Ali Hirèche was born in 1976 in Paris, where he started his musical training with the Spanish pianist and composer Antonio Ruiz-Pipó.

Remembered today for the Olympic Anthem, Spyridon Samaras was the most distinguished Greek composer of his day and the first to gain international recognition.

Big Mess marks Elfman's first solo collection in more than thirty years, but it's no return to form. Clocking in at 18 tracks, the sprawling, ambitious double album finds the Grammy and Emmy Award-winning composer breaking bold new ground as both a writer and a performer, drawing on a dystopian palette of distorted electric guitars, industrial synthesizers and orchestra in an effort to exorcise the demons brought about by four years of creeping fascism and civil rot.

The legendary 101 Strings Orchestra invites the audience into the Soul of the Gypsies on this wonderful legacy release.

Steinway artist & composer, Chad Lawson's solo work has a relaxed, meditative feel that draws on both the sonorities of classical music and the freeform nature of jazz improv.

In the programming of this CD production, the artist specifically pays attention to finding the way to the musical language of the composers. For years, Seung-Yeun Huh has dedicated herself to the music of Mozart, Liszt and Schubert in order to connect the human beings and the lives of the composers with their existence and to internalise them. A great challenge! The artist has the highest respect for German Romanticism. She ventured into Schumann's work very cautiously and with many open questions.

André Luy (12 January 1927 – 6 April 2005) was a Swiss classical organist.

One of the greatest jazz trombonist sui generis, a phenomenon who has recorded for ECM, Blue Note and! K7, the other is one of the best Italian vibraphonists. On 11 June Gianluca Petrella and Pasquale Mirra will release the album Correspondence for Tǔk Music.

PRIMAVERA I the wind is the first collection in a momentous series encompassing 81 world premieres for solo cello. This digital album presents 14 new commissions by The Primavera Project for groundbreaking, multi-Grammy nominated cellist Matt Haimovitz. Each composer responds to Sandro Botticelli’s enigmatic painting, Primavera, and the prophetic large-scale triptych, Primavera 2020, by world-renowned contemporary artist Charline von Heyl.

Acclaimed pianist Inna Faliks breaks new ground with REIMAGINED on Navona Records, an homage to Beethoven and Ravel which manages to do the impossible: be breathtakingly innovative while remaining respectful to the source material.

Grigori (Grigory) Samuilovich Frid was a distinguished member of the generation of composers born in Russia just before the Revolution of 1917. Frid’s significant corpus of piano music can trace its lineage to Tchaikovsky, Mussorgsky and Stravinsky, and his skill in conjuring entire worlds in music can be heard throughout this recording.

Penderecki wrote music for string quartet over a period of 56 years. His String Quartet No. 1 was written in the same year that he achieved international success with Threnody (Naxos 8.554491), and includes a wide range of playing techniques reflective of the avant-garde.

Seraphic Fire celebrates the release of its newest recording, Hildegard von Bingen: Ordo virtutum, with a performance of the work in a new production by lauded opera and Broadway stage director Francesca Zambello.

The twice-Grammy-nominated Lincoln Trio — violinist Desirée Ruhstrat, cellist David Cunliffe, and pianist Marta Aznavoorian — offers engaging, rarely heard piano trios by 20th-century Chicago composers Leo Sowerby, winner of the Rome Prize and Pulitzer Prize for music, and Ernst Bacon, recipient of three Guggenheim Fellowships and a Pulitzer Fellowship.

This selection of pieces for mandolin and guitar represents the rich variety of music from Israel. Styles range from the diaspora of Babylonian Jewry through European klezmer traditions, and Balkan Ladino songs, to contemporary influences from America. Paul Ben-Haim and Marc Lavry pioneered the use of music originating in the Jewish East, and Jan Freidlin continues the tradition, employing Oriental dance figures in his music. Oren Lok’s Ahava is an homage to love, while Ittai Rosenbaum’s Duet offers a vibrant and jazzy conclusion to this wide-ranging conspectus.