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Andrew Bird Trio - Sunday Morning Put-On (2024)

Posted By: delpotro
Andrew Bird Trio - Sunday Morning Put-On (2024)

Andrew Bird Trio - Sunday Morning Put-On (2024)
EAC Rip | FLAC (tracks+log+.cue) - 237 Mb | MP3 CBR 320 kbps - 100 Mb | 00:42:31
Vocal Jazz | Label: Loma Vista Recordings

Andrew Bird has announced his latest album, Sunday Morning Put-On, due out May 24th via Loma Vista Recordings. Recorded alongside the artist’s Andrew Bird Trio project, today’s announcement comes accompanied by two songs from the record, “I Fall in Love Too Easily” and “I’ve Grown Accustomed to Her Face.” Bird has billed Sunday Morning Put-On as a tribute to mid-century, small group jazz, with the tracklist featuring compositions by musicians like Cole Porter, Duke Ellington, Rodgers and Heart, and more. Drummer Ted Poor and bassist Alan Hampton join bird on the recordings, with additional contributions coming from Jeff Parker and Larry Goldings.

“Most Saturday nights [in my 20s], I’d stay up listening to a radio show called ‘Blues Before Sunrise’ on WBEZ from 12:00 to 4:00 a.m,” the artist said of the album’s inspiration. “The DJ, Steve Cushing, played old, rare 78rpm records of blues, jazz, and gospel. Then I’d sleep for a few hours and wake to Dick Buckley’s show, also on WBEZ, featuring what he called ‘Golden Era’ jazz from the ’30s and ’40s. My love for a certain era of jazz up through the mid-20th Century has been constant through many transmutations in my own work, the bulk of which is not jazz at all. Once I had some distance between myself and this time when I was under its spell, I wanted to immerse myself in it again.”

The two new singles, “I Fall in Love Too Easily” and “I’ve Grown Accustomed to Her Face,” make good on Bird’s jazzy promises. Falling in line with the project’s focus on re-exploring classic jazz tunes, each track puts a new spin on a genre standard; “I Fall in Love Too Easily” was originally written by Jule Styne and Sammy Cahn, with artists like Chet Baker and Frank Sinatra further popularizing it with their own respective versions, whereas “I’ve Grown Accustomed to Her Face” comes from the 1956 musical My Fair Lady, with everyone from Tony Bennett to Bing Crosby to Marvin Gaye going on to cover the song.

AllMusic Review by Mark Deming
There's a common phenomenon in American music where a musician who wants to be taken seriously as an artist feels duty bound to make an album devoted to the Great American Songbook. Andrew Bird's body of work has been artful and celebrated enough that you'd think he'd be immune to this sort of thinking, but 2024's Sunday Morning Put-On shows he's decided to give it a try anyway. Featuring nine covers and one original, Sunday Morning Put-On finds Bird making a straightforward jazz album, or at least his version of a straightforward jazz album. Here, he's backed by an acoustic rhythm section, Alan Hampton on bass and Ted Poor on drums, and the performances were cut live to tape in a vintage recording studio. The strategy was to create an intimate atmosphere that best serves the nuances of the performances, and it succeeds quite well. Hampton and Poor are unobtrusive while adding plenty of shade and color to the performances, and Bird's violin work is superb, coaxing an evocative tone that moves past the traditional approach to the instrument. He gives it a dark, smoky voice that beautifully complements the sweet sadness of his vocals, which suggest he's been listening to a lot of great jazz vocalists and learning from the experience. Clearly Bird chose to take on an album of standards because this music is the bedrock of a particular form of jazz, and if he bends the tunes to his own needs, he does so with respect, and he's capable of performing "I Cover the Waterfront," "You'd Be So Nice to Come Home To," and "Caravan" while sounding like he was born to do this. Most rock musicians who attempt to approach jazz on its own terms sound like dilettantes, but Bird's repertoire has taken him in enough directions that he clearly understands the role of the interpretive musician as well as finding something of his own within this music, and if his approach to these songs is hardly radical, he understands their beauty and finds his own way of bringing it out. For the finale, Bird unveils "Ballon de Peut-Etre," a nine-minute instrumental piece that recalls a very different story of jazz; it's the sort of extended piece that walks the middle ground between the adventure of be-bop and the feel of cool jazz of the '50s. If it stands out from the other tracks, it shows Bird is in touch with the improvisational heart of post-war jazz, and it's a bold but satisfying conclusion to an LP that reminds us just how quietly brilliant Andrew Bird can be.
Tracklist:
1. I Didn’t Know What Time It Was (3:07)
2. Caravan (4:32)
3. I Fall in Love Too Easily (3:59)
4. You’d Be So Nice to Come Home To (2:47)
5. My Ideal (4:25)
6. Django (3:27)
7. I Cover the Waterfront (4:51)
8. Softly, as in a Morning Sunrise (4:11)
9. I’ve Grown Accustomed to Her Face (1:49)
10. Ballon de peut-être (9:16)

Exact Audio Copy V1.6 from 23. October 2020

EAC extraction logfile from 3. July 2024, 17:51

Andrew Bird / Sunday Morning Put-On

Used drive : HL-DT-STBD-RE WH16NS60 Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\flac\Win32\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%


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2 | 3:08.29 | 4:32.24 | 14129 | 34552
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9 | 31:23.49 | 1:49.14 | 141274 | 149462
10 | 33:12.63 | 9:18.40 | 149463 | 191352


Track 1

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Track 2

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Track 3

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Track 4

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Track 5

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Track 6

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Track 7

Filename C:\EAC Rips\Andrew Bird - Sunday Morning Put-On (2024) [CD FLAC]\07. I Cover the Waterfront.wav

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Accurately ripped (confidence 2) [DCDA9625] (AR v2)
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Track 8

Filename C:\EAC Rips\Andrew Bird - Sunday Morning Put-On (2024) [CD FLAC]\08. Softly, as in a Morning Sunrise.wav

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Accurately ripped (confidence 2) [8B9AEAA4] (AR v2)
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Track 9

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Accurately ripped (confidence 2) [EE5A2D80] (AR v2)
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Track 10

Filename C:\EAC Rips\Andrew Bird - Sunday Morning Put-On (2024) [CD FLAC]\10. Ballon de peut-être.wav

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Accurately ripped (confidence 2) [F3AE08AC] (AR v2)
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All tracks accurately ripped

No errors occurred

End of status report

–– CUETools DB Plugin V2.1.6

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Submit result: Sg6dlV9tbDS9pAevt_WTS977HSs- has been confirmed
Track | CTDB Status
1 | (6/6) Accurately ripped
2 | (6/6) Accurately ripped
3 | (6/6) Accurately ripped
4 | (6/6) Accurately ripped
5 | (6/6) Accurately ripped
6 | (6/6) Accurately ripped
7 | (6/6) Accurately ripped
8 | (6/6) Accurately ripped
9 | (6/6) Accurately ripped
10 | (6/6) Accurately ripped


==== Log checksum E3CA88E48567B0992370CB1EB67B701D3DB8F73EBFF2D077C2158BAFC5BA37F4 ====

Thanks to the Original ripper!