Dragon’s Domain Records presents THE INQUIRER – THE FILM MUSIC OF BERNARD HERRMANN, featuring music composed by Bernard Herrmann and including music from the films CITIZEN KANE, THE MAGNIFICENT AMBERSONS, THE DAY THE EARTH STOOD STILL, THE KENTUCKIAN, THE NIGHT DIGGER, SISTERS, BATTLE OF NERETVA and more. THE INQUIRER – THE FILM MUSIC OF BERNARD HERRMANN consists of new recordings (from the late 1980s and early 1990s) performed by the Australian Philharmonic Orchestra, conducted by Tony Bremner, the National Philharmonic Orchestra, conducted by Fred Steiner, in addition to the original soundtrack recordings performed by the Sessions Of London Orchestra, conducted by the composer, the London Studio Orchestra, conducted by the composer and the London Philharmonic Orchestra, also conducted by the composer.

A real lost legacy of West Coast girl pop from the 60s – served up by the lovely Clinger Sisters – four gals with a Mormon background, but who ended up working with help from Kim Fowley, Curt Boettcher, and other Cali pop giants! The girls only issued a few singles back in the day, and this set corrects that lack with a stunning amount of unissued material – more than enough to have the Clinger Sisters going head to head with other warm harmony pop acts of the time! There's a charm here that resonates strongly with Free Design or Roger Nichols & The Small Circle Of Friends, but most tunes have a bit more bite as well – and the tracks are a mix of very cool covers mixed with a lot of unusual material too – served up in a set list that includes "Don't Come In My World", "Bread & Butter", "How About Him", "Gonna Have A Good Time", "Something Here In My Heart", "Why Do We Hurt The Ones We Love", "This Moment Of Softness", "Without Him", and "In Need Of A Friend". © 1996-2025, Dusty Groove, Inc.

Il arrive que les planètes s’alignent et cet enregistrement en est la preuve éclatante. Alignement numérique d’abord puisque Jacques-Schwarz-Bart et Grégory Privat, tous deux nés un 22 décembre à 22 ans d’écart, se connaissaient depuis 22 ans lorsqu’ils ont décidé d’unir leurs sensibilités caribéennes dans un duo [1], qu’ils ont choisi, comme une évidence, de nommer 22. On ne pouvait trouver meilleur résumé - de surcroît lisible dans toutes les langues - d’une complicité qui éclate ici au grand jour, au long de dix compositions originales dégagées de tout impératif autre que l’expression d’une passion partagée.

Previously unreleased. Stereophonic sound.1-4 recorded 11th November 1973. 5-8 recorded 22nd December 1974.

Singer-songwriter Jon Allen returns with his highly anticipated seventh album, Seven Dials, a raw and captivating exploration of the darker corners of London's Covent Garden in the 18th century. Known for his soulful voice and well-crafted songs, Allen delves into the heart of a time when the streets were teeming with vice and debauchery, painting a vivid picture of the struggle, sin, and survival that defined this notorious district.

Norwegian alt-pop superstar AURORA announces her fourth studio album ‘What Happened To The Heart?’, due for release on June 7th. The announcement comes hand in hand with news of her UK/EU tour, which begins in September, and includes her biggest UK headline show to date at the Royal Albert Hall in London. ‘What Happened To The Heart?’ is a journey from weakness to strength, from self-destruction to self-healing. A poignant and introspective musical journey that explores the loss of spiritual connection in modern society, the healing power of vulnerability, and the call to ignite change through reuniting the heart with politics and personal growth. Working with a selection of incredible producers, ‘What Happened To The Heart?’ promises to cement AURORA as an artist like no other.

Lael Neale’s minimalist drone pop draws inspiration from the Transcendentalists, the alienation of modern life, and a rich array of musical influences—ranging from Dionne Warwick and John Lennon to primitive American gospel and Spacemen 3. Her expansive new record, Altogether Stranger was written and recorded in the early morning quiet of Los Angeles. Clocking in at just 32 minutes, the 9-song LP covers an unexpected breadth of musical and lyrical terrain—from garage rock nursery rhymes and creation myths to Motorik dance dirges and solitary Omnichord meditations.

Loscil (aka Scott Morgan) returns to kranky with Lake Fire, a nine-track offering of ash-laden sonics that mine the tension within the cycle of destruction and rejuvenation. Lake Fire is the result of a disjointed creative process. Originally conceived as a suite for electronics and ensemble, most of the original compositions were deserted, save for Ash Clouds, featuring James Meager on double bass. The remaining tracks were reshaped and remixed, built anew out of the remnants of the abandoned work. The result is a phoenix, an album burnt to the ground only to be reassembled out of its cinders. Fragments of the original lurk beneath a densely overpainted canvas of sound.

Get our NEW music project “HITS ANNIVERSARY EDITION” will be released on MAY 2! On it, we went back in the studio and RE-recorded all of our number one hits for you. You can pre-save the album at the link below, from all of the major streaming platforms.

"Radio Free Europe" is the debut single by American alternative rock band R.E.M., released in 1981 on the short-lived independent record label Hib-Tone. The song features "what were to become the trademark unintelligible lyrics which have distinguished R.E.M.'s work ever since." The single received critical acclaim, and its success earned the band a record deal with I.R.S. Records. R.E.M. re-recorded the song for their 1983 debut album Murmur. The re-recording for I.R.S. became the group's first charting single, peaking at number 78 on the Billboard Hot 100 chart. The song is ranked number 174 in Rolling Stone's 2024 list of the 500 Greatest Songs of All Time. In 2009, it was added to the Library of Congress's National Recording Registry for setting "the pattern for later indie rock releases by breaking through on college radio in the face of mainstream radio's general indifference."

Christopher Cross' 1979 Self-Titled Debut Album on 2LP. This Expanded Edition Includes 11 Rare & Previously Unissued Tracks. Mastered & Restored by Bernie Grundman & Michael Graves. In the late 1970s, disco and hard rock ruled the charts and there was seemingly no room for a fresh unique sound. Enter Christopher Cross and his now classic self-titled first album. Originally from San Antonio, TX, and known as an exceptional guitar player besides being a tremendous songwriting talent, Christopher Cross was released in the last month of the 1970s and its first single "Ride Like the Wind," with the ubiquitous Michael McDonald on backing vocals, began a five-plus month run on the Billboard Hot 100 in February, peaking at #2 in April of 1980.

Pianist Frank Kimbrough's untimely passing—on December 30, 2020—left a void in the world. Nothing can or ever will fill it, but his work and influence sound eternal, resonating and rippling across space and time.

Norwegian musician, artist and novelist Jenny Hval announces her new album, Iris Silver Mist, out on 2 May, the lead single/video ‘To be a rose’, and a UK/EU tour. I

Maddie & Tae will be releasing their 3rd studio album with 16 brand new songs. Together as longtime friends and music collaborators, Maddie Font and Taylor Kerr previously drew praise for their 1-2 punch project Through The Madness Vol. 1 and Vol. 2, and their No. 1 debuting The Way It Feels album.

“After paying dues for over a decade, The Fifth are putting the pedal down in an all-out push for higher ground with their debut full-length album from RFK Media “We Are One,” releasing May 2nd, 2025, on CD and all digital platforms worldwide.