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Tom Waits - Tales From the Underground: Volume 1-5 (1994-2000)

Posted By: Rtax
Tom Waits - Tales From the Underground: Volume 1-5 (1994-2000)

Tom Waits - Tales From the Underground: Volume 1-5 (1994-2000)
FLAC (tracks) - 1.8 GB | MP3 CBR 320 kbps - 851 MB
6:09:39 | Rock, Blues, Jazz, Folk | Label: PmS Records

In the work of American songwriter Tom Waits, swampy blues, Beat poetry, West Coast jazz, Tin Pan Alley, country, 1930s-era cabaret, and post-Civil War parlor songs meet neon-lit carnival music and the wheezing, clattering, experimental rhythms (often played by makeshift musical instruments from car radios to metal pipes and tin cans, hence his love of Edgard Varese and Harry Partch) form a keenly individual musical universe. It has often been imitated but never replicated.

Since the '70s, Waits has charted a path from playing fleabag dive bars to opera theaters and prestigious concert halls all over the world. His recordings – from early masterpieces such as Small Change and Blue Valentine and the twisted, dramatic, and black, humorous art songs on the trilogy of Swordfishtrombones, Rain Dogs, and Frank's Wild Years, to the deconstructed experimental soundworlds erected for Bone Machine and Mule Variations – have charted the lives and circumstances of the humble, forgotten, evil, demented, abandoned, cursed, and just plain down-on-their-luck humans to places of honor in our pantheon in a spirit akin to the photographs of Robert Frank and Diane Arbus. He has charted an iconoclastic path through Stephen Foster and George Gershwin, Howlin' Wolf, and Captain Beefheart, as well as writers from the Beat Generation, and Charles Bukowski, Nelson Algren, and Mark Twain to create a holistic body of work whose appeal crisscrosses generations and blurs pop's arbitrary boundaries.

Waits has won two Grammys and is a member of the 2011 class of The Rock and Roll Hall of Fame. He is included among the 2010 list of Rolling Stone's 100 Greatest Singers, as well as its 2015 list of 100 Greatest Songwriters of All Time. He has composed for and acted in movies and musicals as a character actor. His list of supporting roles includes Paradise Alley, Rumblefish, The Cotton Club, The Outsiders, and Bram Stoker's Dracula, to name a few. He has also appeared in a number of director Jim Jarmusch's films including a starring role in 1986's Down by Law. Waits received an Academy Award nomination for his score and soundtrack for Francis Ford Coppola's One from the Heart. Waits heard an abundance of American song forms – from show tunes and crooners to blues and hillbilly music – while growing up in San Diego during the '50s and early '60s; he was also under the sway of Border Radio's golden era and exposed to everything from mariachi and banda to swing, jump blues, R&B, honky tonk, folk, and early rock & roll.

Wrapped up in music and Jack Kerouac's On the Road, he taught himself piano and guitar as a teenager and began singing on San Diego's burgeoning folk scene. He also began writing his own songs based on snatches of overheard conversation. Leaving home while still an adolescent, Waits hit the road for Los Angeles, where he lived out of his car while working as a doorman at the L.A. nightclub The Heritage. He got his performing break in 1969 at the Troubadour (and freely borrowed from jazz comedian Lord Buckley's stage persona) and eventually secured work as a songwriter before signing a recording contract with Asylum Records. Relocating to the infamous Tropicana Motor Hotel, he made fast friends with other aspiring artists and denizens of the nighttime streets (including Chuck E. Weiss and Rickie Lee Jones), and recorded and released his Jerry Yester-produced debut album Closing Time in 1973. The album included the track "Ol' '55," which was covered by the Eagles on their first album, On the Border, and it eventually became a minor hit, securing him his first steady income when the album went multi-platinum. In those early days, Waits played anywhere and everywhere he could get a gig.

He opened shows for artists like Frank Zappa & the Mothers of Invention in theaters, and headlined seedy bars and long-abandoned jazz clubs from coast to coast. In 1974, Waits followed up with The Heart of Saturday Night, produced by Bones Howe. Less folky and countrified than his debut, the album was positively received by critics and sold well, entering the lower rungs of the Top 200 chart. Its title track became a regional hit for Jerry Jeff Walker. Seasoned by the road, Waits' live shows had become freewheeling encounters with audiences. He not only played and sang, but told wryly humorous, sometimes outrageous, sometimes bawdy stories that self-mythologized his persona and offered character sketches of strippers, circus freaks, barflies, and other streetwise ne'er-do-wells. These were captured on 1975's double-length classic Nighthawks at the Diner; his band included all jazzmen, with drummer Jim Hughart, pianist Michael Melvoin, and saxophonist Pete Christlieb. Waits stayed with the rangy jazz tip for 1976's Small Change (number 89), a more melancholy, lush affair that also brought the first hints of the raw, bluesy sound that appeared on later albums. While his rhythm section included Hughart and West Coast jazz icon Shelly Manne on drums, Waits and Howe also showed off the songwriter's love for ballads by adding a string section.

Some of its songs, including "Tom Traubert's Blues" (aka "Waltzing Matilda") and "Step Right Up" became staples in his setlist for decades. Waits doubled down on jazz and low-key swing-blues for 1977's Foreign Affairs, whose best-known track was a duet with Bette Midler on "I Never Talk to Strangers." It hit 111 on the Top 200. While touring and playing slightly bigger rooms, Waits sought to project a more sinister sound and added an electric guitar (for the first time) to 1978's brooding, menacing Blue Valentine, that confused fans of his more laid-back style. In 1980, he issued Heartattack and Vine. Its electric blues and R&B slant propelled it into the top half of the Top 200. It was his best-selling full-length since Small Change. The set also included the song "Jersey Girl," later covered by Bruce Springsteen. It was his final recording for Asylum. Waits jumped ship to Chris Blackwell's Island Records for 1983's Swordfishtrombones. Frustrated by the limitations of standard instrumentation that he was basically forced to use, his new label encouraged his freedom. Waits established his "junkyard orchestral deviation" concept by using marimbas, trashcan lids, kettle drums, and tympani as well as bleating trombones and muted trumpets. While the shift in sonics was radical and the public didn’t initially get it (it only reached 183 on the Top 200), it has since become one of his most respected recordings. Prior to the album's issue, Waits and Crystal Gayle had been working on the music for and their appearances in One from the Heart. On set, he encountered actress and writer Kathleen Brennan for the first time.

They fell in love and were married in 1980. She became his constant collaborator and co-writer. The iconic Rain Dogs followed in 1985 as Waits moved deeper into an experimental direction where his now-ubiquitous megaphone, car radios, and percussion instruments made from scrap metal carried the same place in the mix as keyboards, electric guitars, and drums while offering a host of more accessible songs including "Downtown Train" (later covered to hit status by Rod Stewart, who cribbed the idea for his version from a conversation with Bob Seger, who'd later cut "Blind Love"). Waits' tunes have since provided Marianne Faithfull, Dion, and others with material. His profile in the world had risen. He was able to secure all-star sidemen including guitarists Marc Ribot, Chris Spedding, and Keith Richards, bassists Larry Taylor and Greg Cohen, percussionists Michael Blair and Bobby Previte, and saxophonist Ralph Carney. In addition to the army of percussion instruments, Waits began using a pump organ in earnest, as evidenced by the Brennan song "Hang Down Your Head." Despite its relative accessibility and return to formal song forms, the album only reached 185. Frank's Wild Years fared far better. Released in 1987, it was Waits' ninth album and subtitled "Un Operachi Romantico in Two Acts." Waits and Brennan co-wrote most of the songs for a play of the same name which premiered the year before with the two principals and Steppenwolf Theatre Company.

The album peaked at 115 on the albums charts. Waits undertook a tour documented by the album Big Time, and his fortunes turned for good. The experimentation of the trilogy had brought his music to post-punk and indie rock audiences. Waits pushed his own envelope with the rattling, clattering Bone Machine in 1992. winning his first Grammy as Best Alternative Music album even though the album appeared near the bottom of the Top 200. It was a banner year for the songwriter. He appeared on saxophonist Teddy Edwards' album Mississippi Lad that year and released his score for Jarmusch's film Night on Earth. He and Brennan next collaborated with writer William S. Burroughs and director Robert Wilson on The Black Rider, a dark, thematically connected series of vanguard cabaret songs deeply influenced by '30s Weimar-era Berlin. Despite critics' complaints about its radical, unrelenting bleakness and noisy soundscapes, it reached number 130 on the charts. Waits made a poignant guest appearance on British composer Gavin Bryars' Jesus' Blood Never Failed Me Yet, a left-field hit in the U.K. in 1994. The song appeared twice. The other version was Bryars orchestration of a found field recording by a homeless man in London. Waits had attained the kind of artistic freedom he sought with Island, but also wanted more freedom in his business dealings. To that end, he signed to indie label Epitaph/Anti in 1999 and released the now-classic Mule Variations. It sold better than any of his previous recordings and hit number 24 on the Top 200. In the aftermath of his first international tour in more than a decade, he won another Grammy, this time for Best Contemporary folk album. Around the same time, Waits and Brennan worked with Wilson again on a Czech adaptation of Woyzeck. The team of Waits/Brennan/Wilson worked on two other theater works – Blood Money and Alice (based on Alice in Wonderland), that reflected a more introspective side of Waits' music-making persona in that both were rife with ballads. Waits recorded both scores and released them on the same day in 2002.

The critical reaction was mixed, but fans didn't care. They respectively reached 32 and 33 on the album charts during the same week. While Waits played select shows and entertained commissions from all over the globe, he and Brennan were in retreat in their home studio working for the better part of four years on Real Gone. Released in 2006, the set featured a smaller cast of familiar faces including Les Claypool, Taylor, Ribot, and son Casey Waits on drums and percussion. The set sold well and reached 28 on the Top 200. Two years later, Waits released the mammoth limited-edition, three-disc collection Orphans: Brawlers, Bawlers & Bastards. Comprised of 26 rare and 30 previously unissued songs, Waits explained it thusly: "Some are from films, some from compilations. Some is stuff that didn't fit on a record, things I recorded in the garage with kids. Oddball things, orphaned tunes." The acclaim for this sprawling set was universal. It hit number 74 on the albums chart, and was nominated for a Grammy for best Contemporary Folk Album. Waits and Brennan once more took to the road across the United States, Canada, and Europe. In 2009, Glitter and Doom, the live document from the run, arrived and reached number 63. Two years later, Waits issued Bad as Me, his first set of all-new original material since Orphans. It was his highest-charting album ever, reaching number six on the Top 200 and chosen as one of the best albums of the year by critics across the web and in print. Bad as Me was also nominated for a Grammy for Best Alternative Music Album. Waits spent the next few years remastering and reissuing his first six Elektra/Asylum albums: Closing Time, The Heart of Saturday Night, Nighthawks at the Diner, Small Change, Foreign Affairs, Blue Valentine, and Heart Attack and Vine. Likewise, the three individual volumes in Orphans (Brawlers, Bawlers, and Bastards) were re-released. Waits also resumed his acting career in David Lowery's feature film The Old Man and the Gun, co-starring Robert Redford (in his final picture), Sissy Spacek, and Danny Glover. In 2018, Waits appeared as one of several guest vocalists on Ribot's political album Songs of Resistance 1942-1918 (others included Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, and others), which benefitted The Indivisible Project, an organization that helps individuals resist Donald Trump's agenda via grassroots movements in their local communities.

Tracklist
1994 - Tales From the Underground 1
1 Blue Skies 3:38
2 Jersey Girl (Alternate Master) 4:38
3 Whistlin' Past The Graveyard (Alternate Master) 3:15
4 Mr Henry 3:28
5 Downtown Train (Alternate Master) 3:53
6 I'm Not Your Fool Anymore 5:00
7 Adios Lounge (Duet W/Bob Forrest) 4:20
8 Sea Of Love 3:42
9 Silent Night 3:59
10 Little Man 4:35
11 What Keeps Manking Alive 2:10
12 The Dwarfs Machine Song 3:35
13 The Piano Has Been Drinkin' (Live In Dublin, March 1981) 6:07
14 It's Alright With Me 4:40
15 Tommy The Cat (Duet W/Les Claypool) 4:14
16 Filipino Box Spring Hog 3:39
17 16 Shells From A Thirty Ought Six / Rain Dogs / Jesus Blood Never Failed Me Yet 9:49

1996 - Tales From the Underground 2
1 Waitin' For Waits 3:55
2 I'll Never Let Go Of Your Hand 2:45
3 Walk Away 2:45
4 Sleep Tonight 5:09
5 I'm Crazy About My Baby 2:01
6 Pontiac 2:01
7 Take Care Of All Of My Children 2:34
8 Serrano 4:04
9 The Fall Of Troy 3:02
10 Jesus Blood Never Failed Me Yet 1:48
11 Martin Goes And Does Where It's At 0:53
12 Eggs And Sausage 1:52
13 Date To Church (Reverend Backwash) 3:48
14 Metrotown 3:10
15 Thousend Bing Bangs 3:48
16 Down There By The Train 5:34
17 Sweet And Shiny Eyes 2:46
18 Fumblin' With The Blues/Drunk To The Moon/20 Virginia Avenue 10:53
19 Encore The Lost Track From Part One 5:32

1997 - Tales From the Underground 3
1 Little Drop Of Poison 3:55
2 What Else Is New 2:45
3 (Slam On) Little Sheep 2:45
4 Jersey Girl 5:09
5 Suitcase I 2:01
6 Paradise Alley 2:01
7 Annie's Back In Town 2:34
8 Suitcase II 4:04
9 Strange Weather 3:02
10 Standing On The Corner 1:48
11 Movie 0:53
12 No One Can Forgive Me But My Baby 1:52
13 Playin' Hooky 3:48
14 A Nickel's Worth Of Dream 3:10
15 Mr. Henry (Early Version) 3:48
16 Smuggler's Waltz 5:34
17 Once More Before I Go 2:46
18 Straydog Help Yourself 10:53
19 Candy Mountain 5:32

1999 - Tales From the Underground 4
1 Saving All My Love 3:31
2 What Else Is New 2:46
3 Chase The Clouds Away 4:50
4 Flash Pan Hunter 1:43
5 Memories Of What 4:14
6 Hang On St. Christopher 4:47
7 World Of Adventure / River Of Men 1:49
8 Empty Pockets 3:21
9 Old Time Feelin' 0:47
10 Ol' 55 Story 5:37
11 Louise 4:46
12 Just Another Dime Store Novel 6:02
13 Papa's Got A Brand New Bag 2:30
14 Brother Can You Spare A Dime 3:30
15 Eggs And Sausage / Invitation To The Blues 4:39
16 Temptation 11:24
17 Purple Avenue 3:57
18 Hang On St. Christopher (Instrumental) 2:37

2000 - Tales From the Underground 5
1 On The Road 3:59
2 Coattails Of A Dead Man 5:16
3 It Rains On Me 2:32
4 Do You Know What I Idi Amin 5:34
5 Putting On The Dog 3:47
6 It's Over 3:27
7 Book Of Moses 2:59
8 Babbachichuija 2:19
9 Highway Cafe 5:16
10 Helium Reprise 4:42
11 Home I'll Never Be 4:25
12 Fever / Whose Sportcoat Is That? 3:54
13 (My Baby Left Me On A) Trash Day 6:33
14 I'm Big In Japan 3:06
15 Old Blonde Gal / Big Ol' Moon 5:27
16 White Rabbit's Lament 3:45
17 'Til The Wheels Come Off 6:06
18 Revival Revery 7:13
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Size: 25984690 Hash: C72EEC31A46B236C09D9E351F04C186B Accuracy: -m8
Conclusion: CDDA 100%
Signature: C2349D13151C39B52926D5098F85A0C1E8B78677
FILE: 11 - Movie.flac
Size: 42764561 Hash: 5F23ABCCEC354B4E8141D832A86D230A Accuracy: -m8
Conclusion: CDDA 100%
Signature: 835F7CAA9B4885D3C203FEC0D58CC49F2C60B19E
FILE: 10 - Standing On The Corner.flac
Size: 40239919 Hash: 861FBE81AFB03BA76F8E6DB3B0A65B81 Accuracy: -m8
Conclusion: MPEG 95%
Signature: 96D8A63B6CF7ADD450FA7684B8C46E7D0012BD0F
FILE: 09 - Strange Weather.flac
Size: 21401453 Hash: B2A8C3CD53A47D78CE2D5D8035CCCBC3 Accuracy: -m8
Conclusion: CDDA 100%
Signature: C436970E63043E0F7B55617BDA931AED26A2B896
FILE: 08 - Suitcase II.flac
Size: 19035255 Hash: 70B8643CC4EF1EDE6C9228EA50B7643A Accuracy: -m8
Conclusion: CDDA 100%
Signature: BB18554980E5E7B717D1C8534857837F771884D5
FILE: 07 - Annie's Back In Town.flac
Size: 17500707 Hash: 95AC64DA462B3CA6F5F3A593C442C37B Accuracy: -m8
Conclusion: CDDA 100%
Signature: A9EEC76C9B57BC569CF6753EA4C52A4DA434111C
FILE: 06 - Paradise Alley.flac
Size: 22313139 Hash: ABB8C998739BF5AFBEAA6B1E524AD6D2 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 1CC62AC722CC811ACBFE6E67EA49302E10688375
FILE: 05 - Suitcase I.flac
Size: 16162655 Hash: 99C363C7967522AF03CA125389BC163E Accuracy: -m8
Conclusion: CDDA 100%
Signature: C75203CC78AD7A68C0A7B362F10A85C476198B8A
FILE: 04 - Jersey Girl.flac
Size: 54244327 Hash: 9040EAFD3211EDF6A9C40DC8CA0849C2 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 4C2BB3F3AD152AE276CD25EFF5BFE967BB145332
FILE: 03 - (Slam On) Little Sheep.flac
Size: 9433742 Hash: 299D6FE819194A9FA1D55E73A2B719BE Accuracy: -m8
Conclusion: CDDA 100%
Signature: D59358AB0B7F3E5B1E9B2759FDB7FC39592A6673
FILE: 02 - What Else Is New.flac
Size: 15140825 Hash: 655D3BAC74B22628F6246654C538FE8B Accuracy: -m8
Conclusion: CDDA 100%
Signature: 116C2A8C1A7243075C2AB5E6D7FE55C9A8AD0CA7
FILE: 01 - Little Drop Of Poison.flac
Size: 27578114 Hash: 213E3E26B40597F99C4E14ED9C75837A Accuracy: -m8
Conclusion: CDDA 100%
Signature: 20C70ABA8D4AA5851DC3910B3C38CEA9F5813A0C
FILE: 19 - Tango Till They're Sore.flac
Size: 30540287 Hash: 7103C461B4D228CCACD8067593D77178 Accuracy: -m8
Conclusion: MPEG 85%
Signature: 47872CAD08B1C5F0A44F5DF279EA5D5928D351D8
FILE: 18 - Fumblin' With The Blues.flac
Size: 58542042 Hash: FBD06ABF1BF991FD8ED1D78E1ACF9604 Accuracy: -m8
Conclusion: MPEG 95%
Signature: E8F08EFE1EA75C2EDA65E9CF8BFFFE35C7625D20
FILE: 17 - Sweet And Shiny Eyes.flac
Size: 15006523 Hash: 2B94C72AEB9DD4EE3FAE8A5B0522D039 Accuracy: -m8
Conclusion: CDDA 76%
Signature: F4EA4356770ED2880F2C484B2D42B6E7B7783F02
FILE: 16 - Down There By The Train.flac
Size: 24627353 Hash: E0E3F039ABD40264A93CAA89BF4ABC91 Accuracy: -m8
Conclusion: CDDA 54%
Signature: BD754C42BB3CA5C7C9A8C2C34292854C6B825866
FILE: 15 - Thousand Bing Bangs.flac
Size: 18868095 Hash: C7477A8CC9D0A137254891E7A479B2C0 Accuracy: -m8
Conclusion: MPEG 90%
Signature: 5FD0D32C78A92C1A73B90B2F104F5FE0850C7485
FILE: 14 - Metrotown.flac
Size: 21042889 Hash: 88378C2C0ECD1680D5D059413615914F Accuracy: -m8
Conclusion: MPEG 95%
Signature: FBF083FDDFB09987BC86057F1AC3A6BF6BF7D024
FILE: 13 - Date To Church.flac
Size: 23254830 Hash: 0EA14A998FED469501EDDD2983B89CDD Accuracy: -m8
Conclusion: MPEG 95%
Signature: EE371CE68129539E636164879BFA7438B8E13FA7
FILE: 12 - Eggs And Sausage.flac
Size: 8372633 Hash: 2245A68B30A3AE2BDAD85ADAAA2D7E1F Accuracy: -m8
Conclusion: CDDA 100%
Signature: 5D0131F19C504DAC14E06B0359700238EC4059EB
FILE: 11 - Martin Goes And Does Where It's At.flac
Size: 4104304 Hash: C5085F3BEE170C123D731770D821D203 Accuracy: -m8
Conclusion: MPEG 95%
Signature: 1D8768B4879692818D16EB4B3AC4F9362EA102DB
FILE: 10 - Jesus' Blood Never Failed Me Yet.flac
Size: 9951574 Hash: E4C718B08638CA0992EC2667D1063B84 Accuracy: -m8
Conclusion: MPEG 95%
Signature: 3DD5ADA9C3A519AE7C214272F8CEF37CBCB5B12F
FILE: 09 - The Fall Of Troy.flac
Size: 14710175 Hash: BCB938D9C776BD0F0D891D372D07B4ED Accuracy: -m8
Conclusion: MPEG 85%
Signature: 5D806CEF73E57FD5E125E843D5A5B35047C5AF74
FILE: 08 - Serrano.flac
Size: 18931846 Hash: 071445C3F1E411194FFB7C02094F5EF6 Accuracy: -m8
Conclusion: MPEG 95%
Signature: DF898838FC79BBC3B0D1930608466468FEFA90B6
FILE: 07 - Take Care Of All My Children.flac
Size: 14356529 Hash: 962AAB72109E26E2A16A001FE1C62473 Accuracy: -m8
Conclusion: MPEG 95%
Signature: BC7353554B760F7EE2EA76039F5B3651A2F91EF2
FILE: 06 - Pontiac.flac
Size: 8562233 Hash: A57B0D7F22FB9E6C29CFBFF059D53A14 Accuracy: -m8
Conclusion: MPEG 100%
Signature: 6687613F959A98B7E5C3EF51B936289230B01973
FILE: 05 - I'm Crazy 'bout My Baby.flac
Size: 10780072 Hash: 670C551E6C8E0104AAB228F1AA5193CF Accuracy: -m8
Conclusion: MPEG 73%
Signature: 3E2AD93D300514297198F1AB19DDA3FF585AE6CE
FILE: 04 - Sleep Tonight.flac
Size: 32389476 Hash: 9684BF3537DD20D926F3EF40AD495276 Accuracy: -m8
Conclusion: MPEG 95%
Signature: 17743D84285896A9D18F0C208E7E45C3A008D37D
FILE: 03 - Walk Away.flac
Size: 14083411 Hash: BBF11AB34022E8548C8C27F778F0DAC6 Accuracy: -m8
Conclusion: MPEG 79%
Signature: C7460119D83A57860C2988595DC74FDBC611B9F6
FILE: 02 - I'll Never Let Go Of Your Head.flac
Size: 25440921 Hash: A9ED095A30E77C3C3901945D623E8A1B Accuracy: -m8
Conclusion: MPEG 95%
Signature: 47510869BA9DC23A9B7AD8710248EF3084EBB533
FILE: 01 - Waitin' For Waits.flac
Size: 22760418 Hash: E48E023DE7321739F0E896B69C366393 Accuracy: -m8
Conclusion: MPEG 95%
Signature: A15CA36DAEB5EC5D1D0E7537FC799A2FC00652DE
FILE: 17 - 16 Shells from a Thirty-Ought-Six.flac
Size: 51682009 Hash: E888A0522A4360251DC959B0A9928021 Accuracy: -m8
Conclusion: MPEG 89%
Signature: 1411D39C45B84C28E0BBB85302152ACFD364DC43
FILE: 16 - Filipino Box Spring Hog.flac
Size: 17239537 Hash: 30C4211B5B94C34000FA1AF29917C035 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 7597849EB8B232EBFE71A43D4E3AF997CD729FDB
FILE: 15 - Tommy the Cat.flac
Size: 21631167 Hash: 2D680CD7E12C298B125A4277574ABD4F Accuracy: -m8
Conclusion: CDDA 43%
Signature: 39318CC6A4BF018889DFA428B2BA3250418B64B4
FILE: 14 - It's Alright With Me.flac
Size: 28443178 Hash: 28C2B07102FCF37F34B6657470EF6ED5 Accuracy: -m8
Conclusion: MPEG 89%
Signature: FE244C040BAF1F2C50E8B88AC2B6CCD7060503B4
FILE: 13 - The Piano Has Been Drinking.flac
Size: 27018800 Hash: 3DFAC97D3DC5E554BF66BE5D4ED1D68F Accuracy: -m8
Conclusion: CDDA 100%
Signature: 46371565B2A92A56DE7890CF1ED5BCD9EECE87AC
FILE: 12 - The Dwarf's Machine Song.flac
Size: 16046063 Hash: A024CCA5FD5526F5BAE53D8FAEB28937 Accuracy: -m8
Conclusion: CDDA 85%
Signature: 9F093DDAB0723449A28AAA5ACB43C0B64150707C
FILE: 11 - What Keeps Mankind Alive.flac
Size: 10579696 Hash: 3B53459752253975B1CF9E4B1007E4F2 Accuracy: -m8
Conclusion: CDDA 94%
Signature: E904E6EB31D7A1AFEF8534467AB88939E0A41C49
FILE: 10 - Little Man.flac
Size: 26343121 Hash: E70CF5C0B540D2E3CD65B00E6EE78528 Accuracy: -m8
Conclusion: ???
Signature: CA270841A00781C9B0FB9A81D3ED92B52DAF1A08
FILE: 09 - Silent Night.flac
Size: 22607409 Hash: F044D0C33A9072A801B02A5D24F1B687 Accuracy: -m8
Conclusion: ???
Signature: 236B9C4848255BFD550FA3FEDD0ECBB21FFF0413
FILE: 08 - Sea Of Love.flac
Size: 22483087 Hash: 5F847A93464022DEADFD8E0E92DE6D5A Accuracy: -m8
Conclusion: CDDA 58%
Signature: 15995C05837B33727AB64F30461D8098A7980B17
FILE: 07 - Adios Lounge.flac
Size: 25550536 Hash: F20D8668C33E3F4945F5C60BE111DDAF Accuracy: -m8
Conclusion: MPEG 80%
Signature: B884EF0CA9F4464A22CC560EBA21CB810109EAD6
FILE: 06 - I'm Not Your Fool Anymore.flac
Size: 31998251 Hash: 852B1C146F82EC4D2FE819A2A6E4BD5C Accuracy: -m8
Conclusion: ???
Signature: 001426DD32B2AEE5781B66F2D5A03A9AF5C9543A
FILE: 05 - Downtown Train.flac
Size: 21492813 Hash: E04304B4D30C2EBEBB45F5F60A7E0CF2 Accuracy: -m8
Conclusion: MPEG 89%
Signature: 9E0A312F67557A0293E2E7B795C7BBD0ACB1B757
FILE: 04 - Mr. Henry.flac
Size: 17184974 Hash: 025254350202210504AEF7632D0952C9 Accuracy: -m8
Conclusion: CDDA 85%
Signature: ADA3AB99A7BB96054A68C6518B0E69E1E5DC9B11
FILE: 03 - Whistlin' Past The Graveyard.flac
Size: 18118494 Hash: 127B13E79423140A89FFEA985E96A8B2 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 28361DA589040536D6822672E9DAEE0B68FE920D
FILE: 02 - Jersey Girl.flac
Size: 23209854 Hash: 28A758307304CDDEDB55156B097F5625 Accuracy: -m8
Conclusion: CDDA 100%
Signature: EEC37B5EC9A5A7388C6D7A7BA6BA7A2ECC51594B
FILE: 01 - Blue Skies.flac
Size: 22139647 Hash: BE146CB6C9DD6EBEB521ECCDAB9389A1 Accuracy: -m8
Conclusion: CDDA 43%
Signature: 9350B1C16579F0A49F428C026AB85A64EAF54C1F