Choeur et Orchestre du Théâtre national de l'Opéra-Comique & André Cluytens - Offenbach: Les Contes d'Hoffmann (2025)
Choeur et Orchestre du Théâtre national de l'Opéra-Comique & André Cluytens - Offenbach: Les Contes d'Hoffmann (2025)
EAC Rip | FLAC (tracks, cue, log, scans) - 308 MB
2:10:14 | Classical | Label: Diapason
EAC Rip | FLAC (tracks, cue, log, scans) - 308 MB
2:10:14 | Classical | Label: Diapason
A troupe where everyone acts as much as they sing, illuminated by a dream trial (Bourvil!) and the devilish gesture of Cluytens, set the standard for the Tales in 1948. Offenbach having died before having finished and ordered the score of his Tales of Hoffmann, it was Ernest Guiraud who was tasked with making it “viable”. In February 1881, the first spectators discovered a largely mutilated work: in addition to significant cuts in the prologue and the epilogue (which take place in a Nuremberg tavern), the entire last act – that of Giulietta, the Venetian courtesan, in whose home the poet has his reflection stolen – had been discarded. Only the Barcarolle survived, slipped between the acts of Olympia (the mechanical doll who ends up smashed) and Antonia (the young consumptive who dies from having sung). In 1907, the score published by Éditions Choudens transformed the spoken dialogues into recitatives (composed by Guiraud), inserted the air “Scintille diamant” (added by Gunsbourg) and restored Giulietta’s act, admittedly condensed and inserted between those of Olympia and Antonia. It is this version that Les Contes d’Hoffmann, recorded in March 1948, document. The disc preceded their revival at the Salle Favart, in a staging directed by Louis Musy and under the quicksilver baton of André Cluytens. The cast brings together a “troupe” welded together by the spirit of the theatre, the relief and colour of the word: everyone here plays as much as they sing.
Playful Demons
Then the titleholder of the role at the Met, Raoul Jobin plays the most striking and candid of poets. We love the worry that shines through this exalted smile. Because evil lurks, multiplies around Hoffmann: the advisor Lindorff (played with authority by Louis Musy) will end up stealing the singer Stella from him, Coppélius (the effervescent André Pernet) will smash the Olympia automaton, Captain Dapertutto (Charles Soix, cynical as can be) will steal the poet's reflection and have Schlémil (Charles Cambon) killed. And a bow to Roger Bourdin's Doctor Miracle, who will burn, with his demonic flame, Antonia's last strength.
Stella's brief appearance being entrusted to an actress, three sopranos share the other faces of the beloved. Olympia's metallic high notes? A gnognote for the young Renée Doria. Antonia by Géori Boué, also in her twenties, burns with an agonizing intensity. Giulietta falls to a middle-aged Vina Bovy, astonishing in her cunning, her carnivorous seduction.
The faithful Nicklausse has the cheekiness of Fanély Revoil, the students are called Camille Maurane and Raymond Amade, the innkeeper André Vessières – what luxury! Finally, the four valets are distributed to a trial more true than life, full of nuances: Bourvil, whose “scoundrel timbre” and “crazy cowardice” Guy Dumazert praised in Images musicales. A historical monument? A lesson.
OFFENBACH: The Tales of Hoffmann. Raoul Jobin, Renée Doria, Vina Bovy, Géori Boué, André Pernet, Louis Musy, Roger Bourdin, Charles Cambon, Bourvil… Choir and Orchestra of the National Theatre of the Opéra-Comique, André Cluytens.
Une troupe où chacun joue autant qu’il chante, illuminée par un trial de rêve (Bourvil !) et le geste endiablé de Cluytens, fixait en 1948 le mètre-étalon des Contes.
Offenbach étant mort avant d’avoir fini et ordonné la partition de ses Contes d’Hoffmann, c’est Ernest Guiraud qui fut chargé de la rendre « viable ». En février 1881, les premiers spectateurs découvraient un ouvrage largement mutilé : outre d’importantes coupes dans le prologue et l’épilogue (qui se déroulent dans une taverne de Nuremberg), tout le dernier acte – celui de Giulietta, la courtisane vénitienne, chez qui le poète se fait voler son reflet – était passé à la trappe. N’en subistait que la Barcarolle, glissée entre les actes d’Olympia (la poupée mécanique qui termine fracassée) et d’Antonia (la jeune phtisique qui meurt d’avoir chanté).
En 1907, la partition publiée par les éditions Choudens transforme les dialogues parlés en récitatifs (composés par Guiraud), insère l’air « Scintille diamant » (ajouté par Gunsbourg) rétablit l’acte de Giulietta, certes condensé et intercalé entre ceux d’Olympia et d’Antonia.
C’est cette version que documentent Les Contes d’Hoffmann gravés en mars 1948. Le disque précédait leur reprise salle Favart, dans une mise en scène réglée par Louis Musy et sous la baguette vif-argent d’André Cluytens. La distribution réunit une « troupe » soudée par l’esprit du théâtre, le relief et la couleur du mot : chacun, ici, joue autant qu’il chante.
Démons enjoués
Alors titulaire du rôle au Met, Raoul Jobin campe le plus percutant et le plus candide des poètes. On aime l’inquiétude qui perce dans ce sourire exalté. Car le malin rôde, se démultiplie autour d’Hoffmann : le conseiller Lindorff (incarné avec autorité par Louis Musy) finira par lui ravir la cantatrice Stella, Coppélius (le bouillonnant André Pernet) fracassera l’automate Olympia, le capitaine Dapertutto (Charles Soix, cynique à souhait) volera son reflet au poète et fera tuer Schlémil (Charles Cambon). Et révérence au Docteur Miracle de Roger Bourdin, qui brûlera, à sa flamme démoniaque, les dernières forces d’Antonia.
La brève apparition de Stella étant confiée à une comédienne, trois sopranos se partagent les autres visages de l’aimée. Les aigus métalliques d’Olympia ? De la gnognote pour la jeune Renée Doria. L’Antonia de Géori Boué, elle aussi en sa vingtaine, se consume avec une angoissante intensité. Giulietta échoit à une Vina Bovy entre deux âges, épatante de rouerie, de séduction carnassière.
Le fidèle Nicklausse a la gouaille de Fanély Revoil, les étudiants se nomment Camille Maurane et Raymond Amade, l’aubergiste André Vessières – quel luxe ! Enfin, les quatre valets sont distribués à un trial plus vrai que nature, tout en nuances : Bourvil, dont Guy Dumazert louait dans Images musicales, le « timbre crapuleux », la « veulerie saugrenue ». Un monument historique ? une leçon.
OFFENBACH : Les Contes d’Hoffmann.
Raoul Jobin, Renée Doria, Vina Bovy, Géori Boué, André Pernet, Louis Musy, Roger Bourdin, Charles Cambon, Bourvil… Chœur et Orchestre du Théâtre national de l’Opéra-Comique, André Cluytens.
Tracklist
CD1
01. Prologue: Introduction. Scène et Air (Lindorf-Andrès) „Glou, glou, glou“ (4:22)
02. Prologue: Couplets (Lindorf) „Dans les rôles d'amoureux langoureux“ (2:52)
03. Prologue: Chœur (Étudiants, Nathanaël, Hermann) „Drig, drig, drig“ (5:49)
04. Prologue: Chanson et Scène (Hoffmann) „Il était une fois à la cour d’Eisenach“ (4:19)
05. Prologue: Finale (Hoffmann) „Peuh! cette bière est détestable“ (8:00)
06. ACTE I: Entr’acte (Menuet). Scène (Spalanzani-Hoffmann) „Là! Dors en paix“ (2:08)
07. ACTE I: Récit. et Romance (Hoffmann) „Allons! courage et confiance“ (2:50)
08. ACTE I: Scène et Couplets (Nicklausse-Hoffmann) „Par Dieu, j'étais bien sür“ (3:17)
09. ACTE I: Chanson (Coppélius) „Je me nomme Coppélius“ (4:24)
10. ACTE I: Chœurs, Scène et Couplets „Non aucun hôte vraiment“ (4:54)
11. ACTE I: Air (Olympia) „Les oiseaux dans la charmille“ (6:50)
12. ACTE I: Romance (Hoffmann) „Ils se sont éloignes enfin!“ (3:43)
13. ACTE I: Finale (Spalanzani) „Voici les valseurs!“ (4:08)
CD2
01. ACTE II: Entr’acte et Barcarolle „Belle nuit, ö nuit d'amour“ (3:35)
02. ACTE II: Récit. et Couplets Bachiques (Hoffmann) „Et moi, ce n'est pas là, pardieu ..“ (1:52)
03. ACTE II: Scène (Schlemil-Giuletta-Hoffmann) „Je vois qu'on est en fête“ (2:38)
04. ACTE II: Air de Dapertutto „Scintille, diamant!“ (4:24)
05. ACTE II: Duo (Giulietta-Hoffmann) „Ah ! Je t'aime“ (6:21)
06. ACTE II: Septuor (Hoffmann) „Hélas ! mon cœur s'égare“ (3:39)
07. ACTE II: Finale (Giulietta) „Ecoutez, messieurs!“ (2:42)
08. ACTE III: Entr'acte et Romance (Antonia) „Elle a fui, la tourterelle!“ (6:36)
09. ACTE III: Couplets (Frantz) „Jour et nuit je me mets en quatre“ (3:27)
10. ACTE III: Duo et scène (Hoffmann-Antonia) „C’est une chanson d’amour' (8:40)
11. ACTE III: Trio et scène (Miracle-Hoffmann-Crespel) „Pour conjurer le danger“ (7:47)
12. ACTE III: Trio et finale (Miracle-Antonia-La Voix de la Mère) „Tu ne chanteras plus ?“ (10:56)
13. ACTE III: Intermède et entracte (3:38)
14. Epilogue: Scène et chœur (Hoffmann) „Voilà quelle fut l’histoire “ (2:50)
15. Epilogue: Musique de scène, romance et finale (La Muse) „Et moi ? Moi la fidèle amie“ (3:33)
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 26. December 2024, 19:09
Raoul Jobin, Renée Doria, Choeur et Orchestre du Théâtre national de l'Opéra-Comique, André Cluytens / Les Indispensables de Diapason No.175 - Offenbach - Les Contes d'Hoffmann cd1
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Track 1
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Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 26. December 2024, 20:12
Raoul Jobin, Renée Doria, Choeur et Orchestre du Théâtre national de l'Opéra-Comique, André Cluytens / Les Indispensables de Diapason No.175 - Offenbach - Les Contes d'Hoffmann cd2
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Track 1
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Track 13
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\13.- ACTE III- Intermède et entracte.wav
Peak level 45.9 %
Extraction speed 5.4 X
Track quality 100.0 %
Test CRC 8F3892D1
Copy CRC 8F3892D1
Track not present in AccurateRip database
Copy OK
Track 14
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\14.- Epilogue- Scène et chœur (Hoffmann) „Voilà quelle fut l’histoire “.wav
Peak level 82.0 %
Extraction speed 5.3 X
Track quality 100.0 %
Test CRC 14280C25
Copy CRC 14280C25
Track not present in AccurateRip database
Copy OK
Track 15
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\15.- Epilogue- Musique de scène, romance et finale (La Muse) „Et moi Moi la fidèle amie“.wav
Peak level 93.3 %
Extraction speed 5.5 X
Track quality 100.0 %
Test CRC EF6064A9
Copy CRC EF6064A9
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: 3PMeH6nnwsPMzHbn3.MnyUd.i4k-] found
Submit result: 3PMeH6nnwsPMzHbn3.MnyUd.i4k- has been confirmed
Track | CTDB Status
1 | (3/3) Accurately ripped
2 | (3/3) Accurately ripped
3 | (3/3) Accurately ripped
4 | (3/3) Accurately ripped
5 | (3/3) Accurately ripped
6 | (3/3) Accurately ripped
7 | (3/3) Accurately ripped
8 | (3/3) Accurately ripped
9 | (3/3) Accurately ripped
10 | (3/3) Accurately ripped
11 | (3/3) Accurately ripped
12 | (3/3) Accurately ripped
13 | (3/3) Accurately ripped
14 | (3/3) Accurately ripped
15 | (3/3) Accurately ripped
==== Log checksum 2479D7780F1846A7E2FC7DD18F300CC6B6A12FB833816494210991A6C3B4E20E ====
EAC extraction logfile from 26. December 2024, 19:09
Raoul Jobin, Renée Doria, Choeur et Orchestre du Théâtre national de l'Opéra-Comique, André Cluytens / Les Indispensables de Diapason No.175 - Offenbach - Les Contes d'Hoffmann cd1
Used drive : HL-DT-STDVDRAM GH24NSD5 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:21.52 | 0 | 19626
2 | 4:21.52 | 2:52.33 | 19627 | 32559
3 | 7:14.10 | 5:49.10 | 32560 | 58744
4 | 13:03.20 | 4:19.27 | 58745 | 78196
5 | 17:22.47 | 8:00.25 | 78197 | 114221
6 | 25:22.72 | 2:07.53 | 114222 | 123799
7 | 27:30.50 | 2:49.65 | 123800 | 136539
8 | 30:20.40 | 3:16.72 | 136540 | 151311
9 | 33:37.37 | 4:23.38 | 151312 | 171074
10 | 38:01.00 | 4:53.65 | 171075 | 193114
11 | 42:54.65 | 6:50.32 | 193115 | 223896
12 | 49:45.22 | 3:43.33 | 223897 | 240654
13 | 53:28.55 | 4:07.47 | 240655 | 259226
Track 1
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD1\01.- Prologue- Introduction. Scène et Air (Lindorf-Andrès) „Glou, glou, glou“.wav
Pre-gap length 0:00:02.00
Peak level 92.7 %
Extraction speed 1.0 X
Track quality 100.0 %
Test CRC BC4FAD9F
Copy CRC BC4FAD9F
Track not present in AccurateRip database
Copy OK
Track 2
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD1\02.- Prologue- Couplets (Lindorf) „Dans les rôles d'amoureux langoureux“.wav
Peak level 93.3 %
Extraction speed 1.0 X
Track quality 100.0 %
Test CRC 1928AEAA
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Track not present in AccurateRip database
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Track 3
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD1\03.- Prologue- Chœur (Étudiants, Nathanaël, Hermann) „Drig, drig, drig“.wav
Peak level 93.3 %
Extraction speed 1.3 X
Track quality 100.0 %
Test CRC BBAAEFB5
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Track not present in AccurateRip database
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Track 4
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD1\04.- Prologue- Chanson et Scène (Hoffmann) „Il était une fois à la cour d’Eisenach“.wav
Peak level 91.1 %
Extraction speed 1.3 X
Track quality 100.0 %
Test CRC CCB9E342
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Track not present in AccurateRip database
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Track 5
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD1\05.- Prologue- Finale (Hoffmann) „Peuh! cette bière est détestable“.wav
Peak level 92.9 %
Extraction speed 1.6 X
Track quality 100.0 %
Test CRC 521643E4
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Track not present in AccurateRip database
Copy OK
Track 6
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD1\06.- ACTE I- Entr’acte (Menuet). Scène (Spalanzani-Hoffmann) „Là! Dors en paix“.wav
Peak level 81.7 %
Extraction speed 1.4 X
Track quality 100.0 %
Test CRC ABF60FA6
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Track not present in AccurateRip database
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Track 7
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD1\07.- ACTE I- Récit. et Romance (Hoffmann) „Allons! courage et confiance“.wav
Peak level 91.4 %
Extraction speed 1.5 X
Track quality 100.0 %
Test CRC 338AB689
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Track not present in AccurateRip database
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Track 8
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD1\08.- ACTE I- Scène et Couplets (Nicklausse-Hoffmann) „Par Dieu, j'étais bien sür“.wav
Peak level 87.2 %
Extraction speed 1.6 X
Track quality 100.0 %
Test CRC 1151AF60
Copy CRC 1151AF60
Track not present in AccurateRip database
Copy OK
Track 9
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD1\09.- ACTE I- Chanson (Coppélius) „Je me nomme Coppélius“.wav
Peak level 79.6 %
Extraction speed 1.7 X
Track quality 100.0 %
Test CRC 54F000C7
Copy CRC 54F000C7
Track not present in AccurateRip database
Copy OK
Track 10
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD1\10.- ACTE I- Chœurs, Scène et Couplets „Non aucun hôte vraiment“.wav
Peak level 93.3 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC 93867655
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Track not present in AccurateRip database
Copy OK
Track 11
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD1\11.- ACTE I- Air (Olympia) „Les oiseaux dans la charmille“.wav
Peak level 87.7 %
Extraction speed 2.0 X
Track quality 100.0 %
Test CRC F3188821
Copy CRC F3188821
Track not present in AccurateRip database
Copy OK
Track 12
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD1\12.- ACTE I- Romance (Hoffmann) „Ils se sont éloignes enfin!“.wav
Peak level 69.1 %
Extraction speed 1.7 X
Track quality 99.9 %
Test CRC 26EFCD22
Copy CRC 26EFCD22
Track not present in AccurateRip database
Copy OK
Track 13
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD1\13.- ACTE I- Finale (Spalanzani) „Voici les valseurs!“.wav
Peak level 81.4 %
Extraction speed 2.0 X
Track quality 100.0 %
Test CRC 4EE9E19B
Copy CRC 4EE9E19B
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: P_ag2OCThU9Rozh7bFPN6yriz.U-] found
Submit result: P_ag2OCThU9Rozh7bFPN6yriz.U- has been confirmed
Track | CTDB Status
1 | (3/3) Accurately ripped
2 | (3/3) Accurately ripped
3 | (3/3) Accurately ripped
4 | (3/3) Accurately ripped
5 | (3/3) Accurately ripped
6 | (3/3) Accurately ripped
7 | (3/3) Accurately ripped
8 | (3/3) Accurately ripped
9 | (3/3) Accurately ripped
10 | (3/3) Accurately ripped
11 | (3/3) Accurately ripped
12 | (3/3) Accurately ripped
13 | (3/3) Accurately ripped
==== Log checksum 3EB4B04D8A3C6628AA0ED06A6005799F43954FA41C2FC095A647D866257AAB36 ====
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 26. December 2024, 20:12
Raoul Jobin, Renée Doria, Choeur et Orchestre du Théâtre national de l'Opéra-Comique, André Cluytens / Les Indispensables de Diapason No.175 - Offenbach - Les Contes d'Hoffmann cd2
Used drive : HL-DT-STDVDRAM GH24NSD5 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:35.30 | 0 | 16154
2 | 3:35.30 | 1:52.07 | 16155 | 24561
3 | 5:27.37 | 2:38.25 | 24562 | 36436
4 | 8:05.62 | 4:23.50 | 36437 | 56211
5 | 12:29.37 | 6:21.10 | 56212 | 84796
6 | 18:50.47 | 3:38.43 | 84797 | 101189
7 | 22:29.15 | 2:41.52 | 101190 | 113316
8 | 25:10.67 | 6:36.03 | 113317 | 143019
9 | 31:46.70 | 3:27.10 | 143020 | 158554
10 | 35:14.05 | 8:39.42 | 158555 | 197521
11 | 43:53.47 | 7:47.30 | 197522 | 232576
12 | 51:41.02 | 10:55.53 | 232577 | 281754
13 | 62:36.55 | 3:38.17 | 281755 | 298121
14 | 66:14.72 | 2:50.13 | 298122 | 310884
15 | 69:05.10 | 3:33.25 | 310885 | 326884
Track 1
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\01.- ACTE II- Entr’acte et Barcarolle „Belle nuit, ö nuit d'amour“.wav
Pre-gap length 0:00:02.00
Peak level 72.4 %
Extraction speed 4.3 X
Track quality 100.0 %
Test CRC 79B1F98B
Copy CRC 79B1F98B
Track not present in AccurateRip database
Copy OK
Track 2
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\02.- ACTE II- Récit. et Couplets Bachiques (Hoffmann) „Et moi, ce n'est pas là, pardieu ..“.wav
Peak level 84.9 %
Extraction speed 4.1 X
Track quality 100.0 %
Test CRC 46F9A764
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Track not present in AccurateRip database
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Track 3
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\03.- ACTE II- Scène (Schlemil-Giuletta-Hoffmann) „Je vois qu'on est en fête“.wav
Peak level 93.3 %
Extraction speed 3.6 X
Track quality 99.9 %
Test CRC 12C95F5C
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Track not present in AccurateRip database
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Track 4
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\04.- ACTE II- Air de Dapertutto „Scintille, diamant!“.wav
Peak level 84.6 %
Extraction speed 5.3 X
Track quality 100.0 %
Test CRC A86DA3B5
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Track not present in AccurateRip database
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Track 5
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\05.- ACTE II- Duo (Giulietta-Hoffmann) „Ah ! Je t'aime“.wav
Peak level 94.3 %
Extraction speed 5.3 X
Track quality 99.9 %
Test CRC E533C4AE
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Track not present in AccurateRip database
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Track 6
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\06.- ACTE II- Septuor (Hoffmann) „Hélas ! mon cœur s'égare“.wav
Peak level 73.4 %
Extraction speed 6.0 X
Track quality 100.0 %
Test CRC 8B041F09
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Track not present in AccurateRip database
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Track 7
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\07.- ACTE II- Finale (Giulietta) „Ecoutez, messieurs!“.wav
Peak level 85.7 %
Extraction speed 4.6 X
Track quality 99.9 %
Test CRC 7998820D
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Track not present in AccurateRip database
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Track 8
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\08.- ACTE III- Entr'acte et Romance (Antonia) „Elle a fui, la tourterelle!“.wav
Peak level 82.0 %
Extraction speed 6.2 X
Track quality 99.9 %
Test CRC E4E9E6B2
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Track not present in AccurateRip database
Copy OK
Track 9
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\09.- ACTE III- Couplets (Frantz) „Jour et nuit je me mets en quatre“.wav
Peak level 92.0 %
Extraction speed 5.5 X
Track quality 99.9 %
Test CRC 86B2A88D
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Track not present in AccurateRip database
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Track 10
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\10.- ACTE III- Duo et scène (Hoffmann-Antonia) „C’est une chanson d’amour''.wav
Peak level 83.9 %
Extraction speed 7.1 X
Track quality 99.9 %
Test CRC CD241918
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Track not present in AccurateRip database
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Track 11
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\11.- ACTE III- Trio et scène (Miracle-Hoffmann-Crespel) „Pour conjurer le danger“.wav
Peak level 94.4 %
Extraction speed 8.2 X
Track quality 100.0 %
Test CRC E18CCA22
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Track not present in AccurateRip database
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Track 12
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\12.- ACTE III- Trio et finale (Miracle-Antonia-La Voix de la Mère) „Tu ne chanteras plus “.wav
Peak level 93.3 %
Extraction speed 8.0 X
Track quality 99.9 %
Test CRC 63F2C9DD
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Track not present in AccurateRip database
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Track 13
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\13.- ACTE III- Intermède et entracte.wav
Peak level 45.9 %
Extraction speed 5.4 X
Track quality 100.0 %
Test CRC 8F3892D1
Copy CRC 8F3892D1
Track not present in AccurateRip database
Copy OK
Track 14
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\14.- Epilogue- Scène et chœur (Hoffmann) „Voilà quelle fut l’histoire “.wav
Peak level 82.0 %
Extraction speed 5.3 X
Track quality 100.0 %
Test CRC 14280C25
Copy CRC 14280C25
Track not present in AccurateRip database
Copy OK
Track 15
Filename E:\__R\DIAP175 - Offenbach - Les Contes d'Hoffmann - 2h10\CD2\15.- Epilogue- Musique de scène, romance et finale (La Muse) „Et moi Moi la fidèle amie“.wav
Peak level 93.3 %
Extraction speed 5.5 X
Track quality 100.0 %
Test CRC EF6064A9
Copy CRC EF6064A9
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: 3PMeH6nnwsPMzHbn3.MnyUd.i4k-] found
Submit result: 3PMeH6nnwsPMzHbn3.MnyUd.i4k- has been confirmed
Track | CTDB Status
1 | (3/3) Accurately ripped
2 | (3/3) Accurately ripped
3 | (3/3) Accurately ripped
4 | (3/3) Accurately ripped
5 | (3/3) Accurately ripped
6 | (3/3) Accurately ripped
7 | (3/3) Accurately ripped
8 | (3/3) Accurately ripped
9 | (3/3) Accurately ripped
10 | (3/3) Accurately ripped
11 | (3/3) Accurately ripped
12 | (3/3) Accurately ripped
13 | (3/3) Accurately ripped
14 | (3/3) Accurately ripped
15 | (3/3) Accurately ripped
==== Log checksum 2479D7780F1846A7E2FC7DD18F300CC6B6A12FB833816494210991A6C3B4E20E ====