Jimmy Adler - Absolutely Blues! Live At The Boneyard (2005)
EAC Rip | FLAC (Img) + Cue + Log ~ 420 Mb | MP3 CBR320 ~ 158 Mb
Full Scans | 01:01:17 | RAR 5% Recovery
Blues | Bonedog Records #BDRCD-16
EAC Rip | FLAC (Img) + Cue + Log ~ 420 Mb | MP3 CBR320 ~ 158 Mb
Full Scans | 01:01:17 | RAR 5% Recovery
Blues | Bonedog Records #BDRCD-16
Stingingly sweet slide guitar and barrelhouse piano come to life on this spontaneously authentic and passionate recording from these seasoned blues veterans.
"This recording contains thirteen of those songs just as they sounded that Sunday when they were recorded live at Mojo Boneyard Studios. This is how the band sounds at any number of clubs in and around the Pittsburgh area. These are all first takes and a fair representation of the energy and spontaneous creativity that the band exhibits when we’re swinging out in the clubs. I had a good time making music with these fine musicians and I'm glad we captured some of it on this recording. It’s been a long time comin" ~ Jimmy Adler
Pittsburgh guitarist Jimmy Adler is noted for his stingingly sweet slide guitar. Adler also plays guitar with his fingers, instead of a pick, which accomplishes a sound reminiscent of the great Hubert Sumlin of Chicago's legendary Howlin' Wolf Band. Adler began playing guitar at the age of fifteen and was heavily influenced by Eric Clapton's early recordings. Not surprisingly, In Pittsburgh Magazine has said, "Adler's Claptonesque leads will appeal to the modern blues lover…" Through Clapton and early Rolling Stones records, Adler began to discover the black blues of Jimmy Reed, B.B. King, and Elmore James. He used to sit for hours with a whiskey bottleneck that he cut with a special glass saw, attached to his finger, emulating the sounds of Elmore James and the siren sounds of the city juxtaposed with the natural sounds of the birds in his backyard.
"Guaranteed excitement for fans of straight-ahead blues guitar." Blues Revue Magazine.
“I like the playing a lot. Good band interaction too. A really good guitarist with a good understanding of the blues and a subtle rhythm sense. The band is really good and the music grooves well.” Bruce Iglauer, Alligator Records
Adler used to see B.B. King at Pittsburgh's Stanley Theatre every year with Bobby Blue Bland and Millie Jackson. King would always play two shows, and a high school aged Adler, who could only muster up enough money for one show, would buy a ticket for the early performance, and duck into a closet area when the lights went down before the encore. Here he would climb a wooden lattice-like ladder that led to a cased in janitor's storage space where he would hide while the theatre emptied out and filled up for the second show. Adler watched B.B. King's second shows through the holes in the lattice-like woven front from this janitor's balcony closet on the side aisle of the theatre. Before King's encore in the second show, when the lights went low, Adler would reemerge and stand on the side aisle to watch King's grand conclusion. "There was always at least one moment in a B.B. King show when the hairs would stand up on the back of my neck and chills would just go throughout my body. The first time I met B.B. King, some years later, I smiled from ear to ear and told him how I used to see him every year, although I never revealed the hidden balcony story." It was this kind of obsessive compassion that has always driven Adler's search for that blues muse in an effort to receive the spiritual cleansing that occurs through experiencing and ultimately playing the blues. Later, it was Otis Rush's live album Tops that really cut to the core, struck a nerve, and spoke to Adler's soul. Meeting Otis Rush at the Syracuse Blues Festival reminded Adler of his first meeting with B.B. King and how these two heroes were so kind and warm with their hospitality and words of encouragement.
He later discovered the sophisticated stylings of T-Bone Walker, Little Charlie Baty, and Duke Robillard. These players have inspired Adler to emulate the more jazz-like spirit of the blues. Adler's guitar playing channels the spirit and essence of these classic blues heroes.
As a performing blues guitarist, Jimmy Adler has spent a number of years lending his talents to many Pittsburgh Blues Bands.
Ultimately, Jimmy decided to pursue his own project, specializing in preserving the old-school styles of his heroes. "Absolutely Blues! Live at the Boneyard" combines old songs with his very own new and original material!
Adler packs his passion and energy into every performance! At a Blues for Food benefit in February '05, one writer said, "Straight up boogie blues followed with the Jimmy Adler Band. These players are seasoned blues veterans, and they showed it with a strong and tasteful set. Jimmy was glidin' and slidin' all over the fretboard and the thumpin' rhythm section got the Sunday blues crowd on their feet at last. It was a good thing, too, because by this time the place was packed with not a seat to be had." – Blues Society of Western PA
This CD contains 8 originals and 5 classic gems. It incorporates the sounds of old-school blues playing, featuring the barrelhouse piano of John Burgh, as well as Adler's stingingly sweet slide guitar. The thumping rhythm section is created by the prominent bass stylings of Harry "Alley Cat" McCorkle and the driving drums of Randy Roth. You won't be disappointed.
***************
Track List:
01. Stop Breakin' Down [04:22]
02. T-Bone Jumps Again [02:59]
03. Yellow Bee [04:59]
04. B.B.'s Blues [05:42]
05. Sweet Potato Sham [04:18]
06. Voodoo Moon [04:40]
07. Ride My Pony [05:04]
08. How Much More Long [04:41]
09. Baby Doll Blues [06:01]
10. You Lookin' Good [04:07]
11. Elmore's Blues [04:59]
12. Drivin' My Cadillac [03:18]
13. Kind Hearted Woman [05:36]
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
Отчёт EAC об извлечении, выполненном 10. сентября 2011, 12:58
Jimmy Adler / Absolutely Blues! Live at the Boneyard
Дисковод: PLEXTOR DVDR PX-880SA Adapter: 1 ID: 1
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 1024 kBit/s
Качество : Высокий
Добавление ID3-тэга : Нет
Утилита сжатия : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Дополнительные параметры : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:24.35 | 0 | 19834
2 | 4:24.35 | 3:01.26 | 19835 | 33435
3 | 7:25.61 | 5:01.20 | 33436 | 56030
4 | 12:27.06 | 5:44.57 | 56031 | 81887
5 | 18:11.63 | 4:20.11 | 81888 | 101398
6 | 22:31.74 | 4:42.26 | 101399 | 122574
7 | 27:14.25 | 5:06.41 | 122575 | 145565
8 | 32:20.66 | 4:43.32 | 145566 | 166822
9 | 37:04.23 | 6:03.12 | 166823 | 194059
10 | 43:07.35 | 4:09.48 | 194060 | 212782
11 | 47:17.08 | 5:01.68 | 212783 | 235425
12 | 52:19.01 | 3:20.38 | 235426 | 250463
13 | 55:39.39 | 5:36.51 | 250464 | 275714
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла J:\BitComet\Jimmy Adler(flac)\2005 - Absolutely Blues! Live at the Boneyard\Jimmy Adler - Absolutely Blues! Live at the Boneyard.wav
Пиковый уровень 96.6 %
Качество диапазона 100.0 %
CRC теста 768FBF9E
CRC копии 768FBF9E
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 нет в базе данных
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Трек 11 нет в базе данных
Трек 12 нет в базе данных
Трек 13 нет в базе данных
Ни одного трека нет в базе AccurateRip
Конец отчёта
Отчёт EAC об извлечении, выполненном 10. сентября 2011, 12:58
Jimmy Adler / Absolutely Blues! Live at the Boneyard
Дисковод: PLEXTOR DVDR PX-880SA Adapter: 1 ID: 1
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 1024 kBit/s
Качество : Высокий
Добавление ID3-тэга : Нет
Утилита сжатия : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Дополнительные параметры : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:24.35 | 0 | 19834
2 | 4:24.35 | 3:01.26 | 19835 | 33435
3 | 7:25.61 | 5:01.20 | 33436 | 56030
4 | 12:27.06 | 5:44.57 | 56031 | 81887
5 | 18:11.63 | 4:20.11 | 81888 | 101398
6 | 22:31.74 | 4:42.26 | 101399 | 122574
7 | 27:14.25 | 5:06.41 | 122575 | 145565
8 | 32:20.66 | 4:43.32 | 145566 | 166822
9 | 37:04.23 | 6:03.12 | 166823 | 194059
10 | 43:07.35 | 4:09.48 | 194060 | 212782
11 | 47:17.08 | 5:01.68 | 212783 | 235425
12 | 52:19.01 | 3:20.38 | 235426 | 250463
13 | 55:39.39 | 5:36.51 | 250464 | 275714
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла J:\BitComet\Jimmy Adler(flac)\2005 - Absolutely Blues! Live at the Boneyard\Jimmy Adler - Absolutely Blues! Live at the Boneyard.wav
Пиковый уровень 96.6 %
Качество диапазона 100.0 %
CRC теста 768FBF9E
CRC копии 768FBF9E
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 нет в базе данных
Трек 2 нет в базе данных
Трек 3 нет в базе данных
Трек 4 нет в базе данных
Трек 5 нет в базе данных
Трек 6 нет в базе данных
Трек 7 нет в базе данных
Трек 8 нет в базе данных
Трек 9 нет в базе данных
Трек 10 нет в базе данных
Трек 11 нет в базе данных
Трек 12 нет в базе данных
Трек 13 нет в базе данных
Ни одного трека нет в базе AccurateRip
Конец отчёта