Eric Lamb, Stefanie Alexandra Prenn, Veronica Klavzar - Marcio Steuernagel: A Mis•encyclopaedia of Musical Imperfections (2024)
FLAC (tracks), Lossless | 2:37:25 | 633 Mb
Genre: Classical
FLAC (tracks), Lossless | 2:37:25 | 633 Mb
Genre: Classical
Eric Lamb Lamb has premiered several works, including those of Saariaho, Muhly, Pintscher, and worked with Ashkenazy and Morlot.
Track List:
01. The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Trills (It shimmers, shivers: Lives)
02. The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Whistle tones (A fugue of Failures)
03. The Great in-Betweenness (2020) six études and three melodies for solo Flute: Uma Melodia
04. The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Different articulations (Molto Parlante)
05. The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Transitions (Inbetweennesses)
06. The Great in-Betweenness (2020) six études and three melodies for solo Flute: Une Mélodie
07. The Great in-Betweenness (2020) six études and three melodies for solo Flute: Eine Melodie
08. The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Over/Under-Blowing (Bodily: A pífano Dance)
09. The Great in-Betweenness (2020) six études and three melodies for solo Flute: Étude: Diaphonic/Multiphonic (…but how many voices Unsung?)
10. Coda: Instability (2022): Étude: Non-/Harmonic (Uncontrolled, unknown, yet Wished-For)
11. Becoming (2019) four études and an aria for solo Oboe: Étude: Dynamics (Summoning)
12. Becoming (2019) four études and an aria for solo Oboe: Étude: Registers (A Bird)
13. Becoming (2019) four études and an aria for solo Oboe: Étude: Multiphonics (Quasi un corale, quasi Monteverdi)
14. Becoming (2019) four études and an aria for solo Oboe: Étude: Repeated notes (Take a Digeridoo)
15. Becoming (2019) four études and an aria for solo Oboe: Aria: Becoming
16. Coda: Un•intendedness (2020/2021): Pilgrimage: Once in our Hearts
17. Coda: Un•intendedness (2020/2021): Une Mélodie
18. Coda: Un•intendedness (2020/2021): Pilgrimage: Once again in our Hearts
19. Coda: Un•intendedness (2020/2021): Étude: Diaphonic/Multiphonic (…but how many voices Unsung?)
20. Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Étude: Non-/Harmonic (Uncontrolled, unknown, yet Wished-For) I
21. Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Pilgrimage: Once in our Hearts
22. Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Étude: Residual pitches (Tempi & corali Emergenti)
23. Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Étude: Residual sounds (Molto cantabile - Ma Segreto!)
24. Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Pilgrimage: Once again in our Hearts I
25. Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Tuning Prayer
26. Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Pilgrimage: Once again in our Hearts II
27. Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello: Étude: Non-/Harmonic (Uncontrolled, unknown, yet Wished-For) II
28. Senses of Musical Imperfection: Transitionality, un•control, un•intendedness (2019-2022): Meditation: Impossible vowels (A self-Sung Lullaby)
29. Senses of Musical Imperfection: Transitionality, un•control, un•intendedness (2019-2022): Étude: Diaphonic/Multiphonic (…but how many voices Unsung?)
30. Senses of Musical Imperfection: Transitionality, un•control, un•intendedness (2019-2022): Étude: Non-/Harmonic (Uncontrolled, unknown, yet Wished-For)
31. Senses of Musical Imperfection: Transitionality, un•control, un•intendedness (2019-2022): Meditation: Impossibly slow (Present Tense)
32. Senses of Musical Imperfection: Transitionality, un•control, un•intendedness (2019-2022): Étude: Transitions (Inbetweennesses)
33. Senses of Musical Imperfection: Transitionality, un•control, un•intendedness (2019-2022): Aria: Becoming
34. Études para Quijote (2019) seven études for solo Harp: Étude: One-Finger tremolo (Fanfare)
35. Études para Quijote (2019) seven études for solo Harp: Étude: Harmonic interference (A game of Bells)
36. Études para Quijote (2019) seven études for solo Harp: Étude: Basso (Battuto, Feroce)
37. Études para Quijote (2019) seven études for solo Harp: Étude: Glissandi (Pasacalle)
38. Études para Quijote (2019) seven études for solo Harp: Étude: Ostinato (Ad lib, ma Veloce)
39. Études para Quijote (2019) seven études for solo Harp: Étude: Classical harmonics technique (A broken Lullaby)
40. Études para Quijote (2019) seven études for solo Harp: Étude: Arco (Aria on the G Strings)
41. Senses of Musical Imperfection: Risk, residual, fragmentary, fragility (2019-2022): Étude: Whistle tones (A fugue of Failures)
42. Senses of Musical Imperfection: Risk, residual, fragmentary, fragility (2019-2022): Pilgrimage: Once again in our Hearts
43. Senses of Musical Imperfection: Risk, residual, fragmentary, fragility (2019-2022): Eine Melodie
44. Senses of Musical Imperfection: Risk, residual, fragmentary, fragility (2019-2022): Étude: Residual sounds (Molto cantabile - Ma Segreto!)
45. Senses of Musical Imperfection: Risk, residual, fragmentary, fragility (2019-2022): Étude: Classical harmonics technique (A broken Lullaby)
46. Senses of Musical Imperfection: Un•control, embodiment, emergence, im•pure (2019-2022): Étude: Basso (Battuto, Feroce)
47. Senses of Musical Imperfection: Un•control, embodiment, emergence, im•pure (2019-2022): Étude: Residual pitches (Tempi & corali Emergenti)
48. Senses of Musical Imperfection: Un•control, embodiment, emergence, im•pure (2019-2022): Étude: Different articulations (Molto Parlante)
49. Senses of Musical Imperfection: Un•control, embodiment, emergence, im•pure (2019-2022): Étude: Over/Under-Blowing (Bodily: A pífano Dance)
50. Senses of Musical Imperfection: Un•control, embodiment, emergence, im•pure (2019-2022): Étude: Registers (A Bird)
52. Senses of Musical Imperfection: Un•control, embodiment, emergence, im•pure (2019-2022): Étude: Trills (It shimmers, shivers: Lives)
53. Senses of Musical Imperfection: Un•control, embodiment, emergence, im•pure (2019-2022): Étude: Ostinato (Ad lib, ma Veloce)
54. Senses of Musical Imperfection: Un•control, embodiment, emergence, im•pure (2019-2022): Meditation: Ex-/Ins-Piration
55. Senses of Musical Imperfection: Un•control, embodiment, emergence, im•pure (2019-2022): Étude: Multiphonics (Quasi un corale, quasi Monteverdi)
56. Five meditations for solo soprano on the unspeakable NAME of (2022): Meditation: Ex-/Ins-Piration
57. Five meditations for solo soprano on the unspeakable NAME of (2022): Meditation: Vibrato, trillo, coloratura (Terribilis Iubilatio)
58. Five meditations for solo soprano on the unspeakable NAME of (2022): Meditation: Impossibly slow (Present Tense)
59. Five meditations for solo soprano on the unspeakable NAME of (2022): Meditation: Lower, lowest, then lower still (Sequentia)
60. Five meditations for solo soprano on the unspeakable NAME of (2022): Meditation: Impossible vowels (A self-Sung Lullaby)
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
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Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
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Conclusion: CDDA 100%
Signature: E0FD4B0E7B418B19EB1376C0E9A6D55A9C47CEE1
FILE: 26. Always only once again (2022) three études, a pilgrimage and a prayer for solo Cello- Pilgrimage- Once again in our Hearts II.flac
Size: 8889681 Hash: 5887CF3FA16C0DE582FC97EEEDEC4C00 Accuracy: -m40
Conclusion: CDDA 100%
Signature: A80B39801FA44BB4464C2F07427C467DE8B7CF51