Jimmy Webb - The Moon's a Harsh Mistress: Jimmy Webb in the Seventies (2004)
Jimmy Webb - The Moon's a Harsh Mistress: Jimmy Webb in the Seventies (2004)
EAC Rip | FLAC (tracks, cue, log) - 1.9 GB | MP3 CBR 320 kbps - 807 MB
5:51:29 | Soft Rock | Label: Rhino
EAC Rip | FLAC (tracks, cue, log) - 1.9 GB | MP3 CBR 320 kbps - 807 MB
5:51:29 | Soft Rock | Label: Rhino
The essence of Jimmy Webb’s artistry is exemplified in an unlikely place on this five-disc set, which collects all of his 1970s studio albums plus a 1972 live concert and an assortment of outtakes. It’s the last of those outtakes, a duet with Harry Nilsson on Boudleaux & Felice Bryant’s “Love Hurts”, that reveals the truth.
Webb had recorded the classic ballad for his 1972 album Letters, then cut this subsequent take with Nilsson in London but decided not to use it. In the liner notes here, Webb explains he and Nilsson were “smashed out of our minds” when they cut the track, and confesses he nixed it because he felt Nilsson’s vocal was too melodramatic: “Somewhat hypocritically perhaps, I felt he was too far gone…”
Hypocritical indeed — Webb’s own vocals frequently push the bounds of emotional excess — but in a fascinatingly illustrative way. Listening to the two versions back-to-back, it’s clear Webb went for the “safe” choice — to the fundamental detriment of his art. Nilsson’s performance is histrionic, certainly, but the passion makes all the difference. Webb’s album version is smoother, sweeter, and, well, staid. Nilsson’s contribution on the alternate track makes the music instantly more heartfelt, more memorable. “When I hear it now,” Webb confesses in the liner notes, “sure, it’s a little over-the-top, but it really is Harry.”
Precisely. Such no-holds-barred personal artistry pervades almost every aspect of Webb’s 1970s catalogue; his misstep with “Love Hurts” merely serves as the exception that proves the rule. These records remain worth revisiting three decades later because Webb routinely rushed headlong through the bounds of convention.
Though Webb remains best-known for writing some of the most enduring pop standards of the 20th century — “Wichita Lineman”, “By The Time I Get To Phoenix”, “MacArthur Park”, “Up, Up And Away” — there is an entirely different legacy on display in Webb’s oeuvre as a recording artist. It’s much less known — Webb never had anything even remotely approaching a hit single or album under his own name — but it’s also considerably more fascinating to explore. The five studio albums collected here document a young songwriter who had already achieved enormous mainstream success pursuing a decidedly non-mainstream path.
It’s often assumed Webb must have written for others because he wasn’t much of a singer, but that’s not really the case. Glen Campbell, Art Garfunkel, Linda Ronstadt and the dozens of others who covered Webb tunes regularly may have been blessed with better vocal instruments, yes. But the art of singing is the ability to make an impact vocally, and Webb’s soulful emotional investment frequently left an indelible impression on the material.
His 1970 debut Words And Music contained one folk-pop gem, “P.F. Sloan” (a tribute to a fellow maverick songwriter), that should have been all over AM radio of the era, but in general the album was a highly unorthodox and ambitious work. Side two featured the three-part, 16-minute suite “Music For An Unmade Movie” (the intro to which was played on a sort of prototype sampler featuring prerecorded car horns), followed by the brilliantly beautiful “Three Songs” (an overlapping tapestry of three classic ballads rendered as a single entity).
The 1971 follow up And So: On — available here on disc for the first time ever (the rest had been issued individually as Japanese imports) — pushed the envelope even further, and is the hidden jewel of Webb’s catalogue. There’s a certain schizophrenia at work, with garishly theatrical prog-rock portraits such as “Highpockets” and “Laspitch” (castoffs from an aborted musical) nestling up next to stunningly gorgeous ballads such as “Met Her On A Plane” and “If Ships Were Made To Sail”. The contrast is encapsulated on “One Lady”, a seemingly middle-of-the-road piano pop tune until Fred Tackett, Webb’s instrumental right-hand man, breaks the mold with a stinging, screaming guitar solo so audacious that, years later, Paul Westerberg and early Replacements manager Peter Jesperson would spend hours playing the track and debating whether it was perhaps the greatest guitar solo ever.
Letters (1972) was a left turn by comparison, more laid-back and organic (thanks to the production of Larry Marks, who’d helmed the Burrito Brothers’ Gilded Palace Of Sin, among others). The dramatic flourishes gave way to gentle humor, resulting in a less striking but more even-handed album. Its unqualified high point is the opening track, “Galveston”, the only one of Webb’s late-’60s smashes he recorded on his ’70s albums. It recasts the Glen Campbell version so completely, you’ll never be able to hear the song in the same light again.
Land’s End (1974) serves as a sort of culmination, distilling all the lessons and directions of the first three albums into a single sweeping musical statement. The final track, “Land’s End/Asleep On The Wind,” a nine-minute epic with full orchestration — “I’m not exaggerating when I say there may have been more than a hundred pieces,” Webb recalls in the liner notes — remains his piece de resistance. Those who know his hits routinely quote the “Wichita Lineman” couplet, “And I need you more than want you/And I want you for all time,” as Webb’s finest lyrical moment, but I must point to this track’s opening line: “Love is a glass of wine, balanced on the siderail of a ship.”
El Mirage (1977), produced by George Martin, is a sort of grand postscript, a signpost of transition in his personal life. “Christiaan No”, written for his young son, acknowledged the impact of fatherhood; two other tunes, “The Highwayman” and “The Moon Is A Harsh Mistress”, became the best-known selections of his catalogue since his fabled late-’60s run.
The five albums have distinctly different personalities, an aesthetic that’s diluted here by the decision to cram them onto three discs. The disc of outtakes and demos is, however, a welcome and occasionally revelatory bonus; the live disc from a Royal Albert Hall performance is less so, though it does include Webb’s versions of most of his biggest hits (better documented on his 1997 studio album Ten Easy Pieces). Ben Edmonds’ liner notes, featuring interviews with Webb and other principals, are exemplary.
Describing the mammoth session for “Land’s End/Asleep On The Wind,” Webb comments, “I knew going in that it wasn’t gonna be a lot of people’s cup of tea, and it wasn’t, but I’m proud of the way it turned out.” And well he should be. It was when he took this approach that his music blossomed most magnificently.
Tracklist
Disc 1
01. Sleepin' In The Daytime 05:08
02. P.F. Sloan 04:10
03. Love Song 03:35
04. Careless Weed 03:15
05. Psalm One-Five-O 04:41
Music for an Unmade Movie (in three parts)
06. Songseller 04:23
07. Dorothy Chandler Blues 06:03
08. Jerusalem 05:27
09. Three Songs: (Let It Be Me, Never My Love, I Wanna Be Free) 02:17
10. Once Before I Die 04:30
11. Met Her On A Plane 03:04
12. All Night Show 03:04
13. All My Love's Laughter 04:11
14. Highpockets 05:25
15. Marionette 02:33
16. Laspitch 06:03
Disc 2
01. One Lady 03:32
02. If Ships Were Made To Sail 02:18
03. Pocketful Of Keys 04:03
04. See You Then 04:59
05. Galveston 04:10
06. Campo De Encino 04:52
07. Love Hurts 03:39
08. Simile 03:15
09. Hurt Me Well 04:14
10. Once In The Morning 03:07
11. Catharsis 03:30
12. Song Seller 03:30
13. When Can Brown Begin 04:16
14. Piano 04:02
15. Love Hurts (single version) 03:39
16. Ocean In His Eyes 04:30
17. Feet In The Sunshine 03:31
18. Cloudman 03:55
19. Lady Fits Her Blue Jeans 04:06
20. Just This One Time 05:02
Disc 3
01. Crying In My Sleep 04:17
02. It's A Sin 03:16
03. Alyce Blue Gown 05:02
04. Land's End-Asleep On The Wind 09:11
05. The Highwayman 03:51
06. If You See Me Getting Smaller I'm Leaving 03:53
07. Mixed-Up Guy 03:40
08. Christiaan No 03:07
09. Moment In A Shadow 03:39
10. Sugarbird 03:27
11. Where The Universes Are 03:35
12. P.F. Sloan 04:17
13. Dance To The Radio 03:07
14. The Moon Is A Harsh Mistress 03:06
15. Skylark (A Meditation) 03:39
Disc 4 - Outtakes & Demos
01. No Good Indian 03:24
02. Jet Lag Rag 03:27
03. You Might As Well Smile 03:57
04. Whistletown 06:10
05. It Will Stand 04:36
06. Hot RodQueen 03:36
07. See That Girl 03:43
08. It Ain't Raining 02:29
09. Vagabond Queen 05:04
10. If This Was The Last Song 03:26
11. Saturday Suit 03:02
12. Cloudman 03:44
13. Fingerpaint Me 03:53
14. Mr. Shuck And Jive 03:30
15. Simile 03:31
16. Piano 04:08
17. Love Hurts 03:28
18. 'Words And Music' Radio Ad 01:02
19. 'And So On' Radio Ad 00:30
Disc 5 - Live At The Royal Albert Hall, 1973
01. Overture 04:21
02. Sleepin' In The Daytime 05:24
03. By The Time I Get To Phoenix 03:45
04. MacArthur Park 06:16
05. Wichita Lineman (Instrumental) 04:21
06. Didn't We 03:45
07. My Guitar Wants To Kill Your Mama 05:18
08. Pocketful Of Keys 04:26
09. When Can Brown Begin 03:45
10. Once In The Morning 03:34
11. Song For My Brother 04:00
12. Where's The Playground, Susie? 04:40
13. Jerusalem 07:11
14. Galveston 03:13
15. Whistletown 06:45
16. Piano 04:05
17. Wichita Lineman (Vocal) 02:54
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 14. June 2011, 22:58
Jimmy Webb / Live At The Royal Albert Hall
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Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 13. June 2011, 21:38
Jimmy Webb / The Moon's A Harsh Mistress (Disc 2)
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End of status report
EAC extraction logfile from 14. June 2011, 22:58
Jimmy Webb / Live At The Royal Albert Hall
Used drive : TSSTcorpCDDVDW SH-S203P Adapter: 5 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
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Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
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Gap handling : Appended to previous track
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9 | 37:34.48 | 3:44.73 | 169098 | 185970
10 | 41:19.46 | 3:33.53 | 185971 | 201998
11 | 44:53.24 | 3:59.53 | 201999 | 219976
12 | 48:53.02 | 4:39.68 | 219977 | 240969
13 | 53:32.70 | 7:11.07 | 240970 | 273301
14 | 60:44.02 | 3:12.71 | 273302 | 287772
15 | 63:56.73 | 6:45.33 | 287773 | 318180
16 | 70:42.31 | 4:05.34 | 318181 | 336589
17 | 74:47.65 | 2:53.51 | 336590 | 349615
Track 1
Filename Z:\EAC-rips\Overture.wav
Pre-gap length 0:00:02.00
Peak level 98.8 %
Extraction speed 2.9 X
Track quality 100.0 %
Test CRC 406ABFEE
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Track 2
Filename Z:\EAC-rips\Sleepin' In The Daytime.wav
Pre-gap length 0:00:19.36
Peak level 96.5 %
Extraction speed 3.4 X
Track quality 100.0 %
Test CRC B46DD09F
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Track not present in AccurateRip database
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Track 3
Filename Z:\EAC-rips\By The Time I Get To Phoenix.wav
Peak level 89.3 %
Extraction speed 3.5 X
Track quality 100.0 %
Test CRC 6A2542A2
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Track not present in AccurateRip database
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Track 4
Filename Z:\EAC-rips\MacArthur Park.wav
Peak level 95.7 %
Extraction speed 4.0 X
Track quality 100.0 %
Test CRC AECCDB36
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Track 5
Filename Z:\EAC-rips\Wichita Lineman (Instrumental).wav
Peak level 87.8 %
Extraction speed 4.1 X
Track quality 100.0 %
Test CRC 04083219
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Track not present in AccurateRip database
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Track 6
Filename Z:\EAC-rips\Didn't We.wav
Pre-gap length 0:01:28.22
Peak level 89.7 %
Extraction speed 4.2 X
Track quality 100.0 %
Test CRC 36CB9A8B
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Track not present in AccurateRip database
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Track 7
Filename Z:\EAC-rips\My Guitar Wants To Kill Your Mama.wav
Pre-gap length 0:00:49.42
Peak level 95.6 %
Extraction speed 4.6 X
Track quality 100.0 %
Test CRC C6282A50
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Track not present in AccurateRip database
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Track 8
Filename Z:\EAC-rips\Pocketful Of Keys.wav
Pre-gap length 0:00:14.06
Peak level 92.2 %
Extraction speed 4.7 X
Track quality 100.0 %
Test CRC 3C93DE78
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Track not present in AccurateRip database
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Track 9
Filename Z:\EAC-rips\When Can Brown Begin.wav
Peak level 75.6 %
Extraction speed 4.8 X
Track quality 100.0 %
Test CRC F8470E5C
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Track not present in AccurateRip database
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Track 10
Filename Z:\EAC-rips\Once In The Morning.wav
Pre-gap length 0:00:15.50
Peak level 89.1 %
Extraction speed 4.9 X
Track quality 100.0 %
Test CRC E0B9AA72
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Track not present in AccurateRip database
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Track 11
Filename Z:\EAC-rips\Song For My Brother.wav
Pre-gap length 0:00:21.30
Peak level 87.4 %
Extraction speed 5.1 X
Track quality 100.0 %
Test CRC 68681EAE
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Track not present in AccurateRip database
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Track 12
Filename Z:\EAC-rips\Where's The Playground, Susie.wav
Pre-gap length 0:00:01.04
Peak level 95.9 %
Extraction speed 4.2 X
Track quality 99.9 %
Test CRC 52087EC1
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Track not present in AccurateRip database
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Track 13
Filename Z:\EAC-rips\Jerusalem.wav
Pre-gap length 0:01:03.57
Peak level 98.8 %
Extraction speed 5.9 X
Track quality 100.0 %
Test CRC 6E2B71E7
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Track not present in AccurateRip database
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Track 14
Filename Z:\EAC-rips\Galveston.wav
Pre-gap length 0:00:29.17
Peak level 98.8 %
Extraction speed 3.9 X
Track quality 99.9 %
Test CRC DD27DEEA
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Track not present in AccurateRip database
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Track 15
Filename Z:\EAC-rips\Whistletown.wav
Pre-gap length 0:00:01.12
Peak level 92.5 %
Extraction speed 5.2 X
Track quality 99.9 %
Test CRC D864A12D
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Track not present in AccurateRip database
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Track 16
Filename Z:\EAC-rips\Piano.wav
Peak level 80.4 %
Extraction speed 6.0 X
Track quality 100.0 %
Test CRC E3445968
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Track not present in AccurateRip database
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Track 17
Filename Z:\EAC-rips\Wichita Lineman (Vocal).wav
Pre-gap length 0:00:09.61
Peak level 87.9 %
Extraction speed 4.0 X
Track quality 99.9 %
Test CRC C2367297
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 13. June 2011, 21:38
Jimmy Webb / The Moon's A Harsh Mistress (Disc 2)
Used drive : TSSTcorpCDDVDW SH-S203P Adapter: 5 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:31.45 | 0 | 15869
2 | 3:31.45 | 2:18.14 | 15870 | 26233
3 | 5:49.59 | 4:02.59 | 26234 | 44442
4 | 9:52.43 | 4:58.73 | 44443 | 66865
5 | 14:51.41 | 4:09.54 | 66866 | 85594
6 | 19:01.20 | 4:51.71 | 85595 | 107490
7 | 23:53.16 | 3:58.34 | 107491 | 125374
8 | 27:51.50 | 3:14.61 | 125375 | 139985
9 | 31:06.36 | 4:13.44 | 139986 | 159004
10 | 35:20.05 | 3:07.35 | 159005 | 173064
11 | 38:27.40 | 3:29.38 | 173065 | 188777
12 | 41:57.03 | 3:30.36 | 188778 | 204563
13 | 45:27.39 | 4:16.32 | 204564 | 223795
14 | 49:43.71 | 4:01.57 | 223796 | 241927
15 | 53:45.53 | 3:38.69 | 241928 | 258346
16 | 57:24.47 | 4:30.21 | 258347 | 278617
17 | 61:54.68 | 3:31.09 | 278618 | 294451
18 | 65:26.02 | 3:54.48 | 294452 | 312049
19 | 69:20.50 | 4:05.60 | 312050 | 330484
20 | 73:26.35 | 5:02.25 | 330485 | 353159
Track 1
Filename Z:\EAC-rips\One Lady.wav
Pre-gap length 0:00:02.00
Peak level 97.0 %
Extraction speed 4.8 X
Track quality 100.0 %
Test CRC 522C4993
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Track not present in AccurateRip database
Copy OK
Track 2
Filename Z:\EAC-rips\If Ships Were Made To Sail.wav
Pre-gap length 0:00:03.33
Peak level 84.6 %
Extraction speed 4.7 X
Track quality 100.0 %
Test CRC F2190809
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Track not present in AccurateRip database
Copy OK
Track 3
Filename Z:\EAC-rips\Pocketful Of Keys.wav
Pre-gap length 0:00:02.16
Peak level 92.2 %
Extraction speed 5.6 X
Track quality 100.0 %
Test CRC 05A3DB7A
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Track not present in AccurateRip database
Copy OK
Track 4
Filename Z:\EAC-rips\See You Then.wav
Pre-gap length 0:00:01.38
Peak level 93.1 %
Extraction speed 6.2 X
Track quality 100.0 %
Test CRC 8FCD4D2F
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Track not present in AccurateRip database
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Track 5
Filename Z:\EAC-rips\Galveston.wav
Peak level 79.2 %
Extraction speed 5.1 X
Track quality 99.9 %
Test CRC 183935DD
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Track not present in AccurateRip database
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Track 6
Filename Z:\EAC-rips\Campo De Encino.wav
Peak level 81.5 %
Extraction speed 6.9 X
Track quality 100.0 %
Test CRC FB230DDF
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Track not present in AccurateRip database
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Track 7
Filename Z:\EAC-rips\Love Hurts.wav
Pre-gap length 0:00:01.60
Peak level 77.9 %
Extraction speed 7.0 X
Track quality 100.0 %
Test CRC 9D2710BC
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Track not present in AccurateRip database
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Track 8
Filename Z:\EAC-rips\Simile.wav
Pre-gap length 0:00:02.17
Peak level 83.8 %
Extraction speed 7.1 X
Track quality 100.0 %
Test CRC 88129E02
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Track 9
Filename Z:\EAC-rips\Hurt Me Well.wav
Pre-gap length 0:00:01.54
Peak level 84.1 %
Extraction speed 7.6 X
Track quality 100.0 %
Test CRC 709AE5B0
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Track not present in AccurateRip database
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Track 10
Filename Z:\EAC-rips\Once In The Morning.wav
Pre-gap length 0:00:03.81
Peak level 76.3 %
Extraction speed 7.6 X
Track quality 100.0 %
Test CRC F9D12F1F
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Track not present in AccurateRip database
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Track 11
Filename Z:\EAC-rips\Catharsis.wav
Pre-gap length 0:00:01.05
Peak level 73.5 %
Extraction speed 7.9 X
Track quality 100.0 %
Test CRC E5A21FB2
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Track not present in AccurateRip database
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Track 12
Filename Z:\EAC-rips\Song Seller.wav
Pre-gap length 0:00:01.93
Peak level 84.7 %
Extraction speed 7.9 X
Track quality 100.0 %
Test CRC A807BCAB
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Track not present in AccurateRip database
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Track 13
Filename Z:\EAC-rips\When Can Brown Begin.wav
Pre-gap length 0:00:02.36
Peak level 85.1 %
Extraction speed 8.7 X
Track quality 100.0 %
Test CRC 941A6D69
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Track not present in AccurateRip database
Copy OK
Track 14
Filename Z:\EAC-rips\Piano.wav
Pre-gap length 0:00:02.38
Peak level 70.1 %
Extraction speed 6.9 X
Track quality 99.9 %
Test CRC D6152440
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Track not present in AccurateRip database
Copy OK
Track 15
Filename Z:\EAC-rips\Love Hurts.wav
Pre-gap length 0:00:02.46
Peak level 84.6 %
Extraction speed 8.8 X
Track quality 100.0 %
Test CRC C5F7EA6D
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Track not present in AccurateRip database
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Track 16
Filename Z:\EAC-rips\Ocean In His Eyes.wav
Pre-gap length 0:00:03.36
Peak level 89.2 %
Extraction speed 7.5 X
Track quality 99.9 %
Test CRC 472224BD
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Track not present in AccurateRip database
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Track 17
Filename Z:\EAC-rips\Feet In The Sunshine.wav
Pre-gap length 0:00:01.12
Peak level 95.5 %
Extraction speed 9.1 X
Track quality 100.0 %
Test CRC FAF767C0
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Track not present in AccurateRip database
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Track 18
Filename Z:\EAC-rips\Cloudman.wav
Peak level 95.4 %
Extraction speed 9.5 X
Track quality 100.0 %
Test CRC 30D6DE29
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Track not present in AccurateRip database
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Track 19
Filename Z:\EAC-rips\Lady Fits Her Blue Jeans.wav
Peak level 88.3 %
Extraction speed 9.9 X
Track quality 100.0 %
Test CRC A4DF4EBE
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Track not present in AccurateRip database
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Track 20
Filename Z:\EAC-rips\Just This One Time.wav
Pre-gap length 0:00:01.18
Peak level 96.9 %
Extraction speed 10.3 X
Track quality 100.0 %
Test CRC B71A3468
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Track not present in AccurateRip database
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report