Love is precious, blind, many-splendoured, and, like a wild rose, beautiful and barbed. On his latest long-player, Lovely Music, Russian-American pianist Simon Nabatov revisits old acquaintances, scouring his back catalogue for captivating case studies of l’amour, seeking in passages of poetry and prose, tales anecdotal and personal, the inspiration for his audacious mood music suffused with sentiments suggesting affection, tenderness, adoration, and even obsession.

When jazz vocalist Freddy Cole sings, it's with a built-in groove that's unshakeable, with warm, honeyed tones that wrap the lyrics in velvet and set them down firmly in the pocket. Cole has one great little album here; if you thought it was impossible to produce a modern-day jazz vocal album that's not infused with endless oodles-of-noodles riffing that shows you nothing except the ability of the vocalist to sing everything but the melody, be prepared for greatness. With a small combo led by pianist Cedar Walton and tenor saxophonist Grover Washington, Jr., Cole has a backdrop that never gets in the way of his magic nor does anything that doesn't help the song. Timber-wise, he owes a lot of his phrasing to his older brother, Nat "King" Cole, and Francis Albert Sinatra, but Freddy ultimately remains his own man and that's what makes this album such a success. Ten or 12 stars, at least.

As many artists have experienced, the past two years hit the entire music and culture industry hard. But MY SLEEPING KARMA – they have truly faced the abyss. Formed almost 20 years ago as a strong bond of best friends with a steady line-up ever since, the band has amassed an incredibly successful back catalogue of five highly acclaimed records and a live album in 2017, as well as extensive touring performances at sold-out venues and prestigious festivals that have marked them as one of the most well-respected instrumental post- and hypnotic rock bands within the heavy music community. Closing a seven-year gap since their latest studio album, Moksha, MY SLEEPING KARMA will release their most emotional, deepest, darkest record to date, inspired by tragic events, on July 29, 2022.

Time Machine is the sixth studio album to be released by the acclaimed rock band, but it is the first for their new home at Cherry Red Records’ Esoteric Antenna label. The band have opened up the throttle to the maximum on this new release with their epic 70s-infused classic rock sounds. With their previous releases achieving Number 1 chart status alongside many five-star reviews, it is no wonder that Cats in Space have been described as “One of the finest rock bands the UK has produced”.

Boston 1971: A historic early recording of Aerosmith in their rehearsal room - just the band, crew and friends captured on Joe Perry's tape recorder. This never-before-heard performance showcases the early, raw talent of this future Hall Of Fame band, one year before signing to Columbia Records, and two years before their eponymous debut, which featured many of these songs, including their enduring anthem "Dream On."

The years have only been kind to the album considered David Ackles' masterpiece when it was released. Ackles combined an early-'70s singer/songwriter sensibility with a theater music background that placed him as much in the tradition of Brecht-Weill and Jacques Brel as Bob Dylan. Not only are his songs fully realized, dramatic statements, but Ackles proves himself a warm, accomplished singer. When this album got no higher than #167 in the charts, Ackles' fans were heartbroken. Decades later, American Gothic remains one of those great albums that never found its audience. It waits to be rediscovered.

The Allman Brothers shared the bill with the Grateful Dead on several notable occasions. This release recalls the Brothers in support of the Dead and Love in February 1970 at the fabulous Fillmore East. No specific dates for the performances are noted, so it is presumed this release is a composite from recordings made at some point during the two sets per night that the Allman's performed on February 11th through the 14th. There is no mistaking the unbridled fervor of the original line-up of the band. Rising to the challenge of exploratory psychedelia – while remaining ever faithful to their Southern blues roots – blues standards such as "(I'm Gonna Move to The) Outskirts of Town" and "Hoochie Coochie Man" are strengthened and extended beyond their typical assertions. No longer are they relegated to the inadequately rendered thrashings of garage rock. Betts and the Allman's understand the dynamics of blues. It is out of this respect for the art form that the band is able to pull off such authentic psychedelia-tinged Delta sounds.

Prepare for an epic sonic journey through the relentless forces of time and destiny with Desert Near The End’s latest album, "Tides of Time". Blending the raw power of Power/Thrash Metal with the intensity of Death and Black Metal, this Athens-based five-piece continues to push the boundaries of metal with their most dynamic release to date. Set for release on December 6th, 2024 via Theogonia Records, "Tides of Time" promises a monumental listening experience filled with soaring melodies, crushing riffs, and powerful lyrical themes.
"Tides of Time" offers a polished yet brutal soundscape. The album’s lyrical themes explore the rise and fall of cities, heroes, and kings, interweaving forgotten stories lost in time’s unrelenting tide. With an emphasis on grand, epic atmospheres, the album stands as a testament to Desert Near The End's evolving sound.

Wes Montgomery's original Full House album (Riverside, 1962) comprised six tracks; the 1987 CD edition had nine tracks, with alternate takes plus the addition of "Born to be Blue"; the 2007 reissue was expanded to eleven tracks. This complete edition has fourteen tracks, including all of the previously released alternate takes as well as the completely unedited master take of the title tune, with Montgomery's original guitar solo restored. That restoration is the big news for completists but, for everyone else, this compilation is the fullest representation of one of Montgomery's best albums, live or studio.
The band is one of the finest the guitarist ever had - the Wynton Kelly Trio (pianist Wynton Kelly, double bassist Paul Chambers and drummer Jimmy Cobb, all veterans of the Miles Davis rhythm section) plus tenor saxophonist Johnny Griffin…

Pavlov's Dog lead singer David Surkamp was everything that was wrong with the band's Columbia debut Pampered Menial. Tempered here by Blue Oyster Cult producers Murray Krugman and Sandy Pearlman, who also recorded the first disc, the sound is more appealing to the ear. The question is, where was it going? Too pop for progressive rock, and too progressive for Top 40, the music is driving and more focused the second time around. There are some heavy guests to add to the festivities, Roxy Music's sax player Andy Mackay along with drummer William Bruford and Arista sax player Michael Brecker, though the tracks they appear on are not designated. "Valkerie" has a great hook, of "bring back the good old days," and the production here is cleaner than the first time around, but there is something very left field about this group, extremely non-commercial, even on a pretty ballad like "Standing Here With You (Megan's Song)"…