Sarah Jane steps from St Louis ,with her lush sultry voice in the tradition of a “red hot mama”, along with the Blue Notes to bring you horn infused swingin’ hot jazz and St Louis blues from the 1920s to the 40s.

Revolver, who put the band on their cover in 2020, observed AUGUST BURNS RED “embrace the pain so well.”

Realeased by Nota Bene Records 24 March 24, 2023. Die Zauberflöte, K. 620: "Ouverture" performs Zagreb Woodwind Trio & Zoran Novačić.

Enrico Maria Polimanti si muove con sicurezza all’interno di un repertorio che si estende da Lodovico Giustini a Caroline Shaw.

Legendary jazz pianist Red Garland teams up with the perfect complementary rhythm section of Sam Jones on bass and drummer Roy Brooks on this 1971 recording, Garland's first recording after a nine year absence. Auf Wiedersehen features covers of tunes by Joe Henderson, Clifford Brown and Dizzy Gillespie along with originals such as the title track, a romantic ballad that has Garland saying a pianistic “goodbye” with a nod to Nat King Cole.

Philip Catherine is a Belgian jazz guitarist. He has been on the forefront of the European jazz scene since the sixties. His lond career includes work with many great artists like Chet Baker, Stéphane Grappelli, Charles Mingus, Dexter Gordon, Larry Coryell, Tom Harrell; his unique approach and sound, his dedication to music have been important and influential. "September Man" is his second solo album, released in 1974 via Atlantic label.

Jonny Teupen was one of the few who could make the harp swing. The late German musician, a classically trained harpist and composer who could play in an orchestra as well as any jazz band, enlisted top musicians from both jazz and rock to back him on this 1969 recording. The Günter Kallmann Choir, at the time internationally renowned, takes care of the nostalgic mood on Teupen’s relaxing “easy listening” compositions. What’s more, the nine-piece vocal group could come up with a swinging scat chorus. Teupen’s love for modern jazz is shown on the piece Harp Revolution; every member improvises over the theme and even dares venture into the realm of free jazz.

Lukáš Vondráček and Sergei Rachmaninov. Scarcely do we encounter a connection between a musician and a composer so close, strong and energising. When, at the age of 15, Vondráček was invited by Vladimir Ashkenazy and the Czech Philharmonic to perform Rachmaninov’s Concerto No. 1, he had garnered international acclaim at numerous concerts and competitions. Just a year later, the pianist toured the USA and appeared at Carnegie Hall. At the age of 29, he triumphed at the Queen Elisabeth Competition in Brussels (2016), performing Rachmaninov’s Concerto No. 3, conducted by Marin Alsop.

Deleted Scenes from the Cutting Room Floor is the debut album by Dutch singer Caro Emerald. The album was conceived, written and produced as a studio project by David Schreurs, Vincent Degiorgio, Jan van Wieringen and Caroline van der Leeuw, and released in the Netherlands with Emerald as the starring artist on 29 January 2010 on their own label Grandmono.

The penultimate volume of Mozart’s works performed by Walter Gieseking for his bicentenary homage. This series includes the most famous sonatas of Mozart’s maturity such as the Turkish March and the Linz sonata.

The competition from Berlin sees Beethoven more as the forefather of modern orchestral language par excellence and relies on targeted pathos. But Herbert von Karajan's interpretation of the nine symphonies with the Berlin Philharmonic from the sixties has long been a piece of recording history.

This Da Vinci Classics album focuses on the soundtrack of an ancient Italian film, the subject of which is taken from a poem by Fausto M. Martini (1915). The film was made by Nino Oxilia and covered with sounds by Pietro Mascagni. The film revisits the myths of Faust and Dorian Gray, seen from a female perspective. Mascagni, whose fame was based mainly on his operas, sensed the potential of cinema which he considered as the future of opera, or the artistic expression that would replace singing theater as the public's preferred means of entertainment.

Brett Scott is Associate Professor of Ensembles and Conducting at the University of Cincinnati’s famed College-Conservatory of Music, where he conducts the CCM Chorale, teaches conducting and literature at the graduate and undergraduate level, and is Music Director of Opera d’arte. Under his direction, the CCM Chorale released its first commercial recording, Lux Dei—New Works for Choir by Douglas Knehans, through Ablaze Records, and has begun production of its second recording, focusing on sacred music for choir and electronics.

Born in Fiesole in 1986, Jacopo Salvatori is a pupil of pianist Maurizio Baglini at the Fondazione Musicale Monteverdi of Cremona. He first approached the piano when he was only four; two years later he began his piano studies at the Music School of Fiesole. He then graduated "cum laude" and with honourable mention at the “Girolamo Frescobaldi” Conservatory of Ferrara.

Born and raised in Vienna, Austria, Johannes Fleischmann epitomizes the young and aspiring artists of this vibrant city. As the “Viennese Violinist” he has developed a remarkable repertoire – consisting of hidden beauties and highly-valued treasures of varied eras. His versatility and passion for chamber music are evident in multiple collaborations with outstanding musicians like Norman Shetler, Christopher Hinterhuber, Hyung-ki Joo, Christoph Ulrich Meier, Julius Berger, José Gallardo and the Neue Wiener Concert Schrammeln.