concept that seems to have been sadly lost on younger generations. Until now, very little has been known about what transpired in Colorado’s musical underground in the late 1970s.

Billy Idol is the eponymous debut studio album by English rock vocalist Billy Idol, released on 16 July 1982 by Chrysalis Records. After his departure from the band Generation X and the release of his first solo extended play, Don't Stop (1981), Idol began working on his debut album. Produced by Keith Forsey, Billy Idol is a rock album with strong influences of new wave music. Upon its release, the album received generally positive reviews from music critics and was a commercial success, peaking at number forty-five on the Billboard 200. Billy Idol was certified gold by the Recording Industry Association of America.

Stasis Sounds for Long-Distance Space Travel III is imminent. The time has come to reawaken from extended stasis as we approach the orbit of a potentially habitable exoplanet—designated the Blue New World. Join us for the Final Approach, as the first telemetry and visual data begin transmission, offering early glimpses of this uncharted and promising celestial destination. released June 3, 2025.

Free Jazz was the breakthrough that revealed how Coleman’s compositional impetus could stimulate the improvisational responses of a larger ensemble in interrelated, additionally complex ways. Ornette!, recorded five weeks later, is the only document we have of Scott LaFaro in the quartet. The exclamation point of the title is an indication of the album’s dominant mood. – Art Lange

Amazon exclusive edition. Aoxomoxoa is the third studio album by American rock band the Grateful Dead, released on June 20, 1969, by Warner Bros.-Seven Arts. It was one of the first rock albums to be recorded using 16-track technology. The title is a meaningless palindrome, usually pronounced /ɒksə.məksˈoʊə/. Rolling Stone, upon reviewing the album, mentioned that "no other music sustains a lifestyle so delicate and loving and lifelike". The album was certified gold by the RIAA on May 13, 1997. In 1991 Rolling Stone selected Aoxomoxoa as having the eighth best album cover of all time. It was voted number 674 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).

Uncritical admiration is appropriate for these Schubert Lieder, where no forcing, no technical difficulties, not even a single spoiled note are to be found. It is not possible to perform Die schöne Müllerin and the other songs more heartily, more expressively than Fritz Wunderlich and his congenial, subtle accompanist Hubert Giesen do and, fortunately, will be able to do again and again, on these two records that every music lover will have to listen to stirringly.

Giovanni Battista Fasolo (1598-1680) was born in Asti (Italy) and spent his life as a Franciscan Friar in Rome, Naples and finally as Maestro di Cappella at the Cathedral of Monreale, Sicily. He is mainly known for his “Annuale”, the largest compendium of organ music for liturgical use written in the 17th century.

Solti finds all the detail in the score not only in the very grand passages but brings tenderness to the more reflective sections which is a joy to listen too. The CSO are magnificent, the strings have that bloom that makes you think of the Vienna Philharmonic at their peak, the rest of the ensemble are no less perfect either. The Decca recording, which just predates digital sound, is full and opulent and puts you in the best seat in the concert hall and is as just as good, if not better, then many later recordings of these works.

Hot Space is the tenth studio album by the British rock band Queen. It was released on 21 May 1982 by EMI Records in the UK and by Elektra Records in the US. Marking a notable shift in direction from their earlier work, they employed many elements of disco, funk, rhythm and blues, dance and pop music on the album. This made the album less popular with fans who preferred the traditional rock style they had come to associate with the band. Queen's decision to record a dance-oriented album germinated with the massive success in the US of their 1980 hit "Another One Bites the Dust" (and to a lesser extent, the UK success of the song).

For 40 years Allan Taylor, has been considered as the consummate performer, a writer of literary gracefulness whose troubadour chronicles encapsulate the realism of otherwise unsung heroes, otherwise uncharted lives. On previous albums Allan Taylor sang songs about the road, about all the different countries and all the hotel rooms. All Is One goes deeper - into time and ultimately to the recognition that All Is One. A powerful philosophical statement delivered with virtuoso lightness. Someone who is approaching 70 and calls his album All Is One obviously has something to say.

Lepo Sumera (1950–2000) was one of the most important figures in Estonian music after WW2. Sumera can also be considered among the most important European symphonists of his era: between 1981 and 2000 the composer wrote an impressive series of six symphonies. These dramatic and emotionally-packed works of great beauty and contrasts were greatly admired by, among others, John Adams. This new album by the Estonian National Symphony Orchestra and conductor Olari Elts is the first instalment in a new fascinating symphony cycle.

J.J. Cale's debut album, Naturally, was recorded after Eric Clapton made "After Midnight" a huge success. Instead of following Slowhand's cue and constructing a slick blues-rock album, Cale recruited a number of his Oklahoma friends and made a laid-back country-rock record that firmly established his distinctive, relaxed style. Cale included a new version of "After Midnight" on the album, but the true meat of the record lay in songs like "Crazy Mama," which became a hit single, and "Call Me the Breeze," which Lynyrd Skynyrd later covered. On these songs and many others on Naturally, Cale effortlessly captured a lazy, rolling boogie that contradicted all the commercial styles of boogie, blues, and country-rock at the time. Where his contemporaries concentrated on solos, Cale worked the song and its rhythm, and the result was a pleasant, engaging album that was in no danger of raising anybody's temperature.

Philipp Scharwenka (1847-1917) gets short shrift next to his more successful brother, Xaver. The two had very dissimilar styles. Philipp, a professor at various conservatories (Otto Klemperer was his pupil) was austere and embraced academic German Romanticism, while Xaver preferred the extroverted salon idiom of Chopin and Liszt. In the opinion of the critic Hugo Leichtentritt “Philipp Scharwenka is an absolute master of composition. His violin and cello sonatas, his string quartets, piano trios and piano quintet belong to the most perfect and tonally beautiful works of their type."

In 2016 Joe was causing guitar wonder down under! Featuring tracks from his 2016 performance at one of the world’s most legendary venues. Celebrate this guitar event of the year with some cool merch to make your listening pleasure a whole lot better! For the media merchandise, this new album features four unreleased "live" tracks from his coveted No.1 album Blues of Desperation. August 28, 2019 – Fans and critics alike have been asking the big question of two-time GRAMMY-nominated blues king Joe Bonamassa - “Will there be a new album in 2019?” Today, that question is answered with the announcement of LIVE AT THE SYDNEY OPERA HOUSE, a brand new live album from “arguably the world’s biggest blues guitarist” (Guitar World) featuring recordings from his 2016 performance at one of the world’s most legendary venues. This includes previously unreleased versions of tracks from his coveted No. 1 album BLUES OF DESPERATION.

Alan Simon is a French folk-rock musician and composer, best known for his rock operas performed with noted rock musicians guesting. Simon is associated with Breton Celticism, and his most ambitious works are typically on themes linked to Celtic myth and history. Simon achieved fame with his rock opera Excalibur, La Légende des Celtes (Excalibur, The Legend of the Celts) (Sony) in 1999, of which he was both songwriter and producer. The first part of an intended trilogy, Excalibur blended musical styles and was performed by Roger Hodgson (ex-Supertramp), Fairport Convention, Dan Ar Braz, Tri Yann, Angelo Branduardi, Didier Lockwood and Gabriel Yacoub.