Su	Mo	Tu	We	Th	Fr	Sa
30	31	1	2	3	4	5
6	7	8	9	10	11	12
13	14	15	16	17	18	19
20	21	22	23	24	25	26
27	28	29	30	1	2	3

Leonard Bernstein - Leonard Bernstein - The Conductor (2025)

Posted By: ciklon5

Date: 1 Apr 2025 09:09:25

Leonard Bernstein - Leonard Bernstein - The Conductor (2025)
FLAC (tracks), Lossless | 2:14:16 | 555 Mb
Genre: Classical

Leonard Bernstein No figure in 20th century American classical music had as prominent or controversial a career – or did more to sell classical music to the general public as something genuinely exciting and worth getting into a sweat over – than Leonard Bernstein. For more than 30 years, from his assumption of the post of Music Director of the New York Philharmonic in 1958 until the final concerts that he conducted in obviously failing health near the end of his life in 1990, he was the most widely recognized American-born conductor in the world, and the dominant personality in American classical music as both a conductor and, to a lesser degree, a composer.

Track List:
01. Theme. Andante
02. Var. 1. L'istesso tempo "C.A.E."
03. Var. 2. Allegro "H.D.S-P."
04. Var. 3. Allegretto "R.B.T."
05. Var. 4. Allegro di molto "W.M.B."
06. Var. 5. Moderato "R.P.A."
07. Var. 6. Andantino "Ysobel"
08. Var. 7. Presto "Troyte"
09. Var. 8. Allegretto "W.N."
10. Var. 9. Adagio "Nimrod"
11. Var. 10. Intermezzo. Allegretto "Dorabella"
12. Var. 11. Allegro di molto "G.R.S."
13. Var. 12. Andante "B.G.N."
14. Var. 13. Romanza. Moderato "* * *"
15. Var. 14. Finale. Allegro "E.D.U."
16. IIa. Andante moderato. Sehr gemächlich (Live)
17. IIb. Nicht eilen. Sehr gemächlich (Live)
18. IIc. In Tempo I zurückkehren (Live)
19. IId. Energisch bewegt (Live)
20. III. Scherzo: b. Sehr getragen und gesangvoll (Live)
21. V. Finale: a. Im Tempo des Scherzos (Live)
22. V. Finale: c. Am Anfang sehr zurückgehalten (Live)
23. V. Finale: g. Sehr langsam und gedehnt (Live)
24. Id. Zeit lassen (Live)
25. IIa. Tempo di minuetto. Sehr mässig (Live)
26. IIb. L'istesso tempo (Live)
27. IIIa. Comodo. Scherzando. Ohne Hast (Live)
28. IIIb. Wieder sehr gemächlich, wie zu Anfang (Live)
29. IIId. Schnell und schmetternd wie eine Fanfare (Live)
30. Liebst du um Schönheit (Live)
31. Blicke mir nicht in die Lieder (Live)
32. If. Bewegter (Live)
33. Ig. [Bar 317] (Live)
34. Ih. Wie von Anfang (Live)
35. IIa. Im Tempo eines gemächlichen Ländlers (Live)
36. IIb. Poco più mosso subito (Live)
37. IIc. Tempo III (Live)
38. IIf. Tempo I (Live)
39. IIg. Tempo II (Live)
40. III. Rondo-Burleske: a. Allegro assai. Sehr trotzig (Live)
41. III. Rondo-Burleske: c. Sempre l'istesso tempo (Live)
42. III. Rondo-Burleske: d. L'istesso tempo II (Live)
43. III. Rondo-Burleske: e. [Bar 347] (Live)
44. III. Rondo-Burleske: f. [Clarinets] (Live)
45. III. Rondo-Burleske: g. Tempo I subito (Live)
46. III. Rondo-Burleske: h. Più stretto (Live)
47. IIa. Gloria in excelsis Deo
48. IIc. Quoniam tu solus sanctus
49. IIIa. Credo in unum Deum
50. IIIc. Et resurrexit
51. IIId. Et vitam venturi saeculi. Amen
52. No. 1, Recit. Im Anfange schuf Gott Himmel und Erde – Chorus. Und der Geist Gottes schwebte auf der Fläche der Wasser (Raphael, Uriel) (Live)
53. No. 3, Recit. Und Gott machte das Firmament (Raphael) (Live)
54. No. 4, Solo. Mit Staunen sieht das Wunderwerk – Chorus. Und laut ertönt aus ihren Kehlen (Gabriel) (Live)
55. No. 5, Recit. Und Gott sprach. Es sammle sich das Wasser (Raphael) (Live)
56. No. 7, Recit. Und Gott sprach. Es bringe die Erde Gras hervor (Gabriel) (Live)
57. No. 10, Chorus. Stimmt an die Saiten (Live)
58. No. 11, Recit. Und Gott sprach. Es sei'n Lichter an der Feste des Himmels (Uriel) (Live)
59. I. Very slowly (Live)
60. II. Allegro (Live)
61. V. Allegro. Solo Dance of the Bride (Live)
62. VI. Meno mosso (Live)
63. III. "The 3rd Movement Is a Marvel of Ingenuity and Deftness" (3rd Movt.)
64. V. "The Final Claim of Those Who Argue for the New World Symphony as American Music, …" (4th Movt.,Cont.)

auCDtect

ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

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