Jazz trumpeter Jon Faddis records a satiny, swinging album that celebrates the old and the new. The recording showcases the multi-faceted musician with support from a handpicked 14-piece jazz orchestra.

João Gilberto (born João Gilberto do Prado Pereira de Oliveira – Portuguese: [ʒuˈɐ̃w ʒiwˈbɛʁtu]; 10 June 1931 – 6 July 2019) was a Brazilian guitarist, singer, and composer who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world, he was often called the "father of bossa nova"; in his native Brazil, he was referred to as "O Mito" ("The Legend"). In 1965, the album Getz/Gilberto was the first jazz record to win the Grammy Award for Album of the Year.

NEW ORLEANS LOUISIANAEric second album for Ruf Records with band membersTERRY SCOTT, JR DRUMSWILL REPHOLZ BASSEric Johanson GUITAR & VOCALS

Dakota Staton (June 3, 1930 – April 10, 2007) was an American jazz vocalist who found international acclaim with the 1957 No. 4 hit "The Late, Late Show". She was also known by the Muslim name Aliyah Rabia for a period due to her conversion to Islam as interpreted by the Ahmadiyya Muslim Community.

The dreamlike and limpid jazz inspired by the saxophonist Sylvain Le Ray! "Soul Dust" evokes the human ability to project oneself into a fascinating imagination. Inspired for years by mythologies and traditional cultures, Sylvain Le Ray has built here a rich and contemplative musical universe, nourished by the aesthetics of music in the image.

We are Karolina and Iwo, and we are thrilled to have you with us on a journey through A Different History of Music which we feel is Imagique - a little word play that we came up with by combining 'imagine' and 'magic'.

John R. Cash (born J. R. Cash; February 26, 1932 – September 12, 2003) was an American singer-songwriter. Most of Cash's music contains themes of sorrow, moral tribulation, and redemption, especially songs from the later stages of his career. He was known for his deep, calm, bass-baritone voice, the distinctive sound of his backing band, the Tennessee Three, that was characterized by its train-like chugging guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, and his free prison concerts. Cash wore a trademark all-black stage wardrobe, which earned him the nickname "Man in Black".

Maria do Carmo Miranda da Cunha GCIH, OMC[1] (9 February 1909 – 5 August 1955), known professionally as Carmen Miranda (Portuguese pronunciation: [ˈkaʁmẽj miˈɾɐ̃dɐ]), was a Portuguese-born Brazilian singer, dancer, and actress. Nicknamed "The Brazilian Bombshell", she was known for her signature fruit hat outfit that she wore in her American films.

Dean Martin (born Dino Paul Crocetti; June 7, 1917 – December 25, 1995) was an American singer, actor, and comedian. Nicknamed the "King of Cool", he is regarded as one of the most popular entertainers of the mid-20th century. Martin gained his career breakthrough together with comedian Jerry Lewis, billed as Martin and Lewis, in 1946. They performed in nightclubs and later had numerous appearances on radio and television and in films.

orma Deloris Egstrom[a] (May 26, 1920 – January 21, 2002), known professionally as Peggy Lee, was an American jazz and popular music singer, songwriter, and actress whose career spanned seven decades. From her beginning as a vocalist on local radio to singing with Benny Goodman's big band, Lee created a sophisticated persona, writing music for films, acting, and recording conceptual record albums combining poetry and music. Called the "Queen of American pop music", Lee recorded more than 1,100 masters and co-wrote over 270 songs.

John R. Cash (born J. R. Cash; February 26, 1932 – September 12, 2003) was an American singer-songwriter. Most of Cash's music contains themes of sorrow, moral tribulation, and redemption, especially songs from the later stages of his career.

Uhlmann Johnson Wilkes' is the debut album from Gregory Uhlmann (SML, Anna Butterss, Duffy x Uhlmann, Perfume Genius), Josh Johnson (SML, Jeff Parker ETA IVtet & New Breed, Meshell Ndegeocello, Anna Butterss, Leon Bridges), and Sam Wilkes (Sam Gendel, Louis Cole, Chaka Khan). The three improviser/arranger/producers’ impressive individual credits encompass such a wide stylistic pendulum swing that a collection of group music from the trio could mine any number of musical territories with masterful results. In these 11 instrumental songs, the trio explores a spacious lyrical curiosity that could be described as a jazz-informed take on progressive electro-acoustic chamber music.